[rec.music.reviews] Various - Some Of The Interesting Things You'll See On A Long-Distance

awrc@lfcs.edinburgh.ac.uk (Al Crawford) (06/14/91)

Some Of The Interesting Things You'll See On A Long-Distance Flight

Various Artists         Les Disques Du Crepuscule TWI 082-2

22 Tracks               Total Running Length : 76 min 49 sec

SOTITYSOALDF was originally a cassette only release on Crepuscule back in
1982. It later reappeared on vinyl in Japan and has now appeared, with a
number of changes, on compact disc.

The album is an aural record of a varied cabaret/music/drama/revue of
Crepuscule artists that dotted around France, Belgium and the Netherlands
(with a token stop in London) in the February of 1982. The artists involved
with the tour (which had a rotating running order) were centred around the
core of Durutti Column, Richard Jobson, The Names and Paul Haig. Others
who appeared included Antena, Marine, several members of Tuxedomoon and
Wally Van Middendorp.

Van Middendorp acts as a compere and master of ceremonies for the show,
separating the various artists with a bizarre mix of blank verse and
general spoken word weirdness. He also has to cope with what appear to be
hecklers although, given the thick Scottish brogue of the heckling voices
it's quite possible that it's just Jobson mucking about.

The Richard Jobson contribution to the show is from his "I am a serious
artist" period which came between his time with new wave Big Country
precursors The Skids and his move into TV and radio as a presenter,
model and occasional solo artist. Jobson speaks, nay, orates his poems
over a musical backdrop provided by, amongst others, Blaine Reininger and
Steven Brown of Tuxedomoon. And, um, it's certainly different. You can
almost see him standing in heroic pose and emoting. Shame that most of the
audience couldn't understand a word he was saying :)

Next up are three Durutti Column tracks, "Danny", "Madness" and "For Friends
In Belgium". I've not heard a great deal of DC but these came across as
rather pleasant, relaxed instrumental pieces. They're also one of the few
places on the disc where the poor (pseudo-bootleg) sound quality isn't too
apparent.

Following another spot of Middendorp weirdness we move into four tracks by
what was seen as the centrepiece of the show, Paul Haig and RoL. This show
was in 1982, just after Haig's critically acclaimed group Josef K had
split and at a time when Haig was very much the indie golden boy of the
music papers. Given all the hype, the RoL set is rather disappointing. It
includes the Jo K track "Chance" and three of his early solo compositions,
the strongest of which is probably "Justice". The sound quality lets them
down a bit, since the vocals are occasionally inaudible and the keyboards
sound cheap, tinkly and intrusive. Still, the material is good enough and
there's even a nice moment where they screw up the intro to "Justice" and
have to start again.

Next up are a couple of tracks by Antena. Slightly out-of-tune female
vocals over shlocky synths. Maybe they sound better when they aren't
trying to fit into a cabaret style. I certainly hope so. The tracks, FYI,
are "The Boy From Ipanema" and "Silly Things".

Last up (after more Wally weirdness) are five tracks by The Names from
Belgium. I'd never heard anything by them before (never heard of them
before, actually) but I was rather impressed by this. Dark guitar, bass
and synths more than a little reminiscent of Joy Division. Rather good,
but the sound quality is dodgy in places.

The track listing differs from that of the original cassette. Due to the
poor sound quality, a number of tracks have been dropped. And believe me,
if they were worse than some of the tracks on this disc, they must have
sounded terrible. They've replaced them with other tracks though, and the
Durutti Column, Names and Antena tracks on this disc have never been
released before. In the case of the Antena tracks this is probably a
mixed blessing.

The inlay booklet is excellent, containing a miniaturised reproduction of
the original programme, an reproduction of an article from Sounds magazine
describing the show plus a few additional comments.

So is it worth buying? Well, unless you are a fan of one of the artists
involved, not really. Some of the material is quite frankly awful and they
know it - the booklet thanks the artists "for allowing this potentially
embarrassing material to re-appear".

ErlandRating :- +2 if you are completist fan of one of the artists
involved. 0 (for the curiosity value) otherwise.



--
		   Al Crawford - Al_Crawford@edinburgh.ac.uk
			      "Click Click Drone"