[rec.audio.high-end] Mercury Living Presence [35mm] CD's

jas@proteon.com (John A. Shriver) (09/28/90)

I've bought a pair of the CD's, and have found it an interesting
experience. 

First of all, the list of what they have released, along with original
LP numbers (from memory, may not be right):

432 000-2	Balalaika Favorites (SR90310)
432 001-2	Dvorak: Cello Concerto (SR90303)
		Bruch: Kol Nidrei
		Tchaikovsky: Rococo Variations (SR90409)
		Janos Starker, cello
		Antal Dorati/LSO
432 002-2	Liszt: Piano Concertos #1, #2
		Bryon Janis, piano
		Kondrashin/Moscow Philharmonic (#1)
		Rozhdestvensky/Moscow Radio Symphony (#2)
432 003-2	Ibert: Escales
		Ravel: Rhapsodie Epsagnole, Alborado del gracioso,
			La Valse, Pavane pour une infante defunte,
			Le Tombeau de Couperin (SR90313, SR90213)
		Paul Paray/Detroit Symphony Orchestra
432 004-2	Prokofiev: Romeo & Juliet Suites 1 & 2
		Skrowaczewski/Minneapolis
		Mussorgsky: Night on Bald Mountain
		Dorati/LSO
432 005-2	Kodaly: Hary Janos Suite
		Bartok: Hungarian Sketches, Roumanian Dances
		Dorati/Minneaspolis (SR90132)
		Kodaly: Dances of Galanta and Marosszek
		Dorati:Philharmonica Hungarica (SR90179?)
432 006-2	Vienna
		Schoenberg: Five Pieces for Orchestra
		Webern: Five Pieces for Orchestra
		Berg: Three Pieces for Orchestra (SR90316),
			Lulu Suite (SR90125)
		Dorati/LSO
432 007-2	Resphigi: The Birds, Brazilian Impressions (SR90153)
		Dorati/LSO
		Resphigi: The Pines of Rome, The Fountains of Rome
		Dorati/Minneapolis
432 008-2	Hanson: Symphony #1 "Nordic"
			Symphony #2 "Romantic (SR90192)
			Song of Democracy (SR90150)
		Hanson/ERO
432 009-2	British and American Band Classis
		Fennell/EWE

(The only repertory choice I found surprising here is the
Prokofiev/Mussorgsky.  The LP's of these don't have the same demand as
the others.  Of course, the music sells well to the general public.)

I got mine last week at Tower Records, where they were on sale for
$8.99.  It looks like they are heading for a sellout of the first
shipment.  The stock in the "New Releases" bins was nearly depleted, I
had to use the list on the package to check for the others in the
"Composer" bins.  So far as I could tell, the Hanson was already sold
out.  (No surprise there.)

Technical details: They restored the orignal Ampex 350-3 and the
Western Electric film decks and tube electronics.  (Probably the
orignal Everest/Mercury film machine.)  The A/D is "128 times
oversampling with proprietary noise-shaping technicques".  They give
full recording dates, equipment, and personnel.  They use the orignal
cover art and liner notes.  Playing times 65 to 70 minutes.  A class
act all around.  The sheet listing the releases says" America's most
valuable recordings just became better..."  We'll see about better,
but the orignal LP's are damn expensive (up to $150 each in Boston).

I bought the Dvorak and Ravel CD's.  I've never found copies of the
Ravel LP's (even the Golden Imports), so I can't compare.  However, I
have much experience with the Dvorak.

I have SR90303 in RFR3 and RFR4 (the compressed one) pressings.  I
have had the Golden Imports (and will borrow it back from the current
owner for ruther comparisons).  I have the orignal Philips Silver Line
CD reissue, 420 873-2, which I bought in England (it was never
released in the US).  This is the one of the series done by the
reissue engineer who wrote the flame letter to TAS for tarring his
work with the same brush that has been applied to the Golden Imports,
and bragged about his "Swiss Kili film transport".

The worst of all, by far, is the Silver Line CD.  It was obviously
inferior to the Golden Imports.  The tone is not good, the horns sound
like they were noise gated.  Altogether unpleasant.  Too bad it's not
readily available, it shows how imperfect first generation CD's will
prove to be.

As I remember, the Golden Imports just had a lot of haze and
compression, but still had decent low level resolution.  It was a
decent record, so long as you did not compare it to the stunning
orignal LP. 

The new CD is not bad at all.  Tonally, it is a dead on match to the
orignal LP.  Starkers cello tone is a dead match.  The dynamics seem
fine, too.  There are spatial problems, a lack of depth, the body of
the cello, but I could well blame this on my Magnavox CDB473 (only
mode is to bypass the remote volume control).  I would not condemn
this disk without using a CD player which is of high quality, which
the CBD473 isn't without modifications.

(Rest of system: Grado MCX/MCZ, Sumiko MMT, Walker CJ55 Turntable,
Curcio Daniel preamp, Dynaco Stereo 70 [Wonder Caps], Theil CS2,
mundane Monster interconnects.  Ears: at least 6 BSO concerts a year,
threshold of hearing -5 dBA.)

I'd say go buy them for the music, sound, and performance.  Don't
expect them to better the original LP, but they are close.  Do replace
the Golden Imports with them.  They won't hurt your ears.  Encourage
Philips, make them happy, hopefully that will speed up the LP reissue
program.  (If the LP reissues don't happen soon, there will be no
place to press them!)

For information on future releases in this series, write to:
	Mercury Living Presence
	PolyGram Classics
	825 Eighth Avenue
	New York, NY  10019

Thank you, Wilma Cozart.