[rec.audio.high-end] records

Steve_Graham@ub.cc.umich.edu (12/05/90)

I am reminded anew of my quarrel with Polygram by having just listened
to what used to be a lovely record, Argo ZRG 5440 (lorries and all),
Britten's Ceremony of Carols/Missa Brevis/Rejoice in the Lamb form 1966.
This was the first inkling I had that something was amiss.
I bought a copy of this record just as Polygram was taking over.  It was
a Decca pressing, and sounded just the way I remembered it, except that
it was really terribly noisy to the point of real distraction.  (Now
I realize what I didn't then suspect, that it probably could have benefitted
from a good cleaning.)  I took it back and exchanged it for a new copy.
The new one was a Philips.  At first glance I though, "great!  Philips
makes nice, quiet pressings".  Silly me.  The person (expleteve deleted)
who remastered it choose to up the level by at least 6 dB (!) with the
result that all the climaxes are horribly distorted, where they had been
clean ever since 1966.  On side 1, that is.  Side 2 isn't too bad.
Most of (or at least much of) the original recording's appeal is still
there, but the distortion is really awful.  I could probably deal with it
now that I have a V15 VMR, but it has been chewed by the lesser tracking
cartridges I had previously.  (And it's so hot that actually I'm not
completely certain that the Shure would handle it, but suspect that it
would.)  Certainly it gave the radio station's Stanton 681 SE's fits,
and those are sort of a standard.  If a record doesn't track fairly
cleanly on those there ought to be an awfully good reason for it. 
(Sibilances excepted.)  I'm not talking about shhhhpitty sibilance
here, I'm talking about hard clipping on both voice and organ, completely
without reason.  Certainly the pressing is good enough to avoid this
level cranking.  Arrrgh!  I complained in a letter to Polygram and got
back the typical "we try to be perfect but the odd defective pressing
does get through...please return for inspection" form letter.  Defective
pressing my left foot.  Defective sensibility of a mastering engineer
more like.  Why can't I do this and get paid for it?  I'd love to, and would
try not to inflict such senseless damage.
End of tirade, thanks for listening.