[rec.audio.high-end] Source of test records needed

hamilton@brahms.udel.edu (Andrew W Hamilton) (04/10/91)

I just bought a Shure V-15 V-MR cartridge (like it a lot! - but that's another
story) and when I sent in my registration to receive their "Audio Obstacle
Course" test record was told that they are no longer being made.  It seems that
this is happening with a lot of test records.  The only ones I have been able
to find are ancient ones at Goodwill stores and the like; records from the days
when stereo was new!  I know that Old Colony has the CBS test records, but I
have heard that they are not very useful.  What I am looking for is a record
(or records) with a wide range of test tones, and some tests to help me make
sure that my turntable and cartridge are set up/wired/tracking properly.  Also,
some well-recorded musical selections for evaluating systems would be nice, 
too.  Do any of these records still exist?

Thanks in advance.
J. P. Grenert
hamilton@brahms.udel.edu
 

chowkwan@priam.usc.edu (Raymond Chowkwanyun) (04/11/91)

The Swedish record label Opus 3 has a test record for
depth of image.  It's listed as AOP OP7900 in Acoustic 
Sounds catalog 800 525-1630.  

Personally, I find test records of little use.  It's a nice
idea.  If your system can play this record, then it will play
anything well.  It certainly would save a lot of time if
such a record existed.  Unfortunately, the world isn't that
simple.  When I was auditioning Classe vs. MFA pre-amps,
I found I preferred the sound of the above-mentioned Opus 3
disc on the Classe but that the other recordings I used
sounded better on the MFA.  Use of the test record alone
would have led me to buy the wrong unit.  

This is not to say that somewhere out there there isn't 
a magic test record that will indeed reveal all.  I'm saying
guard against easy assumptions and until you find that magic
record, it's better to rely on a representative sampling from
your own collection.  

I usually bring along 1 jazz, 1 classical,
and 1 rock LP.  Also, it's good to have examples of those old
standbys violin and piano.  Both are notoriously difficult to
record and reproduce.  It also helps to have listened to these
instruments live within a few days of doing your auditioning.
Human voice is also a useful yardstick because we all know
what it should sound like.

-- ray

rjn@hpfcso.fc.hp.com (Bob Niland) (04/12/91)

/ hpfcso:rec.audio.high-end / hamilton@brahms.udel.edu (Andrew W Hamilton) /  6:53 am  Apr 10, 1991 /

re: chowkwan@priam.usc.edu (Raymond Chowkwanyun) writes...

> Human voice is also a useful yardstick because we all know
> what it should sound like.

The Stereophile Test CD (STPH-002-2) has a track (5) with J.Gordon Holt
reading the text of "Why Hi-Fi Experts Disagree".  Each of the 18 indexed
cues is recorded with a different "high end" microphone.  Even on this
prosaic vocal material, the differences between mics is astonishing.

Regards,                                              Hewlett-Packard
Bob Niland      Internet: rjn@FC.HP.COM               3404 East Harmony Road
                UUCP: [hplabs|hpfcse]!hpfcrjn!rjn     Ft Collins CO 80525-9599