byron@pyr.gatech.EDU (Byron A Jeff) (09/29/89)
Todd: My mail to you bounced. So I'm posting my reponse. > >~----------- --------- --------- -------- -------- -------- -------- >~|8 |--|Analog |--|Filters|--| |---| | | | | | >~|Audio |--|Multi- | | and | | ADC | | DSP |--| DAC |--|Filter| >~|channels |--|plexors|--| S/H |--| |---| | | | | | >~----------- --------- --------- -------- -------- -------- -------- > ^^ ^^^ > Eight lines here. There should be two lines since it > is a dual ADC. I don't have all the specs yet. I hadn't had a chance to read the article. The two observations you made above are correct. > >Sounds like it might be feasible. Does it have serial or parallel output? > >Serial > 44.1 kHz * 4 channels * 16 bits/channel = 2.822 MHz > >I think the 56000 can handle this. Only half of what you need, though. >You might be able to do it with the TM$32030, as it has two serial inputs. Even if it were serial I'd probably just shift it into shift registers and read in the parallel outputs when all of the bits of a complete sample has been shifted in. > >Parallel > Either 56000 or 32020 can handle this, if you can figure >out a way to merge the data streams. > >~If samples can be obtained for ~$50 then a box for between $200 to $300 >~could be realized. If the DSP is fast enough then another ADC could >~easily be added for a grand total of 16 channels. > >Your biggest problem is that the samples are not arriving at the same >time. Actually, I guess you could use an interrupt routine to store all >the samples, then have the DSP act on them when all have arrived. That's exactly what I was thinking. Something along these lines: Sample 1 Sample 2 Sample 3 Sample 4 Output of mix of the 4 above samples. --------Time Axis---------> > >Remember that since you are using an analog MUX, the samples can't all >be done at EXACTLY the same time, so there will be a slight delay between >all of the channels. I'm brand new in this domain. I have no clue what the effect of the delay between channels will be. Can you give me an idea? > >Also, if it is serial, you'll have to use TWO 56000s and have them >talk to each other (not really that hard). Could do some killer >filtering, though. Again with some parallel shift registers that problem disappears. Right off the top of my head I think you can clock a 74LS164 at 30 Mhz so the speed is not a problem. Another reponse I saw indicates that a 56001 wouldn't be able to handle mixing 8 channels much less doing any kind of EQ, reverb, etc. He suggested a DSP for each channel. I was of course in pain as this is strictly hobby material for me. Can you give me an idea of how much processing power a 56001 has? An estimate of how much of the above (getting data, mixing, providing effects) a single 56001 can do would be quite helpful. 2 I'd be willing to deal with but my whole concept is to reduce the parts count to a fairly small board. > >There might be some chips from AT&T that are cheap and have two >synchronous serial inputs. The TI chip I mentioned is expensive. > Also thanks for all of the articles you've been posting and the server (which I haven't had a chance to use yet). It's all been quite informative. Keep it up. Thanks also for the reponse. I'm saving all of the them and will summarize the results in a little while. BAJ -- Another random extraction from the mental bit stream of... Byron A. Jeff Georgia Tech, Atlanta GA 30332 Internet: byron@pyr.gatech.edu uucp: ...!gatech!pyr!byron
todd@ivucsb.sba.ca.us (Todd Day) (09/29/89)
byron@pyr.gatech.EDU (Byron A Jeff) writes:
~Even if it were serial I'd probably just shift it into shift registers
~and read in the parallel outputs when all of the bits of a complete
~sample has been shifted in.
What I was refering to was the *built-in* serial shift registers in
the DSP chips. That way, you wouldn't need the glue logic.
~>Remember that since you are using an analog MUX, the samples can't all
~>be done at EXACTLY the same time, so there will be a slight delay between
~>all of the channels.
~I'm brand new in this domain. I have no clue what the effect of the
~delay between channels will be. Can you give me an idea?
Ch 1 - delay - Ch 2 - delay - Ch 3 - delay - Ch 4
The delay will be the length of time it takes to switch from one
channel to the next via the MUX and then sample with the sample/hold.
Probably not very signifigant, but those who spend $1000 on interconnects
for their stereo systems would probably complain. Of course, they wouldn't
be listening to digital, anyway, would they? :-)
~Another reponse I saw indicates that a 56001 wouldn't be able to handle
~mixing 8 channels much less doing any kind of EQ, reverb, etc. He
~suggested a DSP for each channel.
I know that one chip can *at least* emulate a 2 channel 10 band 12 dB
equalizer from a Motorola app note. I wouldn't think that reverb would be
that tough to do.
--
Todd Day | todd@ivucsb.sba.ca.us | ivucsb!todd@anise.acc.com
"Ya know, some day these scientists are going to invent something
that can outsmart a rabbit" -- Bugs Bunnymikes@lakesys.lakesys.com (Mike Shawaluk) (09/29/89)
In article <1989Sep29.102204.8798@ivucsb.sba.ca.us> todd@ivucsb.sba.ca.us (Todd Day) writes: >byron@pyr.gatech.EDU (Byron A Jeff) writes: >~>Remember that since you are using an analog MUX, the samples can't all >~>be done at EXACTLY the same time, so there will be a slight delay between >~>all of the channels. >~I'm brand new in this domain. I have no clue what the effect of the >~delay between channels will be. Can you give me an idea? > >Ch 1 - delay - Ch 2 - delay - Ch 3 - delay - Ch 4 > >The delay will be the length of time it takes to switch from one >channel to the next via the MUX and then sample with the sample/hold. >Probably not very signifigant, but those who spend $1000 on interconnects >for their stereo systems would probably complain. Of course, they wouldn't >be listening to digital, anyway, would they? :-) Well, the delays would be eliminated if you used 4 sample & holds, up before the analog demux, no? Simply "hold" all 4 signals at the same time, and then demux them after they are frozen, then unhold & repeat the sequence. Of course, the other solution would be to have separate A/D's for each channel, as has been suggested in an alternate thread of this same subject. BTW, isn't this "delay" the same "problem" that's been mentioned with certain CD players, which use only one D/A converter for both channels, but mux the stereo outputs? One person (in a review I read) gave the analogy of standing 1 cm closer to one of the stereo speakers in the room while listening to a CD, as being the effect of this phase shift (i.e., the speed of sound vs. the delay). -- - Mike Shawaluk (mikes@lakesys.lakesys.com OR ...!uunet!marque!lakesys!mikes) "If spirit == essense, then spiritual == essential!" - me
byron@pyr.gatech.EDU (Byron A Jeff) (09/30/89)
-~[Byron] -[Todd] -~Even if it were serial I'd probably just shift it into shift registers -~and read in the parallel outputs when all of the bits of a complete -~sample has been shifted in. - -What I was refering to was the *built-in* serial shift registers in -the DSP chips. That way, you wouldn't need the glue logic. But as you stated it's only one channel unfortunately. If the design decision comes down to a choice of TI, 2 56001's, or external shift registers with a single 56001 I'll probably go with the external glue. How can I lose at $0.59 a pop? ;-) However if I turn out to need 2 56001's do handle the processing then I'll use the internal shift registers. I'm working on a shared memory controller between two 68008's and a 68010 right now for my kick-ass MIDI box. I might be able to apply it here somehow. - -~>Remember that since you are using an analog MUX, the samples can't all -~>be done at EXACTLY the same time, so there will be a slight delay between -~>all of the channels. -~I'm brand new in this domain. I have no clue what the effect of the -~delay between channels will be. Can you give me an idea? - -Ch 1 - delay - Ch 2 - delay - Ch 3 - delay - Ch 4 - -The delay will be the length of time it takes to switch from one -channel to the next via the MUX and then sample with the sample/hold. -Probably not very signifigant, but those who spend $1000 on interconnects -for their stereo systems would probably complain. Of course, they wouldn't -be listening to digital, anyway, would they? :-) I'm hoping it's not significant. And I can't hear the phase shift when I reverse polarities of the Monsta Leads to my $4000 Polk Audio speakers either ;-) - -~Another reponse I saw indicates that a 56001 wouldn't be able to handle -~mixing 8 channels much less doing any kind of EQ, reverb, etc. He -~suggested a DSP for each channel. - -I know that one chip can *at least* emulate a 2 channel 10 band 12 dB -equalizer from a Motorola app note. I wouldn't think that reverb would be -that tough to do. Good to hear. I could live with effects on the mixed signal even though having individual effects on each channel would be cool. Not worth eight 56001's cool though. - --- - -Todd Day | todd@ivucsb.sba.ca.us | ivucsb!todd@anise.acc.com -"Ya know, some day these scientists are going to invent something - that can outsmart a rabbit" -- Bugs Bunny After reading your series on building a beast and your discussion so far on this mixer I feel very optimistic about the idea. Thanks. BAJ -- Another random extraction from the mental bit stream of... Byron A. Jeff Georgia Tech, Atlanta GA 30332 Internet: byron@pyr.gatech.edu uucp: ...!gatech!pyr!byron
byron@pyr.gatech.EDU (Byron A Jeff) (09/30/89)
-[Todd and my discussion on delay] - -Well, the delays would be eliminated if you used 4 sample & holds, up before -the analog demux, no? Simply "hold" all 4 signals at the same time, and then -demux them after they are frozen, then unhold & repeat the sequence. Of -course, the other solution would be to have separate A/D's for each channel, -as has been suggested in an alternate thread of this same subject. I'm trying to maintain a minimum parts count on the box since I'm going to wire the prototype by hand. Separate ADCs eliminates the need for the 200Khz speed on the part at the cost of board space, wiring, and cost. The 4 S/H however is quite a viable solution. I'll probably run tests in the delay configuration and see what effect is has. If it's absolutly Godawful then I'd try the 4 S/H next. - -BTW, isn't this "delay" the same "problem" that's been mentioned with certain -CD players, which use only one D/A converter for both channels, but mux the -stereo outputs? One person (in a review I read) gave the analogy of standing -1 cm closer to one of the stereo speakers in the room while listening to a -CD, as being the effect of this phase shift (i.e., the speed of sound vs. the -delay). That's why I'm not going to worry about it 'til I hear a problem with it. - - Mike Shawaluk - (mikes@lakesys.lakesys.com OR ...!uunet!marque!lakesys!mikes) BAJ -- Another random extraction from the mental bit stream of... Byron A. Jeff Georgia Tech, Atlanta GA 30332 Internet: byron@pyr.gatech.edu uucp: ...!gatech!pyr!byron
brianw@microsoft.UUCP (Brian Willoughby) (09/30/89)
In article <9238@pyr.gatech.EDU> byron@pyr.gatech.edu.gatech.edu (Byron A Jeff) writes: >>Serial >> 44.1 kHz * 4 channels * 16 bits/channel = 2.822 MHz >> >>I think the 56000 can handle this. Only half of what you need, though. >>You might be able to do it with the TM$32030, as it has two serial inputs. > >Even if it were serial I'd probably just shift it into shift registers >and read in the parallel outputs when all of the bits of a complete >sample has been shifted in. Sure, why overwork the DSP? Question: how would you know which 16 bits make up a sample word? I.e. are there some kind of start bits which could be used to signal an interrupt. A good setup would involve clearing all the shift register bits to one state, and then shifting in until the start bit appears in the MSBit. Whatever polarity the start bit is, just clear the shift register to the opposite value and interrupt the DSP when a full word is ready. >>Your biggest problem is that the samples are not arriving at the same >>time. Actually, I guess you could use an interrupt routine to store all >>the samples, then have the DSP act on them when all have arrived. > >That's exactly what I was thinking. Something along these lines: > >Sample 1 > Sample 2 > Sample 3 > Sample 4 > Output of mix of the 4 above samples. > >--------Time Axis---------> Check out my posting on digital mixing using time-multiplexing. Based on Jeff Taylors zero-filling 'proofs' you should be able to send samples 1-4 through a digital filter and then directly into the 56000. It's as if each sample train were zero filled (3 zeroes) and then added to the other channels. You wouldn't have to use up any 56000 processing power to do the mixing. The digital filter between the time-multiplexed samples and the 56000 may not even be necessary, but you would need to filter the outputs at some point. >>Remember that since you are using an analog MUX, the samples can't all >>be done at EXACTLY the same time, so there will be a slight delay between >>all of the channels. > >I'm brand new in this domain. I have no clue what the effect of the >delay between channels will be. Can you give me an idea? Good question. CD manufacturers claim that using a single DAC for the two signals in a stereo recording introduces phase distortion when the audio waves recombine in the listening environment and cancellations occur which wouldn't have in the original source (I least that's what I gleaned from the mumbo-jumbo). If the delay is <= half the sampling period, then how can the cancelations be audible? Perhaps the cancellations could affect lower frequencies which are audible? In any event, those manufacturers are merely trying to sell you two DACs instead of one, when a single converter and a few sample and hold stages would realign the reconstructed signals. One S/H could be used to temporarily hold and delay whichever channel is output first, and then a pair of S/H amps could be simultaneously clocked for phase aligned sterio output. I think this would be a reasonable circuit if expanded to 8 channels (although you would need 15 S/H amps). That's assuming that the phase shifting is audible and you need to correct it. S/H is necessary on the analog output of any high quality DAC to avoid impulses caused by less-than-ideal settling times of the DAC output. Consider that it is impossible for all 16 bits to change at the same times in any non-ideal converter, especially considering that most transistors cut off at a different speed that they cut on. Example: assume that it takes longer to turn on a transistor so that 0 to 1 bit transitions take longer than 1 to 0 transistions. Then, for a digital sample changing from $8000 to $7FFF, you would first get $0000 on the DAC output before all the other 15 bits changed to $7FFF. Ugly and BIG spike! Analog sample and hold allows the outputs to be disconnented from the DAC during that spike, which holding the voltage from the previous conversion in a capacitor. Then, when the DAC output has settled (most DAC specs quote settling times in nsecs), the new voltage is 'sampled' by charging the cap. >Byron A. Jeff >Georgia Tech, Atlanta GA 30332 Brian Willoughby UUCP: ...!{tikal, sun, uunet, elwood}!microsoft!brianw InterNet: microsoft!brianw@uunet.UU.NET or: microsoft!brianw@Sun.COM Bitnet brianw@microsoft.UUCP
todd@ivucsb.sba.ca.us (Todd Day) (09/30/89)
brianw@microsoft.UUCP (Brian Willoughby) writes:
~Sure, why overwork the DSP? Question: how would you know which 16 bits
~make up a sample word? I.e. are there some kind of start bits which
~could be used to signal an interrupt. A good setup would involve
~clearing all the shift register bits to one state, and then shifting in
~until the start bit appears in the MSBit. Whatever polarity the start
~bit is, just clear the shift register to the opposite value and interrupt
~the DSP when a full word is ready.
The serial port on the 56000 is completely independent of the ALU, etc
(i.e., it is like an on board peripheral). I was talking about using
the synchronous serial input. You supply it with a bit clock and a
word clock and it automatically does the serial to parallel conversion
*and* generates an interrupt when it's ready. Usually, my programs for
my board consist of a main loop that does absolutely nothing and an
interrupt service routine. The (nano)second I get a sample, the interrupt
routine starts executing. My service routine loads the parallel data,
operates on it, and then stores it to the serial output buffer. The
serial section of the chip then outputs the data when the next word
clock comes around, all independent of the *real* DSP hardware on the
chip.
--
Todd Day | todd@ivucsb.sba.ca.us | ivucsb!todd@anise.acc.com
"Ya know, some day these scientists are going to invent something
that can outsmart a rabbit" -- Bugs Bunnybyron@pyr.gatech.EDU (Byron A Jeff) (09/30/89)
In article <7905@microsoft.UUCP> brianw@microsoft.UUCP (Brian Willoughby) writes: -In article <9238@pyr.gatech.EDU> byron@pyr.gatech.edu.gatech.edu (Byron A Jeff) writes: ->>Serial ->> 44.1 kHz * 4 channels * 16 bits/channel = 2.822 MHz ->> ->>I think the 56000 can handle this. Only half of what you need, though. ->>You might be able to do it with the TM$32030, as it has two serial inputs. -> ->Even if it were serial I'd probably just shift it into shift registers ->and read in the parallel outputs when all of the bits of a complete ->sample has been shifted in. - -Sure, why overwork the DSP? Question: how would you know which 16 bits -make up a sample word? I.e. are there some kind of start bits which -could be used to signal an interrupt. A good setup would involve -clearing all the shift register bits to one state, and then shifting in -until the start bit appears in the MSBit. Whatever polarity the start -bit is, just clear the shift register to the opposite value and interrupt -the DSP when a full word is ready. I think I'd just attach a 4 bit counter that is clocked and cleared along with the shift registers. Then when the counters overflows I generate an interrupt. When I read in the parallel value in the shift register I clear the counter. Not completely thought out but that's the general idea. - ->>Your biggest problem is that the samples are not arriving at the same ->>time. Actually, I guess you could use an interrupt routine to store all ->>the samples, then have the DSP act on them when all have arrived. -> ->That's exactly what I was thinking. Something along these lines: -> ->Sample 1 -> Sample 2 -> Sample 3 -> Sample 4 -> Output of mix of the 4 above samples. -> ->--------Time Axis---------> - -Check out my posting on digital mixing using time-multiplexing. Based -on Jeff Taylors zero-filling 'proofs' you should be able to send samples -1-4 through a digital filter and then directly into the 56000. It's as -if each sample train were zero filled (3 zeroes) and then added to the -other channels. You wouldn't have to use up any 56000 processing power -to do the mixing. The digital filter between the time-multiplexed -samples and the 56000 may not even be necessary, but you would need to -filter the outputs at some point. The only question is what's the sample rate of the mixed signal? It would seem to be 8x the original sample rate yes? So for 8 48Khz channels I'd need a 384 Khz DAC. Ouch! - ->>Remember that since you are using an analog MUX, the samples can't all ->>be done at EXACTLY the same time, so there will be a slight delay between ->>all of the channels. -> ->I'm brand new in this domain. I have no clue what the effect of the ->delay between channels will be. Can you give me an idea? - -Good question. CD manufacturers claim that using a single DAC for the -two signals in a stereo recording introduces phase distortion when the -audio waves recombine in the listening environment and cancellations -occur which wouldn't have in the original source (I least that's what I -gleaned from the mumbo-jumbo). If the delay is <= half the sampling -period, then how can the cancelations be audible? Perhaps the -cancellations could affect lower frequencies which are audible? I have a CD player with a single DAC. My ears are not sharp enough to hear such distortion and I'm a musician. - -In any event, those manufacturers are merely trying to sell you two DACs -instead of one, when a single converter and a few sample and hold stages -would realign the reconstructed signals. One S/H could be used to -temporarily hold and delay whichever channel is output first, and then a -pair of S/H amps could be simultaneously clocked for phase aligned sterio -output. I think this would be a reasonable circuit if expanded to 8 -channels (although you would need 15 S/H amps). That's assuming that the -phase shifting is audible and you need to correct it. - -S/H is necessary on the analog output of any high quality DAC to avoid -impulses caused by less-than-ideal settling times of the DAC output. -Consider that it is impossible for all 16 bits to change at the same -times in any non-ideal converter, especially considering that most -transistors cut off at a different speed that they cut on. Example: -assume that it takes longer to turn on a transistor so that 0 to 1 bit -transitions take longer than 1 to 0 transistions. Then, for a digital -sample changing from $8000 to $7FFF, you would first get $0000 on the -DAC output before all the other 15 bits changed to $7FFF. Ugly and BIG -spike! Analog sample and hold allows the outputs to be disconnented -from the DAC during that spike, which holding the voltage from the -previous conversion in a capacitor. Then, when the DAC output has -settled (most DAC specs quote settling times in nsecs), the new voltage -is 'sampled' by charging the cap. This is the same explanation I got in Hal Chainberlin (sp) "Musical Applications for Microprocessors". I understand I'll need S/H and filters before the ADC and after the DAC. I was figuring on only one or two pairs of stereo outputs from the mixer so I don't think that many S/H are necessary on output. Someone suggested that the S/H is built into the ADC so that I can hook up the output from the CMOS multiplexor directly into the ADC. So only 2 S/H (or one if I decide to go with a single DAC) will be necessary (I hope). -Brian Willoughby -UUCP: ...!{tikal, sun, uunet, elwood}!microsoft!brianw -InterNet: microsoft!brianw@uunet.UU.NET - or: microsoft!brianw@Sun.COM -Bitnet brianw@microsoft.UUCP -- Another random extraction from the mental bit stream of... Byron A. Jeff Georgia Tech, Atlanta GA 30332 Internet: byron@pyr.gatech.edu uucp: ...!gatech!pyr!byron
brianw@microsoft.UUCP (Brian Willoughby) (10/02/89)
In article <1160@lakesys.lakesys.com> mikes@lakesys.UUCP (Mike Shawaluk) writes: >BTW, isn't this "delay" the same "problem" that's been mentioned with certain >CD players, which use only one D/A converter for both channels, but mux the >stereo outputs? You hit it right on the head. > One person (in a review I read) gave the analogy of standing >1 cm closer to one of the stereo speakers in the room while listening to a >CD, as being the effect of this phase shift (i.e., the speed of sound vs. the >delay). I had asked earlier about just how important it would be to correct such phase shifts. From the example of a room environment, I guess the answer is: not very bloody important. But, if the sound is to later be mixed - for monophonic broadcast, or any other need to combine the stereo signals electronically, not acoustically (where placement affects delay anyway) - then it does become important, merely because the result (with its peculiar frequency cancellations and reinforcements) would be different than it would without the shift. >-- > - Mike Shawaluk Brian Willoughby UUCP: ...!{tikal, sun, uunet, elwood}!microsoft!brianw InterNet: microsoft!brianw@uunet.UU.NET or: microsoft!brianw@Sun.COM Bitnet brianw@microsoft.UUCP
brianw@microsoft.UUCP (Brian Willoughby) (10/02/89)
In article <9247@pyr.gatech.EDU> byron@pyr.UUCP (Byron A Jeff) writes: >In article <7905@microsoft.UUCP> brianw@microsoft.UUCP (Brian Willoughby) writes: >-In article <9238@pyr.gatech.EDU> byron@pyr.gatech.edu.gatech.edu (Byron A Jeff) writes: >-Sure, why overwork the DSP? Question: how would you know which 16 bits >-make up a sample word? I.e. are there some kind of start bits which >-could be used to signal an interrupt. A good setup would involve >-clearing all the shift register bits to one state, and then shifting in >-until the start bit appears in the MSBit. Whatever polarity the start >-bit is, just clear the shift register to the opposite value and interrupt >-the DSP when a full word is ready. >I think I'd just attach a 4 bit counter that is clocked and cleared along >with the shift registers. Then when the counters overflows I generate >an interrupt. When I read in the parallel value in the shift register >I clear the counter. Not completely thought out but that's the >general idea. Still suffers from the same synchronization problems. What if you accidently clear the counter at bit 14? Your hardware will happily chug along and have you the next 16 bits from the continuous bit stream - only they will be the wrong bits, not word aligned. >-Check out my posting on digital mixing using time-multiplexing. [etc...] >The only question is what's the sample rate of the mixed signal? It >would seem to be 8x the original sample rate yes? So for 8 48Khz channels >I'd need a 384 Khz DAC. Ouch! I might be wrong, but due to the simplicity of DACs, you'll probably find that a DAC capable of 384 kHz is not nearly as prohibitively expensive as an equally rated ADC. Most DACs don't really quote conversion rates, they merely state the settling time of the outputs, which affects how fast you can clock your S/H on the output, and usually ends up being VERY fast, even for $1.49 DACs (of course, thats an 8 bit price). [I've deleted my own overview of Sample and Hold] > >This is the same explanation I got in Hal Chainberlin (sp) "Musical >Applications for Microprocessors". I understand I'll need S/H and filters >before the ADC and after the DAC. I was figuring on only one or two >pairs of stereo outputs from the mixer so I don't think that many S/H >are necessary on output. Do you own that book, or borrow it from a library? I tried to order it from my university bookstore and could not find it listed. BTW, Hal Chamberlin (closer spelling, but probably not perfect :-) graduated from NCSU, where I found his 1973 thesis for a digital waveform synthesizer. This guy was/is really ahead of his time, and now works for Kurzweil. He started out with an Apple II, and did quite a bit with it (which keeps me encouraged with my own projects). He started a company in Raleigh, NC, near the university. which built a dual 5.25 floppy box that would record CD quality audio directly to disk, and also play back. Of course, the operator had to continually keep the drive fed with new disks, but the amasing thing was that the box could handle managing the buffer/queue of 64K, reading from the disk and playing the sound all at once in real-time. No DSP used or needed. I would appreciate any ordering information, or even just the library of Congress number from that book. >Someone suggested that the S/H is built into the ADC so that I can >hook up the output from the CMOS multiplexor directly into the ADC. >So only 2 S/H (or one if I decide to go with a single DAC) will be >necessary (I hope). One DAC can become two outputs with 2 S/H stages if you design separate control for each S/H. 3 stages gets you two phase-aligned audio outputs. >-- >Another random extraction from the mental bit stream of... >Byron A. Jeff >Georgia Tech, Atlanta GA 30332 >Internet: byron@pyr.gatech.edu uucp: ...!gatech!pyr!byron Brian Willoughby UUCP: ...!{tikal, sun, uunet, elwood}!microsoft!brianw InterNet: microsoft!brianw@uunet.UU.NET or: microsoft!brianw@Sun.COM Bitnet brianw@microsoft.UUCP
rando@skipper.dfrf.nasa.gov (Randy Brumbaugh) (10/02/89)
This digital mixer idea sounds great - but I have a question: Is the mixer for use in recording or sound reinforcement (PA)? If it is for PA, what would the TOTAL delay from input to output be? (I assume that this quantity would be a constant). Would the delay between input from the performers and output to the audience be long enough to be noticed? Also, could this delay be varied to help eliminate feedback? Randy Brumbaugh rando@skipper.dfrf.nasa.gov
ingoldsb@ctycal.COM (Terry Ingoldsby) (10/03/89)
There are always a lot of discussions going on about the evils of phase
shift, eg. how much oversampling do I have to do to reduce my analog filter
to 30 dB/octave with phase shift < 10 degrees. Can someone tell us if it
might be possible, knowing what the phase shift of the analog filter
will be, to precompensate in the digital domain? ie. before the signal is
converted back to analog (and subsequently filtered) could we not shift
the phase appropriately in the `other direction'?
--
Terry Ingoldsby ctycal!ingoldsb@calgary.UUCP
Land Information Systems or
The City of Calgary ...{alberta,ubc-cs,utai}!calgary!ctycal!ingoldsbd88-jwa@nada.kth.se (Jon W{tte) (10/03/89)
In article <9247@pyr.gatech.EDU> byron@pyr.UUCP (Byron A Jeff) writes: >The only question is what's the sample rate of the mixed signal? It >would seem to be 8x the original sample rate yes? So for 8 48Khz channels >I'd need a 384 Khz DAC. Ouch! No, not really. You apply a digital filter on the signal, and then use each eigth sample. Yes, it'll work ! Someone said that you should apply this BEFORE you fed the signal to the DSP, but then you would have no channel separation (the channel separatio is in the time domain if you interleave the samples, and the filter truly messes this up) and all the channels would come out mixed equally. >-In any event, those manufacturers are merely trying to sell you two DACs >-instead of one, when a single converter and a few sample and hold stages >-would realign the reconstructed signals. One S/H could be used to But using one DAC also introduces some distortion in switching between channels ! >>transitions take longer than 1 to 0 transistions. Then, for a digital >>sample changing from $8000 to $7FFF, you would first get $0000 on the >>DAC output before all the other 15 bits changed to $7FFF. Ugly and BIG >>spike! Analog sample and hold allows the outputs to be disconnented Heard about (a) a latch and (b) an analog filter after the DAC ? Wouldn't this take care of such things ? ARE there S/H stages after the DAC in good CDs ? I don't think so, but please correct me, if you know for * SURE *. Says, h+@nada.kth.se -- Mooo.
byron@pyr.gatech.EDU (Byron A Jeff) (10/04/89)
In article <1845@draken.nada.kth.se> d88-jwa@nada.kth.se (Jon W{tte) writes: -In article <9247@pyr.gatech.EDU> byron@pyr.UUCP (Byron A Jeff) writes: ->The only question is what's the sample rate of the mixed signal? It ->would seem to be 8x the original sample rate yes? So for 8 48Khz channels ->I'd need a 384 Khz DAC. Ouch! - -No, not really. You apply a digital filter on the signal, and then use -each eigth sample. Yes, it'll work ! Someone said that you should apply -this BEFORE you fed the signal to the DSP, but then you would have no -channel separation (the channel separatio is in the time domain if you -interleave the samples, and the filter truly messes this up) and all the -channels would come out mixed equally. 'Wow!' he exclaims incredulously. Would you please go into a little more detail on how this black magic works? Also is it possible to scale the samples for individual channel volume control before using the filter? - - h+@nada.kth.se BAJ (the ever amazed) -- Another random extraction from the mental bit stream of... Byron A. Jeff Georgia Tech, Atlanta GA 30332 Internet: byron@pyr.gatech.edu uucp: ...!gatech!pyr!byron
todd@ivucsb.sba.ca.us (Todd Day) (10/04/89)
d88-jwa@nada.kth.se (Jon W{tte) writes:
~>>Then, for a digital
~>>sample changing from $8000 to $7FFF, you would first get $0000 on the
~>>DAC output before all the other 15 bits changed to $7FFF. Ugly and BIG
~>>spike!
~Heard about (a) a latch and (b) an analog filter after the DAC ?
~Wouldn't this take care of such things ? ARE there S/H stages after
~the DAC in good CDs ? I don't think so, but please correct me, if you
~know for * SURE *.
I know all Denon players have them. I'm certain that just about every
CD player has them. It wouldn't do any good to build a latch into the
DACs because you would still have the problem of each bit not flipping
at EXACTLY the same time. An analog filter would not solve the problem
because they would have slew problems when the spikes come through. This
slewing would produce distortion products at the output, and could never
be filtered out entirely. Hell, they have enough problems just handling
the staircases!
--
Todd Day | todd@ivucsb.sba.ca.us | ivucsb!todd@anise.acc.com
"Time to eat all your words, swallow your pride, open your eyes."
-- Tears for Fearsbrianw@microsoft.UUCP (Brian Willoughby) (10/06/89)
In article <1845@draken.nada.kth.se> d88-jwa@nada.kth.se (Jon W{tte) writes: >>-In any event, those manufacturers are merely trying to sell you two DACs >>-instead of one, when a single converter and a few sample and hold stages >>-would realign the reconstructed signals. One S/H could be used to > >But using one DAC also introduces some distortion in switching between >channels ! How? when the digital signal 'switches' discretely from one sample to the next? There is no more 'switching' in a single DAC circuit than in a multiple DAC circuit. This agrees with the definition of PCM. >>>transitions take longer than 1 to 0 transistions. Then, for a digital >>>sample changing from $8000 to $7FFF, you would first get $0000 on the >>>DAC output before all the other 15 bits changed to $7FFF. Ugly and BIG >>>spike! Analog sample and hold allows the outputs to be disconnented > >Heard about (a) a latch and (b) an analog filter after the DAC ? >Wouldn't this take care of such things ? ARE there S/H stages after >the DAC in good CDs ? I don't think so, but please correct me, if you >know for * SURE *. (a) a latch is no more instantaneous than any other electronic circuit. It would still suffer from the same variations in transition time. (b) an analog filter is nothing more than a circuit which reacts in a defined to its input. If you give a filter a different input (i.e. an input with extra spikes it in), then it will produce a different output. The spikes would be reduced, but your signal would not be as clean as it would if the spikes were not produced and the filter merely smoothed the stepping that is normal with PCM. I can't comment on *all* good CD players, but S/H is considered optimum (followed by an analog filter at or above the Nyquist point). > h+@nada.kth.se Brian Willoughby UUCP: ...!{tikal, sun, uunet, elwood}!microsoft!brianw InterNet: microsoft!brianw@uunet.UU.NET or: microsoft!brianw@Sun.COM Bitnet brianw@microsoft.UUCP
harrison@sunny.DAB.GE.COM (Gregory Harrison) (10/11/89)
In article <1989Sep30.122344.12326@ivucsb.sba.ca.us> todd@ivucsb.sba.ca.us (Todd Day) writes: > >*and* generates an interrupt when it's ready. Usually, my programs for >my board consist of a main loop that does absolutely nothing and an >interrupt service routine. The (nano)second I get a sample, the interrupt As an aside, the TI TMS320C30 has an instruction that puts the processor into an idle state, and just waits around for an interrupt to spur it into action. Greg Harrison My opinions are not intended to reflect those of GE.
harrison@sunny.DAB.GE.COM (Gregory Harrison) (10/18/89)
In article <7973@microsoft.UUCP> brianw@microsoft.UUCP (Brian Willoughby) writes: >In article <1845@draken.nada.kth.se> d88-jwa@nada.kth.se (Jon W{tte) writes: > >>>>transitions take longer than 1 to 0 transistions. Then, for a digital >>>>sample changing from $8000 to $7FFF, you would first get $0000 on the >>>>DAC output before all the other 15 bits changed to $7FFF. Ugly and BIG >>>>spike! Analog sample and hold allows the outputs to be disconnented How about Gray Code? Apart from the p = 0.999 chance that no manufacturers currently make Gray code DACs, the advantage to this method would be less of a spike due to large numbers of bits changing simultaneously. In Gray code, only one bit changes between each successive ADU (Analog to Digital Unit) increment. OK, so that would fix the problem of large spikes on the analog ground (ahh, a separate regulated power source for the analog half of the DAC? That would go a long way towards reducing metallically coupled digital switching spikes to the analog output. The EMI switching spikes may have to be contended with by MMIC (Monolithic Microwave Integrated Circuit) device design philosophies on-chip. Again, OK, Gray code would counteract switching noise for increments of 1 in the signal, but what about increments (or decrements) not = 1. Is there a more advanced Gray code that will minimize the number of bits changing ~simultaneosly within a certain range? For instance, a second order Gray code that would minimize the number of bits that could change for an increment +/- 1 and +/- 2. Etcetera for third order.... Is there a better way, or does it all come down to parallel antennas radiating garbage to our delicate wires? Greg Harrison My opinions are not intended to express those of GE.
curt@dtix.dt.navy.mil (Welch) (10/19/89)
In article <2437@ge-dab.GE.COM> harrison@sunny.DAB.GE.COM (Gregory Harrison) writes: >How about Gray Code? Gray codes won't work because there is no easy way to make a Gray Code to Analog converter. The only way I can think of doing it is to first convert the Gray Code to binary, and this of course defeats your reason for using Gray code. Curt Welch curt@dtix.dt.navy.mil
harrison@sunny.DAB.GE.COM (Gregory Harrison) (10/20/89)
In article <227@nems.dt.navy.mil> curt@dtix.dt.navy.mil (Curt Welch) writes: >In article <2437@ge-dab.GE.COM> harrison@sunny.DAB.GE.COM (Gregory Harrison) writes: >>How about Gray Code? > >Gray codes won't work because there is no easy way to make a Gray Code >to Analog converter. The only way I can think of doing it is to first >convert the Gray Code to binary, and this of course defeats your reason >for using Gray code. Perhaps the Gray Code could be converted to binary (if need be) interior to the intergrated circuit DAC, at a much lower power than required to transmit the data between chips. I would assume that most of the ICs that drive the datalines to the DAC, and the DAC inputs, allow much more current (charge) to flow than would be required to actually perform the Gray code to binary conversion on the chip semiconductor surface. There are probably some very low power, low EMI digital circuitry technologies that would be applicable. This may represent an improvement in preserving the S/N of the analog sections (reducing digital noise), but samplingand holding the signal after the switching spike subsides would probably be sufficient. Greg Harrison My opinions are not intended to express those of GE