[rec.music.gaffa] random notes

jsd@gorn.santa-cruz.ca.us (jon drukman) (03/29/91)

Steve VanDevender:
While _TKI_ is indeed great make-out music, there's just something baout
Never For Ever which makes it a notch superior in that category.  It's
inexplicable.

Jeff Burka:
Fix the word "rape" in your mind, then go listen to "Get Out Of My House"
and see if it's any clearer...

/j/
"someone somewhere wake me up!" - revolting cocks

rjc@cstr.ed.ac.UK (Richard Caley) (03/30/91)

In article <9103281411.aa06573@gorn.santa-cruz.ca.us>, jon drukman (jd) writes:

jd> Fix the word "rape" in your mind, then go listen to "Get Out Of My House"
jd> and see if it's any clearer...

Nope, I don't see it...

	This house is full of m-m-my mess
	This house is full of m-m-mistakes
	This house is full of m-m-madness
	This house is full of, full of, full of fight

Heart or mind seems to me to be the object here. 

	   I wash the panes
	   I clean the stains away

Crying, but only if we are talking about her mind, or soul if you prefer.

	Man: Woman, let me in
	     Let me bring in the memories
	     Woman, let me in
	     Let me bring in the Devil Dreams

If there is a rape here it is a mental one. 

Personally, I don't believe the woman comes off well enough or the man
bad enough for it to be a rape. It looks to me more like a song about
a woman who is trying to forget her past confronted with something or
someone which threightens to bring it back.

--
rjc@cstr.ed.ac.uk		_O_
				 |<

larry@csccat.cs.COM (Larry Spence) (03/30/91)

In article <RJC.91Mar29191302@brodie.cstr.ed.ac.uk> rjc@cstr.ed.ac.UK (Richard Caley) writes:
>
>In article <9103281411.aa06573@gorn.santa-cruz.ca.us>, jon drukman (jd) writes:
>
>jd> Fix the word "rape" in your mind, then go listen to "Get Out Of My House"
>jd> and see if it's any clearer...
>
>Nope, I don't see it...
>
>... [deleted] ...
>
>Personally, I don't believe the woman comes off well enough or the man
>bad enough for it to be a rape. It looks to me more like a song about
>a woman who is trying to forget her past confronted with something or
>someone which threightens to bring it back.

I thought it had been pretty well established that the track was inspired
by or somehow related to the movie "The Shining."  The concierge and all
that stuff... a ghost in the house, etc.  I wish I could quote a reference;
it has come up here before.

A quick TD question.  Since the album was mixed to digital, is it reasonable
to assume that the US and UK masterings sound (nearly?) identical?  I finally
got a UK HoL, and the difference is pretty obvious in places (e.g., beginning 
of "Mother Stands for Comfort"), although as IED pointed out, there's still
a lot of tape hiss in various places.  Has anyone compared the two TD 
masterings?

-- 
Larry Spence
larry@csccat.cs.com
...{uunet,texsun,cs.utexas.edu,decwrl}!csccat!larry