[rec.music.gaffa] Force-feeding

turney@cs.cornell.EDU (Jenn Turney) (06/07/91)

Well, I'm sure I'll get flamed for this, but I need to express this
opinion.

All the recent hubbub in the group about Happy Rhodes has left me with
absolutely no urge to purchase her music.  I really dislike being forced
towards particular music or musicians; I much prefer to discover them
of my own volition or through my own tickled fancy.  I like to think of
myself as a quiet fanatic, just as enchanted by the artists I like as
more vocal admirers, but not out to convert the world.  I've introduced
myself to Kate Bush, Jane Siberry, Suzanne Vega, 10,000 Maniacs (to name
a few) through various encounters.  My first for Suzanne Vega was hearing
Knight Moves on the radio right after she'd performed in town; love at
first sound and I've regretted not attending the concert ever since.
Jane Siberry I found through this group -- a smattering of positive
mentions prompted me to obtain one album; now I have them all.  My first
meeting with Kate was on being allowed the choice of music one evening
at a friend's house.

I hope I'll eventually be able to come across Happy by chance.  I expect
I'll be pleasantly surprised when I find out it's her.  But at this
point, despite my attempted avoidance of the verbiage posted about her in
this group, the element of discovery has been removed and my curiosity
has been stifled.

jenn
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| turney@cs.cornell.edu | Dept of Computer Science | Cornell University |
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| She winced at his response of such a gratuitous "Wow": it said little |
| for his seizure of her meaning and even less for his lexicon.         |
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tlhouns@NS.PACBELL.COM (Lee Hounshell) (06/07/91)

In article <9106062148.AA02120@chimes.cs.cornell.edu> turney@cs.cornell.EDU (Jenn Turney) writes:
>I hope I'll eventually be able to come across Happy by chance.  I expect
>I'll be pleasantly surprised when I find out it's her.  But at this
>point, despite my attempted avoidance of the verbiage posted about her in
>this group, the element of discovery has been removed and my curiosity
>has been stifled.

Too bad.  You're the only one who's losing out.  The rest of us appreciate good music where
ever we find it *however* we find it.  I could care less if I find a new musician by listening
to a recommendation from someone with similar musical tastes, or if it's by pure chance.  It
is the *music* I like.  And I, for one, am very grateful to Vickie -n- company for turning me
on to Happy.  Jenn, I feel sorry for you.

-Lee

nrc@cbema.att.COM (Neal R Caldwell, Ii) (06/08/91)

>From article <9106062148.AA02120@chimes.cs.cornell.edu>, by turney@cs.cornell.EDU (Jenn Turney):
> Well, I'm sure I'll get flamed for this, but I need to express this
> opinion.
>
> All the recent hubbub in the group about Happy Rhodes has left me with
> absolutely no urge to purchase her music.  I really dislike being forced

Let 'em take their best shot.  I guarantee you they'll get flamed back
because at least four different people from all over the country have 
expressed this same sentiment to me.  My advise at that time was to stay 
quiet for the time being since the Love-Hounds "charter" sanctions 
discussions of artists who are of interest to Kate fans.  Clearly from 
the comments here Happy Rhodes qualifies.  

The key word is _discussion_.  The Happy Rhodes posts here have at 
times come perilously close to proselytizing and sales pitches.  The
unsolicited reposting of four month old messages is a perfect example.

> I really dislike being forced
> towards particular music or musicians; I much prefer to discover them
> of my own volition or through my own tickled fancy.  I like to think of
> myself as a quiet fanatic, just as enchanted by the artists I like as
> more vocal admirers, but not out to convert the world.  I've introduced
> myself to Kate Bush, Jane Siberry, Suzanne Vega, 10,000 Maniacs (to name
> a few) through various encounters.  My first for Suzanne Vega was hearing

I agree.  And further, my tastes seem to vary enough from the Love-
Hounds norm that I've had a fairly low success rate on things that 
have been highly touted here.  I've had much better luck with things
that have been mentioned only occasionally; Tanita Tikaram,  Caterwaul,
Fetchin' Bones and Innocence Mission, for example.  In fact, Tanita
Tikaram's latest album, _The Sweetkeeper_ was pretty much unmentioned
here.  Sure, I'd say it is perhaps her weakest effort, but I still
enjoy it a lot more than the best I've heard from Jane Siberry.

Unfortunately the talk about Happy here has gotten her filed as a
Kate-wanna-be that can wait till later in my book.  The lyrics I've
read haven't convinced me otherwise and until Larry posed the question
nobody was really touting her in a way that would have lead me to 
believe otherwise.  

Beyond that I'm always weary of single person efforts (even if they've
got help) because they are very often too sparse for my taste.  Single
person efforts done on a shoestring budget send up a red flag.  Of 
course there's always synths to help pad things out but I hate that 
even more.

> I hope I'll eventually be able to come across Happy by chance.  I expect
> I'll be pleasantly surprised when I find out it's her.  But at this
> point, despite my attempted avoidance of the verbiage posted about her in
> this group, the element of discovery has been removed and my curiosity
> has been stifled.

I agree.  Then when that time comes we can either kick ourselves for not 
jumping on the bandwagon sooner or shake our heads and wonder what they 
ever saw in it, as we please.

In the mean time I wonder if the Happy converts here might consider
allowing the rest of us a bit of breathing room.  I don't mind
discussion of other artists but it's reached the point were persons 
asking Kate questions are being ignored.  What is a Kate neophyte
supposed to think when he asks a question and all he sees in response 
is Happy chatter?

If you just want to discuss Happy perhaps it's time for a Happy Rhodes 
mailing list.  If it's promotion you're after I'd say that the Love-Hounds 
market is saturated and it's time to move on to rec.music.misc.  


"Don't drive too slowly."                 Richard Caldwell
                                          AT&T Network Systems
                                          att!cbnews!nrc
                                          nrc@cbnews.att.com

graham@UG.CS.DAL.CA (Michael Graham) (06/09/91)

In article <1991Jun7.184618.18148@cbnews.cb.att.com> nrc@cbema.att.COM (Neal R Caldwell, Ii) writes:

>In the mean time I wonder if the Happy converts here might consider
>allowing the rest of us a bit of breathing room.  I don't mind
>discussion of other artists but it's reached the point were persons 
>asking Kate questions are being ignored.  What is a Kate neophyte
>supposed to think when he asks a question and all he sees in response 
>is Happy chatter?      ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
 ^^^^^^^^^^^^^^^^!!!!

Will someone please tell me what:

 "be running up that road
  be running up that hill
  be running up that building"

means?
I know what the song means, but what about this part of the chorus?
This is the third time!

I must side with the mal-contents(sp? - I need sleep badly). This hardly
seems to be a newsgroup concerning Kate Bush anymore. Everyday it seems as
if there are 3 or 4 "Happy on KXYZ!!!!!!", then there are the Happy lyrics,
Happy interviews, endless postings of the Aural Gratification address + prices,
etc, etc, ad nauseum.

I wish this artist all the luck in the world, but I don't want to be
daily informed of her luck in a Kate Bush newsgroup!

The initial descriptions were fine, I wasn't/am not interested, but they were 
suitable for this group. What has ensued, however, has been VEEEERY tiresome.

Anyway - back to my question - will someone PLEASE answer it???? - thanks

chucking in two pennies,
mike/michael - haven't decided
-- 
Michael Graham         |   "Well she's not really my half sister...err...
graham@ug.cs.dal.ca    |    more like 2/5ths"
mgraham@ac.dal.ca      |                   - Diane Keaton,  Love and Death

jondr@sco.COM (Jon Drukman) (06/15/91)

No one yet knows why graham@UG.CS.DAL.CA (Michael Graham) said:
>In article <1991Jun7.184618.18148@cbnews.cb.att.com> nrc@cbema.att.COM (Neal R Caldwell, Ii) writes:
>>What is a Kate neophyte
>>supposed to think when he asks a question and all he sees in response 
>>is Happy chatter?      ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
> ^^^^^^^^^^^^^^^^!!!!

OK, Michael, consider the point made!

>Will someone please tell me what:
>
> "be running up that road
>  be running up that hill
>  be running up that building"
>
>means?

This isn't a definitive reading, by any stretch, but applying my tired and
bruised English-major muscles to the text at hand, I am forced to conclude
that it can only refer to the relative ease with which once difficult tasks
can now be accomplished if the Deal With God was actually to take place.

IN OTHER WORDS... If I only could, I'd make a deal with God, and I'd get
him to swap our places, and then those things that seemed impossible, like
running up a building, will now be easy.

We know of the female character's emotional strength ("do you want to know
that it doesn't hurt me" and "see how deep the bullet lies"), so presumably
she wants to draw physical strength from the masculine, or maybe it's just
a nifty way of saying "hard things will seem easy."

How's that for a start?

-- 
Jon Drukman (down by law)                    uunet!sco!jondr      jondr@sco.com
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