[soc.feminism] The Power of Listening?

randolph@Sun.COM (Randolph Fritz) (07/23/89)

I'm importing the following from soc.men, because I'd like some
comments from the theoreticians here.  It is p.f. (politically
f**cked), but may nonetheless be worth pursuing.

It started out with the following from Charleen:

  I was browsing Printer's Ink the other night and leafed through a copy
  of _The God in Everyman_ (written, obviously, by the same author who
  wrote _The Goddess in Everywoman_).  Has anyone read it?  Would they
  care to offer a review?

  Anyway, the author (a woman) was commenting that the men she talked to
  while researching the book found it easier to talk to her than to other
  men.  She also offered some statistics, which I don't recall, that
  suggest that men prefer women therapists, when possible.

  Do you men find this to be true, that women are easier to talk to?

I posted, saying yes, and included the following quote from Foucault:

  . . . one has to have an inverted image of power in order to believe
  that all these voices which have spoken so long in our
  civilization--repeating the formidable injunction to tell what one
  is and what one does, what one recollects and what one has
  forgotten, what one is thinking and what one thinks he is not
  thinking--are speaking to us of freedom.
    -- Michael Foucault, *The History of Sexuality*, volume I.

Which mutated in my mind, and gave rise to the following hypothesis:

  In our culture, listening, and demanding confession, are "feminine"
  techniques of power.

To evaluate this hypothesis, the following hypotheses could be examined:

  Listening is part of "feminine" interpersonal power tactics.  Can we
    observe such tactics?  Can we find recognizable behaviors expected
    of women of our culture which fill such a slot (various of the
    transactional analysts' games might usefully be examined)?

  Listening is part of a broader deployment of power; a global social
    pattern individual behavior which is not planned by individuals
    like those which G Fitch recently discussed.  Likewise, can we
    find candiates for such a pattern among women; can we show their
    existence and uncover their history?

  Listening is part of the deployment of power characteristic of those
    denied authority by prevailing social patterns.  Can we show, for
    instance, that US blacks had or still have such a pattern?

Anyone care to take up the challenge?  Anyone know if there's been any
research already done which confirms or denies this?  I am unsure that
this leads anywhere, but I'm interested enough to post it & look for
follow-ups.  Besides which, who needs to be politically correct?

++Randolph Fritz  sun!randolph || randolph@sun.com

rshapiro@bbn.com (Richard Shapiro) (07/24/89)

In article <8907221627.AA27245@cognito.> randolph@Sun.COM (Randolph Fritz) writes:

These arguments against biological reductionism are getting a little
boring and I was about to start a new thread: the medical
objectification of women and "the gaze". And then along comes the
topic of listening as "feminine power":

>I posted, saying yes, and included the following quote from Foucault:
>
>  . . . one has to have an inverted image of power in order to believe
>  that all these voices which have spoken so long in our
>  civilization--repeating the formidable injunction to tell what one
>  is and what one does, what one recollects and what one has
>  forgotten, what one is thinking and what one thinks he is not
>  thinking--are speaking to us of freedom.
>    -- Michael Foucault, *The History of Sexuality*, volume I.
>
>Which mutated in my mind, and gave rise to the following hypothesis:
>
>  In our culture, listening, and demanding confession, are "feminine"
>  techniques of power.
>

The mutation seems very peculiar to me. Certainly the roles of
confessor, analyst, doctor which Foucault has in mind here are
classically masculine ones (and until recently, more or less
exclusively performed by men). It's generally seen to be part of a
larger 'objectification' of women -- turning women into objects of
study and contemplation. The 'sex object' notion is just a specific
instance of this more widespread practice. Foucault shows this tactic
of power to be deployed in a gender-blind way against everyone, but
others have recognized that it's particulary operative *against*
women.  The linkage you want to make seems to be: listening can be a
tactic of power; listening is passive; passive = feminine; therefore
listening is "feminine power". I think this is quite a weak case. The
kind of listening Foucault describes is definitely *not* passive.
There's a confusion here between, on the one hand, negative power vs
positive power, and on the other, active power vs passive power
(whatever that might mean). Negative power is the power that
represses, power in the more ordinary sense. Positive power is the
power that constructs. It's not correct to regard the repressive power
as active/masculine and the productive power as passive/feminine. Both
are active; both are conventionally masculine; both are in fact
practiced by men, more often than not.

The original title of Foucault's book translates as _The Will to
Knowledge_, and it's this (active) *will* which characterizes this
listening.  Foucault himself doesn't consider gender one way or the
other, but others (see below) have seen this as an example of women
as objects of male knowledge/power. 

The best extended examination of these issues from a feminist
perspective has been in film studies, with "looking" replacing
"listening" -- the gaze, as it's usually called in that context. The
construction of women in classic Hollywood movies as objects of the
gaze is by now fairly well known: the special lighting, the clothing,
the particular use of point-of-view shots. Female characters in
classic movies are denied full subjectivity; they are objects of the
gaze of viewers who are thereby constructed as implicitly male. This
argument was made by Laura Mulvey in a very famous article "Visual
Pleasure and Narrative Cinema" -- you can hardly read an article or
book of feminist film theory without running into references to this.

Often this same process works just as much at the more literal level
of the storyline. Mary Ann Doane's excellent book _The Desire to
Desire_ examines the figure of the "sick" woman, observed and coerced
back into legitimate femininity by the (male) doctor ("sickness" here
often means little more than unattractiveness). The doctor watches,
examines, listens -- he gains knowledge of the woman and thus exerts
over her the productive power which feminizes her, constructs her as a
properly gendered subject.

There are lots of important issues in this context: the gendering of
spectators, the possibility of "reading against the grain", the
marketing of films towards men or women, the possibility (or not) of
identification with characters of a different sex, etc etc.

The focus on slightly older movies is important here. They represent a
situation which is very close to our own, but just distant enough that
the unstated assumptions have begun to become visible. This can be of
enormous help in seeing our own unstated assumptions. You can watch
these movies and giggle or hiss at the blatant sexism; you can
also consider that they were not at all regarded as ridiculous or
offensive at the time, and go from that to an examination of our own
movies, our own culture, where you may very well find the same tactics
in use, only less blatantly so.

randolph@Sun.COM (Randolph Fritz) (07/26/89)

Richard, I very much appreciate your comments.  Having had a few days
reflection on my original posting I've been able to get a clearer idea
of what the feminine form of the gaze might be.  Of course, I was
thinking of active, rather than passive, listening.  Thinking it over,
I think the grade-school teacher (the gaze *par excellence*), the
housewife-mother (a lot of her job is surveillance), the wife asking
"why are you so late?" with murder in her eye are indicators of the
direction of my speculations.

I was also thinking that it's striking that US men prefer intimate
talking with women, rather than men.  The figure of the mistress who
knows all of her lover's secrets is firmly enshrined in US popular
mythology & perhaps, even, she exists.

Finally, just today I came across this letter in Science News:

  "Deceptive Successes in young children" (SN: 6/3/89, p.343) brought
  back memories of my time in the eighth grade.  The teacher would
  leave the room and remind everyone to study and not talk.  Naturally,
  conversations broke out.  Upon her return she'd ask, "Who talked?"  In
  every case the boys admitted their guilt, but never would a single
  girl admit to talking.  The boys were punished with some exercise or
  other and the girls got off free for their lies.
  
  					Michael V. Stratton
  					Brea, Calif.

Now, all of this is *not* proof.  It, at most, hints that there may
be something there.  Which is what prompted me to post.

++Randolph Fritz  sun!randolph || randolph@sun.com