ceej@pawl.rpi.edu (Chris J Hillery) (07/18/90)
ARACHNOPHOBIA A film review by Chris J. Hillery Copyright 1990 Chris J. Hillery *Do not* see this movie if you actually are affected by arachnophobia (fear of spiders, in case you didn't know). The friend I saw this with is a severe arachnophobe, and he practically broke the poor chair he was sitting in by flying out of it so hard. If you can guess from this that this is a scary movie, well, it is. While it is marketing itself as a "thrill-omedy," this movie has much more thrill than "omedy," which is fine if that's what you're prepared for. It also spends a good deal of its time in extreme close-ups of spiders in action, hence the opening warning. Basic plot synopsis: a large (!) and ill-tempered South American spider (a new species no one knew of previously, natch) hitches a ride to a small backwoods town in the coffin of a photographer whom it had killed in the jungle. It escapes into the local woods, where it mates with a local spider and creates a whole bunch of deadly toxic mean-spirited little spiders, which take off to terrorize the town. Most of this movie centers around the new local doctor's struggle to get people to believe that the deaths of several people were not cardiac arrests brought about by his own negligence, as the old doctor would have it, but are in fact attributable to these spiders. Once real evidence is found for this, a regional spider expert is brought in, and the ground is laid for a plan to rid the town of the threat, leading (of course) to a grand confrontation between the grandaddy spider and the doctor, who (of course) has a serious fear of spiders due (of course) to an incident in his infancy. You might have notice that this summary makes no mention of the role of the exterminator, played by John Goodman, who is in all the commercials. This is because, unfortunately, he has very little screen time and is not at all important to the plot or development. This is a real shame, and a great waste of both a good character and a good actor. The scenes involving Goodman are uniformly quite funny, as his role as the down-n-dirty and rather thick-headed exterminator is ideal for him and played to the hilt. If this movie had been, as I suspected, Goodman's first real starring role and centered on his battle against the spiders with his spray-gun, this could have been a truly hysterical movie, while still being a thriller. Luckily, the movie isn't a total loss without this; indeed,it's a reasonably enjoyable flick with many good scares (plenty of spiders flying around) and quite a few laughs along the way. It's pretty formulatic, beyond its unique plot device, but still well-done; the plot and tension build nicely if a bit slowly, and the climax is quite, well, climactic. All the important characters are pretty well fleshed out. The plot is sensible and has several sub-plots which interact quite nicely. And so on. All in all, this is a "solid" movie. It could have been much better had it been, as it is being marketed as, a movie starring John Goodman as the back- woods exterminator on a mission to save the town; that could have been made into a truly funny, cornball movie based on a thriller, in the same style as the classic GHOSTBUSTERS (the first one, of course). However, when you realize that it isn't that movie, you can enjoy what it is. Check it out; it's worth a look. Ratings IMHO, 0-100 scale: Compare to: ARACHNOPHOBIA GHOSTBUSTERS (well... they were Plot: 80 Plot: 95 marketed about the Thrills: 85 Thrills: 30 same...) Comedy: 65 Comedy: 100 Advertising: 5 :) Advertising: N/A Overall: 77 [B-,2 3/4 stars] Overall: 99 [A+, 4 stars] Please note that the "Overall" ratings above are in no way intended to be a summation of the previous ratings, but instead a true rating of how good the movie was taken as a whole. Four categories are not enough to rate all aspects of a movie, neither should all four be weighted equally. For instance, the rating for Thrills in GHOSTBUSTERS above was quite low, but that wasn't what the movie was intended to be about; whereas Thrills were central to ARACHNOPHOBIA. The reason I chose to compare it to GHOSTBUSTERS was, as I said, that ARACHNOPHOBIA was marketed to appear to be a similar type film. -- Ceej ceej@pawl.rpi.edu gmry@mts.rpi.edu aka Chris Hillery
leeper@mtgzx.att.com (Mark R. Leeper) (07/27/90)
ARACHNOPHOBIA A film review by Mark R. Leeper Copyright 1990 Mark R. Leeper Capsule review: This film has a plot that has been done to death in the past and occasionally better. Still, my spider sense tells me that it may do well with a new generation of viewers who may not be so familiar with its predecessors. Rating: +1. One tends to expect new ideas in films from Steven Spielberg's Amblin Entertainment. And with Disney Enterprises starting a new film branch, Hollywood Pictures, you would expect something fairly original to inaugurate the new label. That makes it all the more puzzling that this collaboration between Amblin Entertainment and Hollywood Pictures would be a plot that was already old when Spielberg made CLOSE ENCOUNTERS OF THE THIRD KIND . There have already been so many "Invasion of the Killer Vermin" films that one more is no novelty. In other films we have seen people threatened by infestations of spiders, ants, birds, slugs, rats, bats, feral dogs, bears, even frogs. (Don't ask me how you make a threat out of a frog; I saw the film and still don't know. You have to be pretty desperate for phobias to make a film about killer frogs!) However well a new film of this type is done, and ARACHNOPHOBIA was nicely executed, there is not much new you can put into a film about a small town threatened by an infestation of deadly spiders. The idea of the film is that there is a prehistoric breed of spider-- one with a very different social structure from what modern spiders have-- living isolated in the jungles of Venezuela. This breed of spider has a "king" and a bunch of drones, much like bees have with a queen and drones. That is something of a stretch since spiders are much more closely related to sea crustaceans than they are to insects. A plot device that could have been devised by Rube Goldberg takes the king spider and drops him (quite literally) into the backyard of a new doctor in a small California town. Dr.~Ross Jennings (played by Jeff Daniels) has a bugaboo about spiders and the fact that he has a barn full of them is only one of the many problems he is facing as a result of moving to Canaima, California, from San Francisco. There are, in fact, many elements of the plot that executive producer Steven Spielberg might have found extremely familiar. We have one lone man, who is not really accepted by his town, who has to convince disbelieving officials that they have a problem. He has his own phobias to overcome, but the love of his family, charmingly portrayed, convinces him that he has to overcome his fears and see that the problem gets solved. Luckily he has a knowledgeable expert he can call on to help him out and to explain to the audience how scary the situation really is. Surely all this must have rung a bell somewhere in Spielberg's memory. What is nice about the film is that it takes the time to develop characters so that the audience has some understanding and empathy invested in them. That too makes the film seem as if it were really a 1970s film. The viewer gets to know the people who are threatened by the spiders--not as well as you get to know the Brodie family in JAWS, but far better than you know anyone in most current horror films. Nobody follows the new popular formula of being introduced and making vacuous or stereotyped conversation, then being quickly dispatched to nobody's regret. The effects work usually is believable, though occasionally a spider just does not scramble right. A fair number of live spiders were also sued and unfortunately the film bears no endorsement of the filming practices by any humane society. ARACHNOPHOBIA is entertaining and has some genuinely creepy moments, but lacks anything that really distinguishes it from other films with very similar plots and approaches. I give it a +1 on the -4 to +4 scale. Mark R. Leeper att!mtgzx!leeper leeper@mtgzx.att.com Copyright 1990 Mark R. Leeper