funny-request@looking.UUCP (Brad Templeton) (04/03/89)
Rec.Humor.Funny Rules for Submitters READ THIS IF YOU PLAN TO SUBMIT A JOKE (I mean it) If you plan to submit material for rec.humor.funny, I ask you to follow the set of guidelines detailed below. Some of these may seem contrived and arbitrary, and some exists simply to make my life a little easier. The principle behind this is simple -- if you violate one of my pet peeves in your submission, I'm going to go into your joke already biased against it. As objective as I try to be, that makes it less likely I will accept the joke. o) Give your jokes a meaningful Subject line. So many people send me submissions entitled "joke" -- as if I were expecting something else. I want a subject line that I can use as the title for your joke. Something that will distinguish it from all the other jokes in the group. Don't spoil the joke, of course. o) Only put one joke per submission. I rate all the jokes, and it's hard to rate a group of jokes as they will be sure to vary. If you send me a group of jokes, I will often just take the best one. o) Attribute the source of your joke. Tell me anything you know. If it's one line from a comedian's routine, name the comedian. If you heard it from your brother, say that. If you wrote it yourself, definitely say so, as I will give it preferential treatment. (I know nobody's heard it.) o) Don't send entire copyrighted works. Excerpts are OK, if they take the form of news, or a review of the work. A single line from a show, movie or routine (with attribution) is OK, but not a large collection or verbatim transcript. Don't send me professional columns like Dave Barry's. I just can't send these out without permission. o) Don't submit other people's postings (unless they were posted from the USA before April 1, 1989 without a copyright notice.) Instead, if you see a posting in a non-humour group that you think would still be very funny when taken completely ot of context, mail the poster and encourage him or her to submit it to rec.humor.funny. Mention the RHF policy sheet to them when you send this note of encouragement. o) Proofread and spell-check your jokes. It's amazing how bad the submissions I get are in this department. You're writing for tens of thousands of people. That's more people than would read a typical letter to the editor of a large daily newspaper. Don't look like an idiot in print. o) Punctuate quotes properly. Follow the typographer's rule that periods and commas ALWAYS go inside quotes. Here are some examples of how to do quoting: He said, "The best things in life are disgusting," and then went home. "You aren't a string, are you?" he asked. (Note no comma) She yelled at the umpire, "Your mother was an anti-Christ!" o) Break paragraphs with a blank line. This will help me a lot when I typeset next year's annual. In general, format your jokes the way you might see them in a nice joke book. Don't hyphenate from one line to the next. o) Don't right justify your text. Right justified monospaced text is actually *harder* to read on a CRT screen than plain old, ragged-right text. If you use a formatter, use a 50 column line width. o) Wait for my reply. I reply to all submissions, with either a yes or a no. If you are accepted, your joke will be queued and will go out in the next several weeks. Topical jokes go out faster. Some replies don't make it due to bad mailers, I'm afraid. Please don't post the joke to rec.humor until you have received a rejection, as it makes me look like I'm duplicating. o) If I reply to your joke, and you want to respond, you must include a description of the joke in your response. Remember that I send out around 20 rejection notices a day, and when I get your reply back, I won't have the faintest idea which of many jokes you're talking about. In general, only reply if you must, but if you don't include the context, I will just say, "huh?" o) Keep a short signature, with just your name and location. If you add extra, I just have to delete it. So there. o) Mail jokes instead of posting them to the group in the hope that the automatic forwarding software will mail the joke to me. It doesn't always work, and I often can't reply to submissions posted that way, so you will wonder what went on. Mail to funny@looking.UUCP. Comments and questions (not submissions) go to funny-request@looking.UUCP. NOTHING related to the newsgroup should go to my personal mailbox, brad@looking, unless I mail you a question from that account. Jokes sent to my personal mailbox get rejected unless they're the best joke of the year. o) Don't put form feeds in jokes. Warning people that a punchline is coming is a good way to spoil it for them. o) I give a very low rating to puns. I only accept puns that have some humour to them beyond the pun. Make that a *lot* of humour to them beyond the pun. o) Collection jokes like light bulb jokes, JAP jokes, WASP jokes, "do its," bumper stickers, T-shirts, licence plates, Tom swifties etc. should go to the collectors who reside in rec.humor. Rarely, I will post particularly funny or original ones that I know are not in the collections. o) Try not to send me too many duplicates. If you send me stuff that's in the rec.humor.funny annual jokebooks, you'll just get back an ad telling you to buy the jokebooks so I don't get burdened with lots of duplicates. o) If I reject your joke, keep trying. Most people get rejections, and even the people you see who have been published multiple times get lots of rejections. o) I'm human. I do make mistakes from time to time, and going over thousands of jokes as I do, that adds up to more often than I would like. I forget to rotate some offensive jokes, and I make editing mistakes, too. Just because you knew a joke or didn't find one funny doesn't mean that a lot of people didn't enjoy it. If you must complain, and some people must, remember that while you're typing your complaint on a computer, you're sending it to a human being. Written Humour Remember most of all that you're submitting written humour. That's a lot different from spoken humour, standup comedy, situational humour, improvised humour and stories where "you had to be there." Written humour is perhaps the toughest form. You don't get the advantage of delivery, surprise or a funny face. You don't get a drunk audience (usually) or a chance to use your great German accent. You must prepare a joke that stands on its own. Worst of all, the person reading the joke is *expecting* a joke, and that takes out the surprise, one of the most important elements in comedy. When you submit a joke, try to make it work well as written humour. I reject a lot of stuff that was much funnier when done or said. 95% of standup comedy doesn't work as written humour. Bumper stickers are funny when you see them on a car on a highway, but less so in a book. T-shirt sayings are great on a T-shirt. Some jokes can be translated if you're careful. But if you submit something from a non-written medium, don't be too surprised if it doesn't make it.
funny-request@looking.UUCP (Brad Templeton) (05/03/89)
Rec.Humor.Funny Rules for Submitters READ THIS IF YOU PLAN TO SUBMIT A JOKE (I mean it) If you plan to submit material for rec.humor.funny, I ask you to follow the set of guidelines detailed below. Some of these may seem contrived and arbitrary, and some exist simply to make my life a little easier. The principle behind this is simple -- if you violate one of my pet peeves in your submission, I'm going to go into your joke already biased against it. As objective as I try to be, that makes it less likely I will accept the joke. o) Give your jokes a meaningful Subject line. So many people send me submissions entitled "joke" -- as if I were expecting something else. I want a subject line that I can use as the title for your joke. Something that will distinguish it from all the other jokes in the group. Don't spoil the joke, of course. o) Only put one joke per submission. I rate all the jokes, and it's hard to rate a group of jokes as they will be sure to vary. If you send me a group of jokes, I will often just take the best one. o) Attribute the source of your joke. Tell me anything you know. If it's one line from a comedian's routine, name the comedian. If you heard it from your brother, say that. If you wrote it yourself, definitely say so, as I will give it preferential treatment. (I know nobody's heard it.) o) Don't send entire copyrighted works. Excerpts are OK, if they take the form of news, or a review of the work. A single line from a show, movie or routine (with attribution) is OK, but not a large collection or verbatim transcript. Don't send me professional columns like Dave Barry's. I just can't send these out without permission. o) Don't submit other people's postings (unless they were posted from the USA before April 1, 1989 without a copyright notice.) Instead, if you see a posting in a non-humour group that you think would still be very funny when taken completely out of context, mail the poster and encourage him or her to submit it to rec.humor.funny. Mention the RHF policy sheet to them when you send this note of encouragement. o) Proofread and spell-check your jokes. It's amazing how bad the submissions I get are in this department. You're writing for tens of thousands of people. That's more people than would read a typical letter to the editor of a large daily newspaper. Don't look like an idiot in print. o) Punctuate quotes properly. Follow the typographer's rule that periods and commas ALWAYS go inside closing quotes. Here are some examples of how to do quoting: He said, "The best things in life are disgusting," and then went home. "You aren't a string, are you?" he asked. (Note no comma) She yelled at the umpire, "Your mother was an anti-Christ!" o) Break paragraphs with a blank line. This will help me a lot when I typeset next year's annual. In general, format your jokes the way you might see them in a nice joke book. Don't hyphenate from one line to the next. o) Don't right justify your text. Right justified monospaced text is actually *harder* to read on a CRT screen than plain old, ragged-right text. If you use a formatter, use a 50 column line width. o) Wait for my reply. I reply to all submissions, with either a yes or a no. If you are accepted, your joke will be queued and will go out in the next several weeks. Topical jokes go out faster. Some replies don't make it due to bad mailers, I'm afraid. Please don't post the joke to rec.humor until you have received a rejection, as it makes me look like I'm duplicating. o) If I reply to your joke, and you want to respond, you must include a description of the joke in your response. Remember that I send out around 20 rejection notices a day, and when I get your reply back, I won't have the faintest idea which of many jokes you're talking about. In general, only reply if you must, but if you don't include the context, I will just say, "huh?" o) Keep a short signature, with just your name and location. If you add extra, I just have to delete it. So there. o) Mail jokes instead of posting them to the group in the hope that the automatic forwarding software will mail the joke to me. It doesn't always work, and I often can't reply to submissions posted that way, so you will wonder what went on. Mail to funny@looking.UUCP. Comments and questions (not submissions) go to funny-request@looking.UUCP. NOTHING related to the newsgroup should go to my personal mailbox, brad@looking, unless I mail you a question from that account. Jokes sent to my personal mailbox get rejected unless they're the best joke of the year. o) Don't put form feeds in jokes. Warning people that a punchline is coming is a good way to spoil it for them. o) I give a very low rating to puns. I only accept puns that have some humour to them beyond the pun. Make that a *lot* of humour to them beyond the pun. o) Collection jokes like light bulb jokes, JAP jokes, WASP jokes, "do its," bumper stickers, T-shirts, licence plates, Tom swifties etc. should go to the collectors who reside in rec.humor. Rarely, I will post particularly funny or original ones that I know are not in the collections. o) Try not to send me too many duplicates. If you send me stuff that's in the rec.humor.funny annual jokebooks, you'll just get back an ad telling you to buy the jokebooks so I don't get burdened with lots of duplicates. o) If I reject your joke, keep trying. Most people get rejections, and even the people you see who have been published multiple times get lots of rejections. o) I'm human. I do make mistakes from time to time, and going over thousands of jokes as I do, that adds up to more often than I would like. I forget to rotate some offensive jokes, and I make editing mistakes, too. Just because you knew a joke or didn't find one funny doesn't mean that a lot of people didn't enjoy it. If you must complain, and some people must, remember that while you're typing your complaint on a computer, you're sending it to a human being. Written Humour Remember most of all that you're submitting written humour. That's a lot different from spoken humour, standup comedy, situational humour, improvised humour and stories where "you had to be there." Written humour is perhaps the toughest form. You don't get the advantage of delivery, surprise or a funny face. You don't get a drunk audience (usually) or a chance to use your great German accent. You must prepare a joke that stands on its own. Worst of all, the person reading the joke is *expecting* a joke, and that takes out the surprise, one of the most important elements in comedy. When you submit a joke, try to make it work well as written humour. I reject a lot of stuff that was much funnier when done or said. 95% of standup comedy doesn't work as written humour. Bumper stickers are funny when you see them on a car on a highway, but less so in a book. T-shirt sayings are great on a T-shirt. Some jokes can be translated if you're careful. But if you submit something from a non-written medium, don't be too surprised if it doesn't make it.
funny-request@looking.on.ca (Brad Templeton) (11/03/89)
Rec.Humor.Funny Rules for Submitters READ THIS IF YOU PLAN TO SUBMIT A JOKE (I mean it) If you plan to submit material for rec.humor.funny, I ask you to follow the set of guidelines detailed below. Some of these may seem contrived and arbitrary, and some exist simply to make my life a little easier. The principle behind this is simple -- if you violate one of my pet peeves in your submission, I'm going to go into your joke already biased against it. As objective as I try to be, that makes it less likely I will accept the joke. o) Give your jokes a meaningful Subject line. So many people send me submissions entitled "joke" -- as if I were expecting something else. I want a subject line that I can use as the title for your joke. Something that will distinguish it from all the other jokes in the group. Don't spoil the joke, of course. o) Only put one joke per submission. I rate all the jokes, and it's hard to rate a group of jokes as they will be sure to vary. If you send me a group of jokes, I will often just take the best one. o) Attribute the source of your joke. Tell me anything you know. If it's one line from a comedian's routine, name the comedian. If you heard it from your brother, say that. If you wrote it yourself, definitely say so, as I will give it preferential treatment. (I know nobody's heard it.) o) Don't send entire copyrighted works. Excerpts are OK, if they take the form of news, or a review of the work. A single line from a show, movie or routine (with attribution) is OK, but not a large collection or verbatim transcript. Don't send me professional columns like Dave Barry's. I just can't send these out without permission. o) If you see a copyrighted work you would like to submit, call and ask the copyright holder. You will be surprised -- many are glad to see a reprint with proper credit. Try it! o) Don't submit other people's postings (unless they were posted from the USA before April 1, 1989 without a copyright notice.) Instead, if you see a posting in a non-humour group that you think would still be very funny when taken completely out of context, mail the poster and encourage him or her to submit it to rec.humor.funny. Mention the RHF policy sheet to them when you send this note of encouragement. o) Proofread and spell-check your jokes. It's amazing how bad the submissions I get are in this department. You're writing for tens of thousands of people. That's more people than would read a typical letter to the editor of a large daily newspaper. Don't look like an idiot in print. o) Punctuate quotes properly. Follow the typographer's rule that periods and commas ALWAYS go inside closing quotes. Here are some examples of how to do quoting: He said, "The best things in life are disgusting," and then went home. "You aren't a string, are you?" he asked. (Note no comma) She yelled at the umpire, "Your mother was an anti-Christ!" o) Break paragraphs with a blank line. This will help me a lot when I typeset next year's annual. In general, format your jokes the way you might see them in a nice joke book. Don't hyphenate from one line to the next. o) Don't right justify your text. Right justified monospaced text is actually *harder* to read on a CRT screen than plain old, ragged-right text. If you use a formatter, use a 50 column line width. o) Wait for my reply. I reply to all submissions, with either a yes or a no. If you are accepted, your joke will be queued and will go out in the next several weeks. Topical jokes go out faster. Some replies don't make it due to bad mailers, I'm afraid. Please don't post the joke to rec.humor until you have received a rejection, as it makes me look like I'm duplicating. o) If I reply to your joke, and you want to respond, you must include a description of the joke in your response. Remember that I send out around 20 rejection notices a day, and when I get your reply back, I won't have the faintest idea which of many jokes you're talking about. In general, only reply if you must, but if you don't include the context, I will just say, "huh?" o) Keep a short signature, with just your name and location. If you add extra, I just have to delete it. So there. o) Mail jokes instead of posting them to the group in the hope that the automatic forwarding software will mail the joke to me. It doesn't always work, and I often can't reply to submissions posted that way, so you will wonder what went on. Mail to funny@looking.on.ca. Comments and questions (not submissions) go to funny-request@looking.on.ca. NOTHING related to the newsgroup should go to my personal mailbox, brad@looking, unless I mail you a question from that account. Jokes sent to my personal mailbox get rejected unless they're the best joke of the year. o) If your joke is topical -- based on current events, and needs faster processing, mail it to topical@looking.on.ca. Don't mail non-topical jokes there in the hope that they will be looked at faster, I will throw them away or delay them further. o) Don't put form feeds in jokes. Warning people that a punchline is coming is a good way to spoil it for them. o) I give a very low rating to puns. I only accept puns that have some humour to them beyond the pun. Make that a *lot* of humour to them beyond the pun. o) Collection jokes like light bulb jokes, JAP jokes, WASP jokes, "do its," bumper stickers, T-shirts, licence plates, Tom swifties etc. should go to the collectors who reside in rec.humor. Rarely, I will post particularly funny or original ones that I know are not in the collections. o) Try not to send me too many duplicates. If you send me stuff that's in the rec.humor.funny annual jokebooks, you'll just get back an ad telling you to buy the jokebooks so I don't get burdened with lots of duplicates. o) If I reject your joke, keep trying. Most people get rejections, and even the people you see who have been published multiple times get lots of rejections. o) I'm human. I do make mistakes from time to time, and going over thousands of jokes as I do, that adds up to more often than I would like. I forget to rotate some offensive jokes, and I make editing mistakes, too. Just because you knew a joke or didn't find one funny doesn't mean that a lot of people didn't enjoy it. If you must complain, and some people must, remember that while you're typing your complaint on a computer, you're sending it to a human being. Written Humour Remember most of all that you're submitting written humour. That's a lot different from spoken humour, standup comedy, situational humour, improvised humour and stories where "you had to be there." Written humour is perhaps the toughest form. You don't get the advantage of delivery, surprise or a funny face. You don't get a drunk audience (usually) or a chance to use your great German accent. You must prepare a joke that stands on its own. Worst of all, the person reading the joke is *expecting* a joke, and that takes out the surprise, one of the most important elements in comedy. When you submit a joke, try to make it work well as written humour. I reject a lot of stuff that was much funnier when done or said. 95% of standup comedy doesn't work as written humour. Bumper stickers are funny when you see them on a car on a highway, but less so in a book. T-shirt sayings are great on a T-shirt. Some jokes can be translated if you're careful. But if you submit something from a non-written medium, don't be too surprised if it doesn't make it.
funny-request@looking.on.ca (Brad Templeton) (01/03/90)
Rec.Humor.Funny Rules for Submitters READ THIS IF YOU PLAN TO SUBMIT A JOKE (I mean it) If you plan to submit material for rec.humor.funny, I ask you to follow the set of guidelines detailed below. Some of these may seem contrived and arbitrary, and some exist simply to make my life a little easier. The principle behind this is simple -- if you violate one of my pet peeves in your submission, I'm going to go into your joke already biased against it. As objective as I try to be, that makes it less likely I will accept the joke. o) Give your jokes a meaningful Subject line. So many people send me submissions entitled "joke" -- as if I were expecting something else. I want a subject line that I can use as the title for your joke. Something that will distinguish it from all the other jokes in the group. Don't spoil the joke, of course. o) Only put one joke per submission. I rate all the jokes, and it's hard to rate a group of jokes as they will be sure to vary. If you send me a group of jokes, I will often just take the best one. o) Attribute the source of your joke. Tell me anything you know. If it's one line from a comedian's routine, name the comedian. If you heard it from your brother, say that. If you wrote it yourself, definitely say so, as I will give it preferential treatment. (I know nobody's heard it.) o) Don't send entire copyrighted works. Excerpts are OK, if they take the form of news, or a review of the work. A single line from a show, movie or routine (with attribution) is OK, but not a large collection or verbatim transcript. Don't send me professional columns like Dave Barry's. I just can't send these out without permission. o) If you see a copyrighted work you would like to submit, call and ask the copyright holder. You will be surprised -- many are glad to see a reprint with proper credit. Try it! o) Don't submit other people's postings (unless they were posted from the USA before April 1, 1989 without a copyright notice.) Instead, if you see a posting in a non-humour group that you think would still be very funny when taken completely out of context, mail the poster and encourage him or her to submit it to rec.humor.funny. Mention the RHF policy sheet to them when you send this note of encouragement. o) Proofread and spell-check your jokes. It's amazing how bad the submissions I get are in this department. You're writing for tens of thousands of people. That's more people than would read a typical letter to the editor of a large daily newspaper. Don't look like an idiot in print. o) Punctuate quotations properly. Follow the typographer's rule that periods and commas ALWAYS go inside closing quotes. Here are some examples of how to do quoting: He said, "The best things in life are disgusting," and then went home. "You aren't a string, are you?" he asked. (Note no comma) She yelled at the umpire, "Your mother was an anti-Christ!" o) Break paragraphs with a blank line. This will help me a lot when I typeset next year's annual. In general, format your jokes the way you might see them in a nice joke book. Don't hyphenate from one line to the next. o) Don't right justify your text. Right justified monospaced text is actually *harder* to read on a CRT screen than plain old, ragged-right text. If you use a formatter, use a 50 column line width. o) Wait for my reply. I reply to all submissions, with either a yes or a no. If you are accepted, your joke will be queued and will go out in the next several weeks. Topical jokes go out faster. Some replies don't make it due to bad mailers, I'm afraid. Please don't post the joke to rec.humor until you have received a rejection, as it makes me look like I'm duplicating. o) If I reply to your joke, and you want to respond, you must include a description of the joke in your response. Remember that I send out around 20 rejection notices a day, and when I get your reply back, I won't have the faintest idea which of many jokes you're talking about. In general, only reply if you must, but if you don't include the context, I will just say, "huh?" o) Keep a short signature, with just your name and location. If you add extra, I just have to delete it. So there. o) Mail jokes instead of posting them to the group in the hope that the automatic forwarding software will mail the joke to me. It doesn't always work, and I often can't reply to submissions posted that way, so you will wonder what went on. Mail to funny@looking.on.ca. Comments and questions (not submissions) go to funny-request@looking.on.ca. NOTHING related to the newsgroup should go to my personal mailbox, brad@looking, unless I mail you a question from that account. Jokes sent to my personal mailbox get rejected unless they're the best joke of the year. o) If your joke is topical -- based on current events, and needs faster processing, mail it to topical@looking.on.ca. Don't mail non-topical jokes there in the hope that they will be looked at faster, I will throw them away or delay them further. o) Don't put form feeds in jokes. Warning people that a punchline is coming is a good way to spoil it for them. o) I give a very low rating to puns. I only accept puns that have some humour to them beyond the pun. Make that a *lot* of humour to them beyond the pun. o) Collection jokes like light bulb jokes, JAP jokes, WASP jokes, "do its," bumper stickers, T-shirts, licence plates, Tom swifties etc. should go to the collectors who reside in rec.humor. Rarely, I will post particularly funny or original ones that I know are not in the collections. o) Try not to send me too many duplicates. If you send me stuff that's in the rec.humor.funny annual jokebooks, you'll just get back an ad telling you to buy the jokebooks so I don't get burdened with lots of duplicates. o) If I reject your joke, keep trying. Most people get rejections, and even the people you see who have been published multiple times get lots of rejections. o) I'm human. I do make mistakes from time to time, and going over thousands of jokes as I do, that adds up to more often than I would like. I forget to rotate some offensive jokes, and I make editing mistakes, too. Just because you knew a joke or didn't find one funny doesn't mean that a lot of people didn't enjoy it. If you must complain, and some people must, remember that while you're typing your complaint on a computer, you're sending it to a human being. Written Humour Remember most of all that you're submitting written humour. That's a lot different from spoken humour, standup comedy, situational humour, improvised humour and stories where "you had to be there." Written humour is perhaps the toughest form. You don't get the advantage of delivery, surprise or a funny face. You don't get a drunk audience (usually) or a chance to use your great German accent. You must prepare a joke that stands on its own. Worst of all, the person reading the joke is *expecting* a joke, and that takes out the surprise, one of the most important elements in comedy. When you submit a joke, try to make it work well as written humour. I reject a lot of stuff that was much funnier when done or said. 95% of standup comedy doesn't work as written humour. Bumper stickers are funny when you see them on a car on a highway, but less so in a book. T-shirt sayings are great on a T-shirt. Some jokes can be translated if you're careful. But if you submit something from a non-written medium, don't be too surprised if it doesn't make it.
funny-request@looking.on.ca (Brad Templeton) (02/03/90)
Rec.Humor.Funny Rules for Submitters READ THIS IF YOU PLAN TO SUBMIT A JOKE (I mean it) If you plan to submit material for rec.humor.funny, I ask you to follow the set of guidelines detailed below. Some of these may seem contrived and arbitrary, and some exist simply to make my life a little easier. The principle behind this is simple -- if you violate one of my pet peeves in your submission, I'm going to go into your joke already biased against it. As objective as I try to be, that makes it less likely I will accept the joke. o) Give your jokes a meaningful Subject line. So many people send me submissions entitled "joke" -- as if I were expecting something else. I want a subject line that I can use as the title for your joke. Something that will distinguish it from all the other jokes in the group. Don't spoil the joke, of course. o) Only put one joke per submission. I rate all the jokes, and it's hard to rate a group of jokes as they will be sure to vary. If you send me a group of jokes, I will often just take the best one. o) Attribute the source of your joke. Tell me anything you know. If it's one line from a comedian's routine, name the comedian. If you heard it from your brother, say that. If you wrote it yourself, definitely say so, as I will give it preferential treatment. (I know nobody's heard it.) o) Don't send entire copyrighted works. Excerpts are OK, if they take the form of news, or a review of the work. A single line from a show, movie or routine (with attribution) is OK, but not a large collection or verbatim transcript. Don't send me professional columns like Dave Barry's. I just can't send these out without permission. o) If you see a copyrighted work you would like to submit, call and ask the copyright holder. You will be surprised -- many are glad to see a reprint with proper credit. Try it! o) Don't submit other people's postings (unless they were posted from the USA before April 1, 1989 without a copyright notice.) Instead, if you see a posting in a non-humour group that you think would still be very funny when taken completely out of context, mail the poster and encourage him or her to submit it to rec.humor.funny. Mention the RHF policy sheet to them when you send this note of encouragement. o) Proofread and spell-check your jokes. It's amazing how bad the submissions I get are in this department. You're writing for tens of thousands of people. That's more people than would read a typical letter to the editor of a large daily newspaper. Don't look like an idiot in print. o) Punctuate quotations properly. Follow the typographer's rule that periods and commas ALWAYS go inside closing quotes. Here are some examples of how to do quoting: He said, "The best things in life are disgusting," and then went home. "You aren't a string, are you?" he asked. (Note no comma) She yelled at the umpire, "Your mother was an anti-Christ!" o) Break paragraphs with a blank line. This will help me a lot when I typeset next year's annual. In general, format your jokes the way you might see them in a nice joke book. Don't hyphenate from one line to the next. o) Don't right justify your text. Right justified monospaced text is actually *harder* to read on a CRT screen than plain old, ragged-right text. If you use a formatter, use a 50 column line width. o) Wait for my reply. I reply to all submissions, with either a yes or a no. If you are accepted, your joke will be queued and will go out in the next several weeks. Topical jokes go out faster. Some replies don't make it due to bad mailers, I'm afraid. Please don't post the joke to rec.humor until you have received a rejection, as it makes me look like I'm duplicating. o) If I reply to your joke, and you want to respond, you must include a description of the joke in your response. Remember that I send out around 20 rejection notices a day, and when I get your reply back, I won't have the faintest idea which of many jokes you're talking about. In general, only reply if you must, but if you don't include the context, I will just say, "huh?" o) Keep a short signature, with just your name and location. If you add extra, I just have to delete it. So there. o) Mail jokes instead of posting them to the group in the hope that the automatic forwarding software will mail the joke to me. It doesn't always work, and I often can't reply to submissions posted that way, so you will wonder what went on. Mail to funny@looking.on.ca. Comments and questions (not submissions) go to funny-request@looking.on.ca. NOTHING related to the newsgroup should go to my personal mailbox, brad@looking, unless I mail you a question from that account. Jokes sent to my personal mailbox get rejected unless they're the best joke of the year. o) If your joke is topical -- based on current events, and needs faster processing, mail it to topical@looking.on.ca. Don't mail non-topical jokes there in the hope that they will be looked at faster, I will throw them away or delay them further. Note this means a joke *about* the news, not a joke you heard on the news. o) Anything that's not a joke goes to funny-request@looking.on.ca. If you send administrative notes to funny@looking.on.ca they will be lost or delayed. o) Don't put form feeds in jokes. Warning people that a punchline is coming is a good way to spoil it for them. o) I give a very low rating to puns. I only accept puns that have some humour to them beyond the pun. Make that a *lot* of humour to them beyond the pun. o) Collection jokes like light bulb jokes, JAP jokes, WASP jokes, "do its," bumper stickers, T-shirts, licence plates, Tom swifties etc. should go to the collectors who reside in rec.humor. Rarely, I will post particularly funny or original ones that I know are not in the collections. o) Try not to send me too many duplicates. If you send me stuff that's in the rec.humor.funny annual jokebooks, you'll just get back an ad telling you to buy the jokebooks so I don't get burdened with lots of duplicates. o) If I reject your joke, keep trying. Most people get rejections, and even the people you see who have been published multiple times get lots of rejections. o) I'm human. I do make mistakes from time to time, and going over thousands of jokes as I do, that adds up to more often than I would like. I forget to rotate some offensive jokes, and I make editing mistakes, too. Just because you knew a joke or didn't find one funny doesn't mean that a lot of people didn't enjoy it. If you must complain, and some people must, remember that while you're typing your complaint on a computer, you're sending it to a human being. Written Humour Remember most of all that you're submitting written humour. That's a lot different from spoken humour, standup comedy, situational humour, improvised humour and stories where "you had to be there." Written humour is perhaps the toughest form. You don't get the advantage of delivery, surprise or a funny face. You don't get a drunk audience (usually) or a chance to use your great German accent. You must prepare a joke that stands on its own. Worst of all, the person reading the joke is *expecting* a joke, and that takes out the surprise, one of the most important elements in comedy. When you submit a joke, try to make it work well as written humour. I reject a lot of stuff that was much funnier when done or said. 95% of standup comedy doesn't work as written humour. Bumper stickers are funny when you see them on a car on a highway, but less so in a book. T-shirt sayings are great on a T-shirt. Some jokes can be translated if you're careful. But if you submit something from a non-written medium, don't be too surprised if it doesn't make it.
funny-request@looking.on.ca (Brad Templeton) (03/03/90)
Rec.Humor.Funny Rules for Submitters READ THIS IF YOU PLAN TO SUBMIT A JOKE (I mean it) If you plan to submit material for rec.humor.funny, I ask you to follow the set of guidelines detailed below. Some of these may seem contrived and arbitrary, and some exist simply to make my life a little easier. The principle behind this is simple -- if you violate one of my pet peeves in your submission, I'm going to go into your joke already biased against it. As objective as I try to be, that makes it less likely I will accept the joke. o) Give your jokes a meaningful Subject line. So many people send me submissions entitled "joke" -- as if I were expecting something else. I want a subject line that I can use as the title for your joke. Something that will distinguish it from all the other jokes in the group. Don't spoil the joke, of course. o) Only put one joke per submission. I rate all the jokes, and it's hard to rate a group of jokes as they will be sure to vary. If you send me a group of jokes, I will often just take the best one. o) Attribute the source of your joke. Tell me anything you know. If it's one line from a comedian's routine, name the comedian. If you heard it from your brother, say that. If you wrote it yourself, definitely say so, as I will give it preferential treatment. (I know nobody's heard it.) o) Don't send entire copyrighted works. Excerpts are OK, if they take the form of news, or a review of the work. A single line from a show, movie or routine (with attribution) is OK, but not a large collection or verbatim transcript. Don't send me professional columns like Dave Barry's. I just can't send these out without permission. o) If you see a copyrighted work you would like to submit, call and ask the copyright holder. You will be surprised -- many are glad to see a reprint with proper credit. Try it! o) Don't submit other people's postings (unless they were posted from the USA before April 1, 1989 without a copyright notice.) Instead, if you see a posting in a non-humour group that you think would still be very funny when taken completely out of context, mail the poster and encourage him or her to submit it to rec.humor.funny. Mention the RHF policy sheet to them when you send this note of encouragement. o) Proofread and spell-check your jokes. It's amazing how bad the submissions I get are in this department. You're writing for tens of thousands of people. That's more people than would read a typical letter to the editor of a large daily newspaper. Don't look like an idiot in print. o) Punctuate quotations properly. Follow the typographer's rule that periods and commas ALWAYS go inside closing quotes. Here are some examples of how to do quoting: He said, "The best things in life are disgusting," and then went home. "You aren't a string, are you?" he asked. (Note no comma) She yelled at the umpire, "Your mother was an anti-Christ!" o) Break paragraphs with a blank line. This will help me a lot when I typeset next year's annual. In general, format your jokes the way you might see them in a nice joke book. Don't hyphenate from one line to the next. o) Don't right justify your text. Right justified monospaced text is actually *harder* to read on a CRT screen than plain old, ragged-right text. If you use a formatter, use a 50 column line width. o) Wait for my reply. I reply to all submissions, with either a yes or a no. If you are accepted, your joke will be queued and will go out in the next several weeks. Topical jokes go out faster. Some replies don't make it due to bad mailers, I'm afraid. Please don't post the joke to rec.humor until you have received a rejection, as it makes me look like I'm duplicating. o) If I reply to your joke, and you want to respond, you must include a description of the joke in your response. Remember that I send out around 20 rejection notices a day, and when I get your reply back, I won't have the faintest idea which of many jokes you're talking about. In general, only reply if you must, but if you don't include the context, I will just say, "huh?" o) Keep a short signature, with just your name and location. If you add extra, I just have to delete it. So there. o) Mail jokes instead of posting them to the group in the hope that the automatic forwarding software will mail the joke to me. It doesn't always work, and I often can't reply to submissions posted that way, so you will wonder what went on. Mail JOKES to funny@looking.on.ca. Comments and questions (not submissions) go to funny-request@looking.on.ca. NOTHING related to the newsgroup should go to my personal mailbox, brad@looking, unless I mail you a question from that account. Jokes sent to my personal mailbox get rejected unless they're the best joke of the year. o) If your joke is topical -- based on current events, and needs faster processing, mail it to topical@looking.on.ca. Don't mail non-topical jokes there in the hope that they will be looked at faster, I will throw them away or delay them further. Note this means a joke *about* the news, not a joke you heard on the news. o) Anything that's not a joke goes to funny-request@looking.on.ca. If you send administrative notes to funny@looking.on.ca they will be lost or delayed. o) Don't put form feeds in jokes. Warning people that a punchline is coming is a good way to spoil it for them. o) I give a very low rating to puns. I only accept puns that have some humour to them beyond the pun. Make that a *lot* of humour to them beyond the pun. o) Collection jokes like light bulb jokes, JAP jokes, WASP jokes, "do its," bumper stickers, T-shirts, licence plates, Tom swifties etc. should go to the collectors who reside in rec.humor. Rarely, I will post particularly funny or original ones that I know are not in the collections. o) Try not to send me too many duplicates. If you send me stuff that's in the rec.humor.funny annual jokebooks, you'll just get back an ad telling you to buy the jokebooks so I don't get burdened with lots of duplicates. o) If I reject your joke, keep trying. Most people get rejections, and even the people you see who have been published multiple times get lots of rejections. o) I'm human. I do make mistakes from time to time, and going over thousands of jokes as I do, that adds up to more often than I would like. I forget to rotate some offensive jokes, and I make editing mistakes, too. Just because you knew a joke or didn't find one funny doesn't mean that a lot of people didn't enjoy it. If you must complain, and some people must, remember that while you're typing your complaint on a computer, you're sending it to a human being. Written Humour Remember most of all that you're submitting written humour. That's a lot different from spoken humour, standup comedy, situational humour, improvised humour and stories where "you had to be there." Written humour is perhaps the toughest form. You don't get the advantage of delivery, surprise or a funny face. You don't get a drunk audience (usually) or a chance to use your great German accent. You must prepare a joke that stands on its own. Worst of all, the person reading the joke is *expecting* a joke, and that takes out the surprise, one of the most important elements in comedy. When you submit a joke, try to make it work well as written humour. I reject a lot of stuff that was much funnier when done or said. 95% of standup comedy doesn't work as written humour. Bumper stickers are funny when you see them on a car on a highway, but less so in a book. T-shirt sayings are great on a T-shirt. Some jokes can be translated if you're careful. But if you submit something from a non-written medium, don't be too surprised if it doesn't make it.
funny-request@looking.on.ca (Brad Templeton) (11/03/90)
Rec.Humor.Funny Rules for Submitters READ THIS IF YOU PLAN TO SUBMIT A JOKE (I mean it) If you plan to submit material for rec.humor.funny, I ask you to follow the set of guidelines detailed below. Some of these may seem contrived and arbitrary, and some exist simply to make my life a little easier. The principle behind this is simple -- if you violate one of my pet peeves in your submission, I'm going to go into your joke already biased against it. As objective as I try to be, that makes it less likely I will accept the joke. In brief: Provide a meaningful subject line Submit to the right address -- there are several One joke per submission Attribute the source No copyrighted works No other people's net postings Avoid signatures, particularly long ones Spell check and manually proofread your submissions Check out other formatting and joke type guidelines o) Give your jokes a meaningful Subject line. So many people send me submissions entitled "joke" -- as if I were expecting something else. I want a subject line that I can use as the title for your joke. Something that will distinguish it from all the other jokes in the group. Don't spoil the joke, of course. o) Only put one joke per submission. I rate all the jokes, and it's hard to rate a group of jokes as they will be sure to vary. If you send me a group of jokes, I will often just take the best one. o) Attribute the source of your joke. Tell me anything you know. If it's one line from a comedian's routine, name the comedian. If you heard it from your brother, say that. If you wrote it yourself, definitely say so, as I will give it preferential treatment. (I know nobody's heard it.) o) Don't send entire copyrighted works. Excerpts are OK, if they take the form of news, or a review of the work. A single line from a show, movie or routine (with attribution) is OK, but not a large collection or verbatim transcript. Don't send me professional columns like Dave Barry's. I just can't send these out without permission. o) If you see a copyrighted work you would like to submit, call and ask the copyright holder. You will be surprised -- many are glad to see a reprint with proper credit. Try it! o) Don't submit other people's postings (unless they were posted from the USA before April 1, 1989 without a copyright notice.) Instead, if you see a posting in a non-humour group that you think would still be very funny when taken completely out of context, mail the poster and encourage him or her to submit it to rec.humor.funny. Mention the RHF policy sheet to them when you send this note of encouragement. o) Proofread and spell-check your jokes. It's amazing how bad the submissions I get are in this department. You're writing for tens of thousands of people. That's more people than would read a typical letter to the editor of a large daily newspaper. Don't look like an idiot in print. o) Punctuate quotations properly. Follow the typographer's rule that periods and commas ALWAYS go inside closing quotes. Here are some examples of how to do quoting: He said, "The best things in life are disgusting," and then went home. "You aren't a string, are you?" he asked. (Note no comma) She yelled at the umpire, "Your mother was an anti-Christ!" o) Break paragraphs with a blank line. This will help me a lot when I typeset next year's annual. In general, format your jokes the way you might see them in a nice joke book. Don't hyphenate from one line to the next. o) Don't right justify your text. Right justified monospaced text is actually *harder* to read on a CRT screen than plain old, ragged-right text. If you use a formatter, use a 50 column line width. o) Submissions to funny@looking.on.ca get an automatic reply done by software, and a further reply (usually within a week) if they are accepted. Accepted jokes go into a queue that can take a month to empty. Topical jokes go out faster. Some replies don't make it due to bad mailers, I'm afraid. If you don't need any reply, mail to rhf@looking.on.ca. o) If I reply to your joke, and you want to respond, you must include a description of the joke in your response. Remember that I send out around 20 rejection notices a day, and when I get your reply back, I won't have the faintest idea which of many jokes you're talking about. In general, only reply if you must, but if you don't include the context, I will just say, "huh?" o) Keep a short signature, with just your name and location. If you add extra, I just have to delete it. So there. o) Mail jokes instead of posting them to the group in the hope that the automatic forwarding software will mail the joke to me. It doesn't always work, and I often can't reply to submissions posted that way, so you will wonder what went on. Mail JOKES, and only jokes, to funny@looking.on.ca. Comments and questions (not submissions) go to funny-request@looking.on.ca. NOTHING related to the newsgroup should go to my personal mailbox, brad@looking, unless I mail you a question from that account. Jokes sent to my personal mailbox get rejected unless they're the best joke of the year. o) If your joke is topical -- based on current events, and needs faster processing, mail it to topical@looking.on.ca. Don't mail non-topical jokes there in the hope that they will be looked at faster, I will throw them away or delay them further. Note this means a joke *about* the news, not a joke you heard on the news. o) Anything that's not a joke goes to funny-request@looking.on.ca. If you send administrative notes to funny@looking.on.ca they will be lost or delayed. "funny" is not even a mailbox. Only funny-request is a mailbox. o) Don't put form feeds in jokes. Warning people that a punchline is coming is a good way to spoil it for them. o) I give a very low rating to puns. I only accept puns that have some humour to them beyond the pun. Make that a *lot* of humour to them beyond the pun. o) Collection jokes like light bulb jokes, JAP jokes, WASP jokes, "do its," bumper stickers, T-shirts, licence plates, Tom swifties etc. should go to the collectors who reside in rec.humor. Rarely, I will post particularly funny or original ones that I know are not in the collections. o) Try not to send me too many duplicates. If you send me stuff that's in the rec.humor.funny annual jokebooks, you'll just get back an ad telling you to buy the jokebooks so I don't get burdened with lots of duplicates. o) If I reject your joke, keep trying. Most people get rejections, and even the people you see who have been published multiple times get lots of rejections. o) I'm human. I do make mistakes from time to time, and going over thousands of jokes as I do, that adds up to more often than I would like. I forget to rotate some offensive jokes, and I make editing mistakes, too. Just because you knew a joke or didn't find one funny doesn't mean that a lot of people didn't enjoy it. If you must complain, and some people must, remember that while you're typing your complaint on a computer, you're sending it to a human being. Written Humour Remember most of all that you're submitting written humour. That's a lot different from spoken humour, standup comedy, situational humour, improvised humour and stories where "you had to be there." Written humour is perhaps the toughest form. You don't get the advantage of delivery, surprise or a funny face. You don't get a drunk audience (usually) or a chance to use your great German accent. You must prepare a joke that stands on its own. Worst of all, the person reading the joke is *expecting* a joke, and that takes out the surprise, one of the most important elements in comedy. When you submit a joke, try to make it work well as written humour. I reject a lot of stuff that was much funnier when done or said. 95% of standup comedy doesn't work as written humour. Bumper stickers are funny when you see them on a car on a highway, but less so in a book. T-shirt sayings are great on a T-shirt. Some jokes can be translated if you're careful. But if you submit something from a non-written medium, don't be too surprised if it doesn't make it.
funny-request@looking.on.ca (Brad Templeton) (02/03/91)
Rec.Humor.Funny Rules for Submitters READ THIS IF YOU PLAN TO SUBMIT A JOKE (I mean it) If you plan to submit material for rec.humor.funny, I ask you to follow the set of guidelines detailed below. Some of these may seem contrived and arbitrary, and some exist simply to make my life a little easier. The principle behind this is simple -- if you violate one of my pet peeves in your submission, I'm going to go into your joke already biased against it. As objective as I try to be, that makes it less likely I will accept the joke. In brief: Provide a meaningful subject line Submit to the right address -- there are several One joke per submission Attribute the source No copyrighted works No other people's net postings Cleary mark original submissions Avoid signatures, particularly long ones Spell check and manually proofread your submissions Check out other formatting and joke type guidelines o) Give your jokes a meaningful Subject line. So many people send me submissions entitled "joke" -- as if I were expecting something else. I want a subject line that I can use as the title for your joke. Something that will distinguish it from all the other jokes in the group. Don't spoil the joke, of course. o) Only put one joke per submission. I rate all the jokes, and it's hard to rate a group of jokes as they will be sure to vary. If you send me a group of jokes, I will often just take the best one. o) Attribute the source of your joke. Tell me anything you know. If it's one line from a comedian's routine, name the comedian. If you heard it from your brother, say that. If you wrote it yourself, definitely say so, as I will give it preferential treatment. (I know nobody's heard it.) o) Don't send entire copyrighted works. Excerpts are OK, if they take the form of news, or a review of the work. A single line from a show, movie or routine (with attribution) is OK, but not a large collection or verbatim transcript. Don't send me professional columns like Dave Barry's. I just can't send these out without permission. o) If your submission is original, tell me that clearly. It can then qualify for the RHF original comedy awards. In fact, mail it to original@looking.on.ca and it will be tagged as original. If it's topical and original, mail to topical, and say at the top that you wrote it. o) If you see a copyrighted work you would like to submit, call and ask the copyright holder. You will be surprised -- many are glad to see a reprint with proper credit. Try it! o) Don't submit other people's postings (unless they were posted from the USA before April 1, 1989 without a copyright notice.) Instead, if you see a posting in a non-humour group that you think would still be very funny when taken completely out of context, mail the poster and encourage him or her to submit it to rec.humor.funny. Mention the RHF policy sheet to them when you send this note of encouragement. o) Proofread and spell-check your jokes. It's amazing how bad the submissions I get are in this department. You're writing for tens of thousands of people. That's more people than would read a typical letter to the editor of a large daily newspaper. Don't look like an idiot in print. o) Punctuate quotations properly. Follow the typographer's rule that periods and commas ALWAYS go inside closing quotes. Here are some examples of how to do quoting: He said, "The best things in life are disgusting," and then went home. "You aren't a string, are you?" he asked. (Note no comma) She yelled at the umpire, "Your mother was an anti-Christ!" o) Break paragraphs with a blank line. This will help me a lot when I typeset next year's annual. In general, format your jokes the way you might see them in a nice joke book. Don't hyphenate from one line to the next. o) Don't right justify your text. Right justified monospaced text is actually *harder* to read on a CRT screen than plain old, ragged-right text. If you use a formatter, use a 50 column line width. o) Submissions to funny@looking.on.ca get an automatic reply done by software, and a further reply (usually within a week) if they are accepted. Accepted jokes go into a queue that can take a month to empty. Topical jokes go out faster. Some replies don't make it due to bad mailers, I'm afraid. If you don't need any reply, mail to rhf@looking.on.ca. o) If I reply to your joke, and you want to respond, you must include a description of the joke in your response. Remember that I send out around 20 rejection notices a day, and when I get your reply back, I won't have the faintest idea which of many jokes you're talking about. In general, only reply if you must, but if you don't include the context, I will just say, "huh?" o) Keep a short signature, with just your name and location. If you add extra, I just have to delete it. So there. o) Mail jokes instead of posting them to the group in the hope that the automatic forwarding software will mail the joke to me. It doesn't always work, and I often can't reply to submissions posted that way, so you will wonder what went on. Mail JOKES, and only jokes, to funny@looking.on.ca. Comments and questions (not submissions) go to funny-request@looking.on.ca. NOTHING related to the newsgroup should go to my personal mailbox, brad@looking, unless I mail you a question from that account. Jokes sent to my personal mailbox get rejected unless they're the best joke of the year. o) If your joke is topical -- based on current events, and needs faster processing, mail it to topical@looking.on.ca. Don't mail non-topical jokes there in the hope that they will be looked at faster, I will throw them away or delay them further. Note this means a joke *about* the news, not a joke you heard on the news. o) Anything that's not a joke goes to funny-request@looking.on.ca. If you send administrative notes to funny@looking.on.ca they will be lost or delayed. "funny" is not even a mailbox. Only funny-request is a mailbox. o) Don't put form feeds in jokes. Warning people that a punchline is coming is a good way to spoil it for them. o) I give a very low rating to puns. I only accept puns that have some humour to them beyond the pun. Make that a *lot* of humour to them beyond the pun. o) Collection jokes like light bulb jokes, JAP jokes, WASP jokes, "do its," bumper stickers, T-shirts, licence plates, Tom swifties etc. should go to the collectors who reside in rec.humor. Rarely, I will post particularly funny or original ones that I know are not in the collections. o) Try not to send me too many duplicates. If you send me stuff that's in the rec.humor.funny annual jokebooks, you'll just get back an ad telling you to buy the jokebooks so I don't get burdened with lots of duplicates. o) If I reject your joke, keep trying. Most people get rejections, and even the people you see who have been published multiple times get lots of rejections. o) I'm human. I do make mistakes from time to time, and going over thousands of jokes as I do, that adds up to more often than I would like. I forget to rotate some offensive jokes, and I make editing mistakes, too. Just because you knew a joke or didn't find one funny doesn't mean that a lot of people didn't enjoy it. If you must complain, and some people must, remember that while you're typing your complaint on a computer, you're sending it to a human being. Written Humour Remember most of all that you're submitting written humour. That's a lot different from spoken humour, standup comedy, situational humour, improvised humour and stories where "you had to be there." Written humour is perhaps the toughest form. You don't get the advantage of delivery, surprise or a funny face. You don't get a drunk audience (usually) or a chance to use your great German accent. You must prepare a joke that stands on its own. Worst of all, the person reading the joke is *expecting* a joke, and that takes out the surprise, one of the most important elements in comedy. When you submit a joke, try to make it work well as written humour. I reject a lot of stuff that was much funnier when done or said. 95% of standup comedy doesn't work as written humour. Bumper stickers are funny when you see them on a car on a highway, but less so in a book. T-shirt sayings are great on a T-shirt. Some jokes can be translated if you're careful. But if you submit something from a non-written medium, don't be too surprised if it doesn't make it.
funny-request@looking.on.ca (Brad Templeton) (03/03/91)
Rec.Humor.Funny Rules for Submitters READ THIS IF YOU PLAN TO SUBMIT A JOKE (I mean it) If you plan to submit material for rec.humor.funny, I ask you to follow the set of guidelines detailed below. Some of these may seem contrived and arbitrary, and some exist simply to make my life a little easier. The principle behind this is simple -- if you violate one of my pet peeves in your submission, I'm going to go into your joke already biased against it. As objective as I try to be, that makes it less likely I will accept the joke. In brief: Provide a meaningful subject line Submit to the right address -- there are several One joke per submission Attribute the source No copyrighted works No other people's net postings Cleary mark original submissions Avoid signatures, particularly long ones Spell check and manually proofread your submissions Check out other formatting and joke type guidelines o) Give your jokes a meaningful Subject line. So many people send me submissions entitled "joke" -- as if I were expecting something else. I want a subject line that I can use as the title for your joke. Something that will distinguish it from all the other jokes in the group. Don't spoil the joke, of course. o) Only put one joke per submission. I rate all the jokes, and it's hard to rate a group of jokes as they will be sure to vary. If you send me a group of jokes, I will often just take the best one. o) Attribute the source of your joke. Tell me anything you know. If it's one line from a comedian's routine, name the comedian. If you heard it from your brother, say that. If you wrote it yourself, definitely say so, as I will give it preferential treatment. (I know nobody's heard it.) o) Don't send entire copyrighted works. Excerpts are OK, if they take the form of news, or a review of the work. A single line from a show, movie or routine (with attribution) is OK, but not a large collection or verbatim transcript. Don't send me professional columns like Dave Barry's. I just can't send these out without permission. o) If your submission is original, tell me that clearly. It can then qualify for the RHF original comedy awards. In fact, mail it to original@looking.on.ca and it will be tagged as original. If it's topical and original, mail to topical, and say at the top that you wrote it. o) If you see a copyrighted work you would like to submit, call and ask the copyright holder. You will be surprised -- many are glad to see a reprint with proper credit. Try it! o) Don't submit other people's postings (unless they were posted from the USA before April 1, 1989 without a copyright notice.) Instead, if you see a posting in a non-humour group that you think would still be very funny when taken completely out of context, mail the poster and encourage him or her to submit it to rec.humor.funny. Mention the RHF policy sheet to them when you send this note of encouragement. o) Proofread and spell-check your jokes. It's amazing how bad the submissions I get are in this department. You're writing for tens of thousands of people. That's more people than would read a typical letter to the editor of a large daily newspaper. Don't look like an idiot in print. o) Punctuate quotations properly. Follow the typographer's rule that periods and commas ALWAYS go inside closing quotes. Here are some examples of how to do quoting: He said, "The best things in life are disgusting," and then went home. "You aren't a string, are you?" he asked. (Note no comma) She yelled at the umpire, "Your mother was an anti-Christ!" o) Break paragraphs with a blank line. This will help me a lot when I typeset next year's annual. In general, format your jokes the way you might see them in a nice joke book. Don't hyphenate from one line to the next. o) Don't right justify your text. Right justified monospaced text is actually *harder* to read on a CRT screen than plain old, ragged-right text. If you use a formatter, use a 50 column line width. o) Submissions to funny@looking.on.ca get an automatic reply done by software, and a further reply (usually within a week) if they are accepted. Accepted jokes go into a queue that can take a month to empty. Topical jokes go out faster. Some replies don't make it due to bad mailers, I'm afraid. If you don't need any reply, mail to rhf@looking.on.ca. o) If I reply to your joke, and you want to respond, you must include a description of the joke in your response. Remember that I send out around 20 rejection notices a day, and when I get your reply back, I won't have the faintest idea which of many jokes you're talking about. In general, only reply if you must, but if you don't include the context, I will just say, "huh?" o) Keep a short signature, with just your name and location. If you add extra, I just have to delete it. So there. o) Mail jokes instead of posting them to the group in the hope that the automatic forwarding software will mail the joke to me. It doesn't always work, and I often can't reply to submissions posted that way, so you will wonder what went on. Mail JOKES, and only jokes, to funny@looking.on.ca. Comments and questions (not submissions) go to funny-request@looking.on.ca. NOTHING related to the newsgroup should go to my personal mailbox, brad@looking, unless I mail you a question from that account. Jokes sent to my personal mailbox get rejected unless they're the best joke of the year. o) If your joke is topical -- based on current events, and needs faster processing, mail it to topical@looking.on.ca. Don't mail non-topical jokes there in the hope that they will be looked at faster, I will throw them away or delay them further. Note this means a joke *about* the news, not a joke you heard on the news. o) Anything that's not a joke goes to funny-request@looking.on.ca. If you send administrative notes to funny@looking.on.ca they will be lost or delayed. "funny" is not even a mailbox. Only funny-request is a mailbox. o) Don't put form feeds in jokes. Warning people that a punchline is coming is a good way to spoil it for them. o) Don't encrypt (rot13) jokes that you send to me, although you can add notes indicating that you think they should be rot13. It remains my decision in the end, however. o) I give a very low rating to puns. I only accept puns that have some humour to them beyond the pun. Make that a *lot* of humour to them beyond the pun. o) Collection jokes like light bulb jokes, JAP jokes, WASP jokes, "do its," bumper stickers, T-shirts, licence plates, Tom swifties etc. should go to the collectors who reside in rec.humor. Rarely, I will post particularly funny or original ones that I know are not in the collections. o) Try not to send me too many duplicates. If you send me stuff that's in the rec.humor.funny annual jokebooks, you'll just get back an ad telling you to buy the jokebooks so I don't get burdened with lots of duplicates. o) If I reject your joke, keep trying. Most people get rejections, and even the people you see who have been published multiple times get lots of rejections. o) I'm human. I do make mistakes from time to time, and going over thousands of jokes as I do, that adds up to more often than I would like. I forget to rotate some offensive jokes, and I make editing mistakes, too. Just because you knew a joke or didn't find one funny doesn't mean that a lot of people didn't enjoy it. If you must complain, and some people must, remember that while you're typing your complaint on a computer, you're sending it to a human being. Written Humour Remember most of all that you're submitting written humour. That's a lot different from spoken humour, standup comedy, situational humour, improvised humour and stories where "you had to be there." Written humour is perhaps the toughest form. You don't get the advantage of delivery, surprise or a funny face. You don't get a drunk audience (usually) or a chance to use your great German accent. You must prepare a joke that stands on its own. Worst of all, the person reading the joke is *expecting* a joke, and that takes out the surprise, one of the most important elements in comedy. When you submit a joke, try to make it work well as written humour. I reject a lot of stuff that was much funnier when done or said. 95% of standup comedy doesn't work as written humour. Bumper stickers are funny when you see them on a car on a highway, but less so in a book. T-shirt sayings are great on a T-shirt. Some jokes can be translated if you're careful. But if you submit something from a non-written medium, don't be too surprised if it doesn't make it.
funny-request@looking.on.ca (Brad Templeton) (05/03/91)
Rec.Humor.Funny Rules for Submitters READ THIS IF YOU PLAN TO SUBMIT A JOKE (I mean it) If you plan to submit material for rec.humor.funny, I ask you to follow the set of guidelines detailed below. Some of these may seem contrived and arbitrary, and some exist simply to make my life a little easier. The principle behind this is simple -- if you violate one of my pet peeves in your submission, I'm going to go into your joke already biased against it. As objective as I try to be, that makes it less likely I will accept the joke. In brief: Provide a meaningful subject line Submit to the right address -- there are several One joke per submission Attribute the source No copyrighted works No other people's net postings Cleary mark original submissions Avoid signatures, particularly long ones Spell check and manually proofread your submissions Check out other formatting and joke type guidelines o) Give your jokes a meaningful Subject line. So many people send me submissions entitled "joke" -- as if I were expecting something else. I want a subject line that I can use as the title for your joke. Something that will distinguish it from all the other jokes in the group. Don't spoil the joke, of course. o) Only put one joke per submission. I rate all the jokes, and it's hard to rate a group of jokes as they will be sure to vary. If you send me a group of jokes, I will often just take the best one. o) Attribute the source of your joke. Tell me anything you know. If it's one line from a comedian's routine, name the comedian. If you heard it from your brother, say that. If you wrote it yourself, definitely say so, as I will give it preferential treatment. (I know nobody's heard it.) o) Don't send entire copyrighted works. Excerpts are OK, if they take the form of news, or a review of the work. A single line from a show, movie or routine (with attribution) is OK, but not a large collection or verbatim transcript. Don't send me professional columns like Dave Barry's. I just can't send these out without permission. o) If your submission is original, tell me that clearly. It can then qualify for the RHF original comedy awards. In fact, mail it to original@looking.on.ca and it will be tagged as original. If it's topical and original, mail to topical, and say at the top that you wrote it. o) If you see a copyrighted work you would like to submit, call and ask the copyright holder. You will be surprised -- many are glad to see a reprint with proper credit. Try it! o) Don't submit other people's postings (unless they were posted from the USA before April 1, 1989 without a copyright notice.) Instead, if you see a posting in a non-humour group that you think would still be very funny when taken completely out of context, mail the poster and encourage him or her to submit it to rec.humor.funny. Mention the RHF policy sheet to them when you send this note of encouragement. o) Proofread and spell-check your jokes. It's amazing how bad the submissions I get are in this department. You're writing for tens of thousands of people. That's more people than would read a typical letter to the editor of a large daily newspaper. Don't look like an idiot in print. o) Punctuate quotations properly. Follow the North American typographer's rule that periods and commas ALWAYS go inside closing quotes. Here are some examples of how to do quoting: He said, "The best things in life are disgusting," and then went home. "You aren't a string, are you?" he asked. (Note no comma) She yelled at the umpire, "Your mother was an anti-Christ!" Typographer's rules aren't always logical, but anything else looks really bad when typeset. o) Break paragraphs with a blank line. This will help me a lot when I typeset next year's annual. In general, format your jokes the way you might see them in a nice joke book. Don't hyphenate from one line to the next. o) Don't right justify your text. Right justified monospaced text is actually *harder* to read on a CRT screen than plain old, ragged-right text. If you use a formatter, use a 50 column line width. o) Submissions to funny@looking.on.ca get an automatic reply done by software, and a further reply (usually within a week) if they are accepted. Accepted jokes go into a queue that can take a month to empty. Topical jokes go out faster. Some replies don't make it due to bad mailers, I'm afraid. If you don't need any reply, mail to rhf@looking.on.ca. o) If I reply to your joke, and you want to respond, you must include a description of the joke in your response. Remember that I send out around 20 rejection notices a day, and when I get your reply back, I won't have the faintest idea which of many jokes you're talking about. In general, only reply if you must, but if you don't include the context, I will just say, "huh?" o) Keep a short signature, with just your name and location. If you add extra, I just have to delete it. So there. o) Mail jokes instead of posting them to the group in the hope that the automatic forwarding software will mail the joke to me. It doesn't always work, and I often can't reply to submissions posted that way, so you will wonder what went on. Mail JOKES, and only jokes, to funny@looking.on.ca. Comments and questions (not submissions) go to funny-request@looking.on.ca. NOTHING related to the newsgroup should go to my personal mailbox, brad@looking, unless I mail you a question from that account. Jokes sent to my personal mailbox get rejected unless they're the best joke of the year. o) If your joke is topical -- based on current events, and needs faster processing, mail it to topical@looking.on.ca. Don't mail non-topical jokes there in the hope that they will be looked at faster, I will throw them away or delay them further. Note this means a joke *about* the news, not a joke you heard on the news. o) Anything that's not a joke goes to funny-request@looking.on.ca. If you send administrative notes to funny@looking.on.ca they will be lost or delayed. "funny" is not even a mailbox. Only funny-request is a mailbox. o) Don't put form feeds in jokes. Warning people that a punchline is coming is a good way to spoil it for them. o) Don't encrypt (rot13) jokes that you send to me, although you can add notes indicating that you think they should be rot13. It remains my decision in the end, however. o) I give a very low rating to puns. I only accept puns that have some humour to them beyond the pun. Make that a *lot* of humour to them beyond the pun. o) Collection jokes like light bulb jokes, JAP jokes, WASP jokes, "do its," bumper stickers, T-shirts, licence plates, Tom swifties etc. should go to the collectors who reside in rec.humor. Rarely, I will post particularly funny or original ones that I know are not in the collections. o) Try not to send me too many duplicates. If you send me stuff that's in the rec.humor.funny annual jokebooks, you'll just get back an ad telling you to buy the jokebooks so I don't get burdened with lots of duplicates. o) If I reject your joke, keep trying. Most people get rejections, and even the people you see who have been published multiple times get lots of rejections. o) I'm human. I do make mistakes from time to time, and going over thousands of jokes as I do, that adds up to more often than I would like. I forget to rotate some offensive jokes, and I make editing mistakes, too. Just because you knew a joke or didn't find one funny doesn't mean that a lot of people didn't enjoy it. If you must complain, and some people must, remember that while you're typing your complaint on a computer, you're sending it to a human being. Written Humour Remember most of all that you're submitting written humour. That's a lot different from spoken humour, standup comedy, situational humour, improvised humour and stories where "you had to be there." Written humour is perhaps the toughest form. You don't get the advantage of delivery, surprise or a funny face. You don't get a drunk audience (usually) or a chance to use your great German accent. You must prepare a joke that stands on its own. Worst of all, the person reading the joke is *expecting* a joke, and that takes out the surprise, one of the most important elements in comedy. When you submit a joke, try to make it work well as written humour. I reject a lot of stuff that was much funnier when done or said. 95% of standup comedy doesn't work as written humour. Bumper stickers are funny when you see them on a car on a highway, but less so in a book. T-shirt sayings are great on a T-shirt. Some jokes can be translated if you're careful. But if you submit something from a non-written medium, don't be too surprised if it doesn't make it.