[comp.sys.next] Yet Another Wacky DSP Project

prie@escher.cc.rochester.edu (Tod Rieger) (06/25/91)

     If only there were an inexpensive alternative to external
processors for CD players, ....

     Reading a description of the $2000 Theta Pro Basic in issue
67 of The Absolute Sound, I noticed that it centers around a
Motorola 24-bit DSP with a 56-bit accumulator. Sound (heh, heh)
familiar? This leaves me with two questions:

1) What is the format of the CD player's digital output?

2) How can I attach the CD player's digital out to the DSP port?

     NeXTime.

teg@peabody.iusb.indiana.edu (Tim Gurbick) (06/25/91)

In article <1991Jun25.005203.10344@galileo.cc.rochester.edu> prie@escher.cc.rochester.edu (Tod Rieger) writes:
>
>     If only there were an inexpensive alternative to external
>processors for CD players, ....
>
>     Reading a description of the $2000 Theta Pro Basic in issue
>67 of The Absolute Sound, I noticed that it centers around a
>Motorola 24-bit DSP with a 56-bit accumulator. Sound (heh, heh)
>familiar? This leaves me with two questions:
>

Krell Digital has made use of the 56k1 for quite some time.  This year, to
add to the SBP-32X DA processor (2 56k's - 1 per channel) and the Stealth,
they came-up with the SBP-64X, with 64 times oversampling, and four DSP56k's
(two per channel).  Thinking of buying one to fool-around with?  Well, you
can have the 64X or a cube; retail is $8950.  Of course, the 32X is only
$3500.  Followups to rec.audio.high-end?

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paul@cgh.cgh.com (Paul Homchick) (06/25/91)

>>     Reading a description of the $2000 Theta Pro Basic in issue
>>67 of The Absolute Sound, I noticed that it centers around a
>>Motorola 24-bit DSP with a 56-bit accumulator. Sound (heh, heh)
>>familiar? This leaves me with two questions:
>
>Krell Digital has made use of the 56k1 for quite some time.

These products do use the 56001 (or several of them) but they ALSO use
standard DAC chips.  The 56001 is used only to over-sample (average?)
the incoming digitial bit-stream and then feed it to the DACs.
Presumably, they do a little bit more than that for the money they are
charging, but who knows?  They aren't talking.  When I first heard of
using a 56001 in a outboard digital to analog convertor, I thought it
was a very fine idea.  But when I look at the architecture of the
whole product, I have to wonder what the big advantage is.


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kls30@duts.ccc.amdahl.com (Kent L Shephard) (06/25/91)

In article <1991Jun25.005203.10344@galileo.cc.rochester.edu> prie@escher.cc.rochester.edu (Tod Rieger) writes:
>
>     If only there were an inexpensive alternative to external
>processors for CD players, ....
>
>     Reading a description of the $2000 Theta Pro Basic in issue
>67 of The Absolute Sound, I noticed that it centers around a
>Motorola 24-bit DSP with a 56-bit accumulator. Sound (heh, heh)
>familiar? This leaves me with two questions:
>
>1) What is the format of the CD player's digital output?
>

The outputs will either be AES/EBU or S/PDIF.  The data is Manchester
Coded with embeded clock.  You would need something to decode the data
stream and multiplex the data for the DSP input.

>2) How can I attach the CD player's digital out to the DSP port?
>
>     NeXTime.

Singular Solutions A/D64x will work.  Another product that will work is
one I'm in the process of developing.  Cost should be much less than the
$1300 wanted for the A/D64x.  I'll let everyone know when the prototype
is complete.  I'll either try to find a partner with capital to market
the product or just sell plans to individuals that know their way around
wire wrap and soldering irons.

                    Kent
--
/*  -The opinions expressed are my own, not my employers.    */
/*      For I can only express my own opinions.              */
/*                                                           */
/*   Kent L. Shephard  : email - kls30@DUTS.ccc.amdahl.com   */

prie@escher.cc.rochester.edu (Tod Rieger) (06/25/91)

     The point of this project is to avoid purchasing
a Theta/Krell/Wadia/PS-Audio external processor. I
believe the NeXT has most of the hardware and the
kind people at Theta Digital Corp will be sending
me references for software.

     The point of a external processor is that it
makes digital audio sound better (ie, bearable).
Most oversampling techniques only optimize for
frequency response, but with their additional
computational power (ie, cost) external processors
also optimize time domain, group delay, and
transient ability. (There's more to audio than
just frequencies.)

     NeXTime.

drin@ersys.edmonton.ab.ca (Adrian Smith) (06/26/91)

Any chance you could add me to the list (which I'm sure will grow) of 
people who'd be interested in such a product? I'd be interested in the 
finished product and/or the plans for such a machine...
 
Thanks
 
-drin

Adrian Smith              drin@ersys.edmonton.ab.ca
Edmonton Remote Systems:  Serving Northern Alberta since 1982

shanega@athena.mit.edu (Shane G. Artis) (06/27/91)

In article <mBm642w164w@ersys.edmonton.ab.ca> drin@ersys.edmonton.ab.ca (Adrian Smith) writes:
>Any chance you could add me to the list (which I'm sure will grow) of 
>people who'd be interested in such a product? I'd be interested in the 
>finished product and/or the plans for such a machine...
> 
>Thanks
> 
>-drin
>
>Adrian Smith              drin@ersys.edmonton.ab.ca
>Edmonton Remote Systems:  Serving Northern Alberta since 1982

Add me too!  I will build it myself if you publish the plans, or
consider a low-priced final product.  Good luck with the development!

Shane

shanega@athena.mit.edu