[comp.fonts] literature on typography

kleine@iraul1.ira.uka.de (Karl Kleine) (04/19/88)

there have been a couple of questions for literature references
on in recent postings, so here we go with a limited list:

1. textbooks on typography

Ruari McLean
The Thames and Hudson Manual of
Typography
Thames and Hudson, London 1980, isbn 0-500-68022-1

[part of a series of textbooks on art production; concise treatment
of the whole subject. if you just look for one source, or want to
explain the subject to an interested party, here you find a good
and thorough cross section of the field. british advise to the
interested student - i like it]

Erhardt D Siebner, Walter Leonhard
Bruckmann's Handbuch der Schrift
3rd edition, Bruckmann Verlag, Muenchen, 1985, isbn 3-7654-1940-0

[the german counterpart, but more touching on this and that,
not a `how to' book]

James Craig
Designing with Type
rev. ed., watson-Guptil Publications, NY, 1980, isbn 0-8230-1321-9

[a straight American textbook for art students, classical and phototype
composition, somewhat dated, but showing the essentials in clear manner.
i like the length to which Craig goes to show the effects of leading
and effect on various typefaces. there is also a collection of fontsamples]


2. type

the following two references may be hard to get by, but they are really
worth the trouble, particularly the Zapf book.

Sebastian Carter
Twentieth Century Type Designers
Trefoil Publications Ltd, London, 1987, isbn 0-86294-076

[a beautiful book with biographies of the great men of this century
together with many samples of their designs.]

Hermann Zapf and his design philosophy
Society of Typographic Arts Chicago, 1987, isbn 0-941447-00-6

[selected essays by H. Zapf, lists of typefaces, reproductions of
book designs. a beauty]


3. typeface catalogues

Christopher Perfect and Gordon Rookledge
Rookledge International Typefinder
Sarema Press, London 1983
isbn 0-85331-4683 casebound, 0-85331-4691 paperback

[earmark tables for type identification and disambiguitation of similar ones]

Berthold Types
Berthold and Callwey, 1985

[a thick two-volume bible of type specimen from the German manufacturer
of phototypesetting equipment]

and other manufacturer's catalogues, often in short form and extended
collection of specimen sheets, e.g. LinoTypeCollection

Jan Tschihold
Meisterbuch der Schrift
[the US title is about `treasure of alphabets', but i'm not sure]


4. type and layout

here i want to draw attention to two books by Jan Tschichold, which
reappeared on the market in reprints, both [unfortunately for most of you]
in German. Tschichold plays an important role (in my opinion) in setting
the pace for publications in the 20th century in Europe, as he belonged
to the Bauhaus movement, but was the only real printer with a printer
- not an painter - background in that bunch. in 1928 he published

Die neue Typograpghie
Ein Handbuch fuer zeitgemaess Schaffende

[reprint 1987 by Verlag Brinckmann und Bose, Berlin]

but later in his life he looked at typography in a different way, and
that booklet belongs on the desk of all book designers:

Ausgewaehlte Aufsaetze ueber Fragen der Gestalt des Buches und der Typographie
Birkhaeuser Verlag Basel, 1975, 1987, isbn 3-7643-1946-1

let me close with a dual language book on publication design:

Josef Mueller-Brockmann
Grid Systems in Graphic Design
Rastersysteme fuer die graphische Gestaltung

2nd ed. 1985
Visual Communication Books, Hastings House Publ., NY, isbn 0-838-2711-3
Verlag Arthur Niggli, Niederteufen, Switzerland, isbn 3-72120-145-0

[the title says it. layout by breaking the page into boxes and the
power of white space]



Karl Kleine