[comp.fonts] London Underground

Erik-jan.Vens@bbs.acs.unc.edu (Erik-jan Vens) (04/07/91)

To come back on the subject of the London Underground lettering done by
Johnston, I found this in "Eric Gill" by Fiona MacCarthy:

  The Johnstons had by this time [1915] arrived in Ditchling too. Edward
Johnston had had his mind on Ditchling since the Gills had first arrived
there. He had an instinctive love for the traditions of the country and
the craftmen's respect for the proper way of doing things: the right way
to lay the hedge, the best cure for a ham. The thought of an old Sussex 
wagon sent him into raptures: he saw it as 'A kind of Fairy Land Ship
for beauty, with all its little stop-chamferred and painted banisters
and beautiful time and craft shaped "parts".' (He added: 'I dare say it
had a vocabulary of its own of anything from 50 to 100 words ore more.')
The early dreams of the Gill and Johnston families for building a house
somewhere up under the Downs, where the men could work together and the
wives could bake together, never quite worked out and the Johnstons had
started Ditchling life in a rather ugly villa on the outskirts of the
village. But their old intimacy had to some extent been recreated, and
Gill had been involved with Johnston in the early stages of the sans
serif design for the London Underground. Gill always acknowledged this
project as a precursor of his own famous sans serif type design.

Erik-Jan Vens (erikjan@icce.rug.nl)

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