bradr@SUN.COM (Brad Rubenstein) (08/08/89)
Music-Research Digest Tue, 1 Aug 89 Volume 4 : Issue 47
Today's Topics:
ICMC 89: Papers and Compositions
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Date: 31 Jul 89 23:07:12 GMT
From: Mark Welch <osupyr!mark@edu.ohio-state.cis.tut>
Subject: ICMC 89: Papers and Compositions
To: music-research@uk.ac.oxford.prg
The following is a list of compositions and papers to be presented
at the 1989 International Computer Music Conference at The Ohio
State University, November 2-5, 1989. This is a preliminary list,
subject to revision. Surface-mail confirmations of piece selections
are being mailed to composers this week. We will post a complete
preliminary program of all ICMC events to this newsgroup soon.
==================================================================
ICMC 89
PROGRAMMING
==================================================================
WEDNESDAY, NOVEMBER 1, 1989
PRE-CONFERENCE EVENT
The Phantom of the Opera
(the original silent film with computer music accompaniment by
Michael Daugherty)
Performances at 7:30 and 9:15 p.m.
THURSDAY, NOVEMBER 2, 1989
11:00->12:00
Paul Lansky: Smalltalk
Richard Karpen: Pour le terre
Wayne Siegel: Cobra
3:30->5:30
Morton Subotnick: In Two Worlds (midi version)
Richard Boulanger: Solemn Song for Evening
Dexter Morrill: Sketches for the Invisible Man
Todd Winkler: 3 Oboes
Gareth Loy: Blood from a Stone
FRIDAY, NOVEMBER 3, 1989
11:00->12:00
John Duesenbury: Projectile;Tracers
Carla Scaletti:Trinity
Judy Klein: From the Journals of Felix Bossonet
Geir Johnson: Radar
Ricardo dal Farra: Integrados
1:30->3:00 p.m.
Robert Rowe: Floodgate
Michael Daugherty: LEX
Jean-Baptiste Barriere: Aion
Siver Tipei: Many Worlds
Dexter Morrill: Sketches for the Invisible Man
Jonathan Berger: Chalice
3:30->5:30
YAMAHA/BOESENDORFER PIANO CONCERT
Gareth Loy: The Secret Life of a Salon Piano
Bob Willey: Solenoise
Rick Bidlack: Region M
Conlon Nancarrow: Study #21
Jean-Claude Risset: 8 Sketches
Howard Sandroff: Adagio for Piano
8:30 p.m. Cleveland Chamber Symphony, Edwin London, conductor
Larry Austin: Sinfonia Concertante
Rudolph Bubalo: TBA
Morton Subotnick: A Desert Flower
Salvatore Martirano: Lon/Dons
8:00 p.m.
OSU Contemporary Sinfonietta, Craig Kirchhoff, Conductor
Tod Machover: Towards the Center
Edgard Varese: Deserts
Neal Yocom: Extensions
Bruce Penneycook: Praescio/Amnesia
10:30 p.m. Video/Computer Music
Ren Weidenaar: The Thundering Scream of Seraphim's Delight
Girard/Amkraut/Czeiszperger: Eurhythmy
Benoist/Fuji/Washington: Coredump
Brian Evans: Marian Vector
Roger Dannenberg: Assuming that you want....
Joan Staveley: Broken Heart
SATURDAY NOVEMBER 4, 1989
11:00->12:00 Tape Music Concert
Ira Mowitz: Shimmering
Rick Bassett: Nocturne
Christopher Penrose: Lesion
Brad Garton: Approximate Rhythms
Arne Eigenfeldt: Small People Beyond the Red Sun
1:00->5:30 p.m. Concert
Dexter Morrill: Roxbury Preludes, excerpts
Frances White: Still Life with Piano
JoAnn Kuchera-Morin: Dreampaths
Diane Thome: Ringing Stillness, Pearl Light
John Melby: Viola Concerto
8:00 p.m. Pro Musica Chamber Orchestra, Gunther Schuller, guest conductor
Kaija Saariaho: IO
Paul Lansky: Values of Time
Roger Reynolds: The Dream of The Infinite Rooms
=======================================================================
REFEREED AND INVITED PRESENTATIONS
=======================================================================
The 1989 ICMC will feature a large number of papers, panels,
demonstrations, posters, studio reports, special presentations,
including:
David A. Jaffe: NeXT Music Kit
Mark Rudolph: On the use of Cepstral Representation in a Synthesis from
Reduced Performance
JoAnn Kuchera-Morin & Dan Timis: The Center for Computer Music Composition
at the University of California, Santa Barbara; A studio report
Ichiro Fujinaga, Bo Alphonce, Bruce Pennycook, & Natalie Boisvert:
Issues in the Design of an Optical Music Recognition System
Bruce Pennycook: Computer Applications in Music at McGill University
Yann Orlarey & Herve Lequay: MIDI SHARE: A Real-time Multi-tasks Software
Module for MIDI Applications
Arne Eigenfeldt: Contour: A Real-time MIDI System Based on Gestural Input
John Roeder & Keith Hamel: A General-Purpose Object-Oriented System for Musical Graphics
Peter Beyls: The Musical Universe of Cellular Automata
David Huron: Characterizing Musical Textures
Perry R. Cook: Singing Synthesis Using a Physically Parameterized Vocal Tract Model
David Keane & Peter Gross: The MIDI Baton
Kristi A. Allik & Robert C.F. Mulder: "Pentaprism": A Real Time Interactive
Audio Visual Environment
Gregory J. Sandell: Timbral Dimensions in Orchestration
Craig Harris: Artistic Necessity; Context Orientation; Configurable Space
Gary Lee Nelson: Algorithmic Approaches to Interactive Composition
Curtis Bahn: Studio Report for the Center for Computer Music at Brooklyn
College
Rodney Waschka II & Alexandra Kurepa: Using Fractals in Timbre Construction:
An Exploratory Study
George W. Logemann, PhD: Experiments with a Gestural Controller
Xavier Chabot & Joji Yuasa: Performance with Digital Electronics: Gesture,
Space and Instrument
Brian Evans: Enhancing Scientific Animations with Sonic Maps
Leonello Tarabella & Graziano Bertini: A Digital Signal Processing System
and a Graphic Editor for Synthesis Algorithms
Haruhiro Katayose, T. Fukuoka, K. Takami & S. Inokuchi: Music Interpreter
in the Kansei Music System
H. Morita, S. Ohteru, & S. Hashimoto: Computer Music System which follows a
Human Conductor
Tod Machover & Joseph Chung: Hyperinstruments: Musically Intelligent and
Interactive Performance and Creativity Systems
Tod Machover: Musical Considerations for Interactive Instrument Design
David Rivas, Steve Watkins, & Paul Chau: VLSI for a Physical Model of
Musical Instrument Oscillations
Gregory Kramer, Robert Moog, & Alan Peevers: The Hybrid: A Music
Performance System
Edward Pearson, & R. G. Wilson: A Multiresolution Signal Representation and
its Application to the Analysis of Musical Signals
Peter S. Langston: Six Techniques for Algorithmic Music Composition
Roger B. Dannenberg & Christopher Lee Fraley: Fugue: Composition and
Sound Synthesis With Lazy Evaluation and Behavioral Abstraction
Ric Ashley: A Computer System for Learning Analytic Listening
Ric Ashley: Special Presentation on CAI
Adrian Freed: New Media for Musicological Research and Education--The
Country Blues in HyperMedia
Peter Bowcott: Cellular Automation as a Means of High Level Compositional
Control of Granular Synthesis
Haruhiro Katayose, T. Fukuoka, K. Takami, & S. Inokuchi: Music Interpreter
in the Kansei Music System
Ian Bowler, Peter Manning, Alan Purvis, & Nick Bailey: A Transputer-Based
Additive Synthesis Implementation
Frode Holm: Frequency Scheduling: Realtime Scheduling in Parallel and
Multi-processing Systems
Keiji Hirata & Tatsuya Aoyagi: Music Server
Xavier Serra: A Deterministic plus Stochastic Model for Sound Analysis/
Synthesis
Michel Naranjo: Musical Paste and Geometric Image Modelling
Siddhartha Chatterjee, Marilyn Taft Thomas, & Mark W. Maimone: Cantabile: A
Rule-Based System for Composing Melody
Jonathan Berger: A Theory of Musical Ambiguity
Uri Shimony, Josef Tal, & J. P. Lewis: Feasibility of Music Composition by
Neural Networks
Stephen T. Pope: EGens: Using EventGenerators to Build Local Sublanguages
for Musical Structures [Modeling Musical Structures as EventGenerators with
Specialized Description Languages]
Donald Sloan, Steven Newcomb, & Craig Harris: The ANSI X3V1.8M Committee
(creating a standard for the computer representation of music notation and
scores) as special presentation
Dexter Morrill & Perry Cook: Hardware, Software and Compositional Tools for
a Real Time Improvised Solo Trumpet Work
Alastair Clarke, B. M. Brown, & Daniel V. Oppenheim: User Interface
Experiments for Computer Assisted Composition
Wayne Siegel: "Netvaerk," an Experiment in Live Composition
Noel Zahler: The Artificially Intelligent Computer Performer on the
Macintosh II and Algorithms for Interactive Real Time Performance
W. F. McGee & Paul Merklee: Real-time Acoustic Analysis of Polyphonic Music
Mark Medovich: Demodulated Vector Quantization (DVQ), and Real Time Music
Synthesis via DVQ Codebooks
Heinrich Taube: Common Music: An Object Oriented Compositional Language in
Common Lisp and CLOS
Max Mathews, Bob Boie, & Andy Schloss: The Radio Drum as a Synthesizer
Controller
Sever Tipei: Manifold Compositions: A Computer-Assisted Composition
Experiment In Progress
Glendon R. Diener Nutation: Common Music Notation in the Compositional
Environment
Adolfo Nunez The Computer and Electronic Music Studio in the
C. D. M. C. Madrid
Peter Otto & Nicola Bernardini: TRAILS: A System for Sound Localization
Peter Otto & Nicola Bernardini: Istituto Tempo Reale, Florence, Italy--
a studio report
Malcolm C. Harrison, Suzanne Haig, & Gershon Horowitz: A Shortest-Path
Algorithm for Musical Harmony
P. Dutilleux: Spinning the Sounds in Real-time
Frederic Boyer & Richard Kronland-Martinet: Granular resynthesis and
transformation of sounds through wavelet transform analysis
Uri Shimony, Noam Elroz, & Ehud Hamami: LZW Compression of Musical Files
Julius O. Smith III: Unit-Generator Implementation on the DSP56001 Signal
Processing Chip
Russell F. Pinkston: The Accelerando Project
Keith Lent: A Real Time Computer Music Synthesis Language for the
Motorola 56001
Jean Laroche & Xavier Rodet: The Use of Prony's Method for the Analysis of
Musical Sounds. Application to Percussive Sounds
Daniel Steinberg & Tim Learmont: The Multi-Media File System
Michael Century: The Banff Centre--a Studio Report
Andranick Tanguiane: An Analytical Approach to Performance Interpretation
Ron Kuivila & David P. Anderson: Programming Language Constructs for Parallel Musical
Computations
Roger Dannenberg: Fugue: Composition and Sound Synthesis with Lazy Evaluation and Behavioral
Abstraction
Bill Walker: KIWI: A Parallel System for Software Sound Synthesis
David Keane & Peter Gross: The MIDI Baton
Andrew S. Noetzel & Thomas Cortina: Neural Networks Applied to Music
Recognition and Analysis
Guy E. Garnett: A Panel Discussion of Representations of Music
and Music-Related Data
G. Borin, G. DePoli, & A. Sarti: A Modular Approach to Excitator Resonator
Interaction in Physical Model Synthesis
Douglas Scott: A Processor for Locating Stationary and Moving Sound
Sources in a Simulated Acoustical Environment
Mikael Laurson & Jacques Duthen: Patchwork, a graphical language in PREFORM
Brian Schmidt: Designing Sound Tracks for Coin-op Games, or
'Computer Music for Under $65.00'
Peter Desain & Henkjan Honing: Quantization of Musical Time: a
connectionist approach
Don Buchla: WIMP: Wideband Musical Interface for Musical Performance
Justin Shuttleworth: Music Processing by Transputer Networks at
the Electronic Music Studio in Cardiff
James Beauchamp: The Computer Music Studio at the University of Illinois
David Wessel, Richard Felciano, John Wawrzynek, & Adrian Freed:
The Center for New Music and Audio Technologies,
has been accepted for presentation as a studio report at the 1989
Highlights of the 1989 ICMC include:
o Keynote speaker Paul Lansky
o Featured composer Morton Subotnick
o Gunther Schuller, guest conductor, with the
Pro Musica Chamber Orchestra of Columbus
o Edwin London conducting the Cleveland Chamber Symphony
o Compact Disc recording of selected works from ICMC 89
o Software demonstration rooms with Macintosh, NeXt,
Sun, IBM, and other computers
o Extensive trade show
o Special concert of works composed for the Yamaha
Disklavier, Midi Grand, and Boesendorfer 290SE
--
- Mark Welch / (work) OSU Sound Synthesis Studios / 614 292 7837 -
- / (home) 3183 Dorris #2 / Columbus OH 43202 / 614 262 5449 -
- Internet: mark@{osupyr.mps,shape.mps,muon.eng}.ohio-state.edu -
- `Wooden stakes and mallets? No, don't tell me... I don't want to know...' -
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