daemon@bartok.Eng.Sun.COM (12/23/89)
Music-Research Digest Fri, 22 Dec 89 Volume 4 : Issue 78 Today's Topics: Writings on Systematic Musicology: A bibliography by O.E. Laske *** Send contributions to Music-Research@uk.ac.oxford.prg *** Send administrative requests to Music-Research-Request *** Overseas users should reverse UK addresses and give gateway if necessary *** e.g. Music-Research@prg.oxford.ac.uk *** or Music-Research%prg.oxford.ac.uk@nsfnet-relay.ac.uk ---------------------------------------------------------------------- Date: Sat, 16 Dec 89 12:42:56 EST From: laske@edu.bu.cs Subject: Writings on Systematic Musicology: A bibliography by O.E. Laske To: music-research@com.sun.eng.bartok ************************************************************************ * WRITINGS ON SYSTEMATIC MUSICOLOGY * * Otto E. Laske * ************************************************************************ A. On Cognitive Musicology 1. Foundations 1989 "Introduction to Cognitive Musicology." In The Journal of Musicological Research, vol. 9:1-22. New York, N.Y.: Gordon and Breach Science Publishers. Reprinted from (C. Roads, ed.) Computer Music Journal, vol. 12.1, 43-57. Cambridge, MA, USA: The M.I.T. Press (1988). "Comments on the First Workshop on A.I. and Music, St. Paul, MN, 1988." In (J. Rahn, ed.) Perspectives of New Music, vol. 27.2, Seattle, WA, USA 1988 "Can We Formalize and Program Musical Knowledge: An Inquiry into the Scope of Cognitive Musicology." Musikometrika, vol. 1, Bochum, F.R.G.: Studienverlag N. Brockmeyer, 257-280. 1986 Editor's Introduction, Cognitive Musicology, Communication and Cognition (CC-AI), vol. 3.3: 159-183. Rijksuniversiteit Gent, Ghent, Belgium. 1977 "Musicology and Psychomusicology: Two Sciences of Music." Journal of the Indian Musicological Society, vol. 8.2:1-24. Baroda, India. "Introduction to Psychomusicology." Journal of the Indian Musicological Society, vol. 8.2:25-54. Baroda, India. "Verification and Sociological Interpretation in Musicology." Intern. Review of the Sociology and Aesthetics of Music,vol. 8.1:212-236. Zagreb, Yugoslavia: Academy of Music. "Toward a Process Model of Musical Structures." Proceedings, Intern. Workshop on the Cognitive Viewpoint, 295-304. Rijks- universiteit Gent, Ghent, Belgium. (CC-AI) MUSIC, MEMORY, AND THOUGHT: EXPLORATIONS IN COGNITIVE MUSICOLOGY. 320 pp. Ann Arbor, MI, USA: UMI Research Press [out of print, publication on demand] 1975 "Toward a Theory of Musical Cognition." Interface, vol. 4.2, 142-208. Lisse, The Netherlands: Swets & Zeitlinger. "On Psychomusicology." Intern. Rev. Soc. & Aesthetics of Music, vol. 6.2:269-281. Zagreb, Yugoslavia: Academy of Music. 1974 "The Information Processing Approach to Musical Cognition." Interface, vol. 3.2:109-136. Lisse, The Netherlands: Swets & Zeitlinger. "In Search of a Generative Grammar for Music." Perspectives of New Music, 351-378. Annondale-on-Hudson, USA. "Toward A Center for Musical Intelligence Studies." Numus West, no. 5:44-46. Mercer Island, Washington, USA. 1973 INTRODUCTION TO A GENERATIVE THEORY OF MUSIC. Utrecht, The Netherlands: Institute of Sonology. 1972 ON PROBLEMS OF A PERFORMANCE MODEL FOR MUSIC. Utrecht, The Netherlands: Institute of Sonology. "On Musical Strategies With a View to a Generative Grammar for Music." Interface, vol.1.2:111-125. Lisse, The Netherlands: Swets & Zeitlinger. 2. Music Analysis f 1984 "Keith: A Rule System for Making Music-Analytical Discoveries." Proceedings, 1982 Intern. Conf. on Musical Grammars and Computer Analysis. Modena, Italy: Leo S. Olschki. 1979 "On Problems of Verification in Music Theory." College Music Symposium, vol.19.2:129-139. Boulder, Colorado, USA. 3. Musical Listening 1985 "Toward a Computational Theory of Musical Listening. Proceedings, 1983 Intern. Conf. on Music, Reason, and Emotion (F. Vandamme & J.J. Broeckx, eds.) Ghent, Belgium, CC-AI, vol. 18.4. 1980 "Toward an Explicit Theory of Musical Listening." Computer Music Journal, vol. 4.2:73-83. Cambridge, MA, USA: The M.I.T. Press. 1974 "Musical Semantics: A Procedural Point of View. (Part Ia.) Actes du congres de semiotique musicale. Pesaro, Italy: Centro di iniziativa culturale.d "Musical Acoustics (Sonology): A Questionable Science Re- considered." Numus West, no. 6:35-40. Mercer Island, Washing- ton, USA. 4. Musical Development 1979 "Goal Synthesis and Goal Pursuit in a Musical Transformation Task for Children Between Seven and Twelve Years of Age." Interface, vol. 9.2:207-235. Lisse, The Netherlands: Swets & Zeitlinger. 1976 "On Some Developmental Problems of Auditory Imagery." Intern. Review Soc. & Aesthetics of Music, vol. 7.1:77-82. Zagreb, Yugoslavia: Academy of Music. 5. Music Instruction 1976 "Toward a Theory of Musical Instruction." Interface, vol. 5.3, 125-148. Lisse, The Netherlands: Swets & Zeitlinger. 6. Computer Music Interfaces 1978 "Considering Human Memory in Designing User Interfaces for Computer Music Systems." FOUNDATIONS OF COMPUTER MUSIC (C. Roads, ed.), 551-567. Cambridge, MA: The M.I.T. Press. Reprinted from Computer Music Journal, vol. 2.4:39-45. Menlo Park, CA, USA: People's Computer Company (1978) --the above is 1985 "Understanding the Behavior of Users of Interactive Computer Music Systems." Interface, vol. 7.2:159-168. Lisse, The Netherlands: Swets & Zeitlinger. 1977 "Toward a Theory of User Interfaces for Computer Music Systems." Computer Music Journal, vol. 1.4:53-60. Menlo Park, CA, USA: People's Computer Company. 7. Knowledge Acquisition for Intelligent Systems 1989 "Articulating Musical Intuitions by Way of Rules." Proceedings, 2nd Intern. Workshop on A.I. and Music, Detroit, MI, USA, 148-173. 1974 "The Information Processing Approach to Musical Cognition." Interface, vol. 3.2:109-136. Lisse, The Netherlands. Swets & Zeitlinger. 1973 "Toward a Musical Intelligence System: OBSERVER." Numus West, no. 4:11-16. Mercer Island, Washington, USA. B. COMPOSITION THEORY 1989 "Three Prototypical Approaches in Artistic Composition." In Proceedings, Intern. Conf. on Modeling Creativity and Design, University of Sydney, Sydney, Australia. "The Computer as the Artist's Alter Ego." Leonardo. New York, N.Y.: Pergamon Journals, vol. 22.4. "Composition Theory in Koenig's Project One and Project Two." THE MUSIC MACHINE (C. Roads, ed.), 119-130. Cambridge, MA, USA: The M.I.T. Press. Reprinted from Computer Music Journal, vol. 5.4:54-65. Cambridge, MA, USA: The M.I.T. Press (1981). "Composition Theory: An Enrichment of Music Theory." Interface, vol. 18.1-2:45-59. Lisse, The Netherlands: Swets & Zeitlinger. Reprint from Proceedings, The Arts and Technology II: A Sym- posium. New London, CT: Connecticut College, 101-119. "Composition as Hypothesis Formation: A Blackboard Model of Compositional Creativity." In (V. Marik, ed.), Proceedings, Applications in A.I., A.I. '89, Prague, CSSR. Reprint in KNOWLEDGE-BASED SYSTEMS. Guildford, Surrey, U.K.: Butterworth Scientific. 1982 "A Definition of Computer Music." Proceedings, 1981 Intern. Comp. Music Conf., 31-56. San Francisco, CA, USA: Computer Music Association. "A Definition of Computer Music." Feedback Papers, vols. 27-28, 8-24. Cologne, F.R.G.: Feedback Studio Cologne. 1981 "Subscore Manipulation as a Tool for Compositional and Sonic Design." Proceedings, 1980 ICMC, 2-21. Flushing, N.Y.: Queens College & Computer Music Association, San Francisco, CA, USA "Automated Composition/Composed Automation." Translation from the French (G. Englert). Computer Music Journal, vol. 5.4:30-35. Cambridge, MA, USA: The M.I.T. press. 1980 "On Composition Theory as a Theory of Self-Reference." ALLOS, 419-431 (K. Gaburo, ed.). La Jolla, CA, USA: Lingua Press. C. EPISTEMOLOGY OF (MUSICAL) THOUGHT 1987 "A Decompilation Approach to Knowledge Acquisition." (T.R. Addis, ed.) Proceedings, First European Workshop on Knowledge Acquisition. Whiteknights, West Sussex, U.K.: University of Reading. 1986 "On Competence and Performance Notions in Expert System Design." Actes, Sixiemes journees internationales sur les systemes experts & leurs applications, 257-297. (J.C. Rault, ed.). Paris La Defense: Agence de l'informatique. 1974 "On the Understanding and Design of Aesthetic Artefacts." MUSIK UND VERSTEHEN, 189-216. Cologne, F.R.G.: Arno Volk Verlag. 2. Applied Epistemology [above is: Theoretical Epistemology] 1989 "DECOMPILE: Automatic Knowledge Acquisition from Concurrent Expert Reports Using Production System Architectures." CC-AI, vol. 6.2:111-136. Ghent, Belgium: Babbage Institute for Knowledge and Information Technology. "Strategic Knowledge Management." Proceedings, 2nd Intern. Conf. on Expert Systems (Th. Bernold ed.). SCAIGO (Swiss Group for A.I. and Cognitive Science), Lugano, Switzerland. "Ungeloeste Probleme bei der Wissensakquisition fuer Experten- systeme." (Th. Christaller, ed.) K.I. Zeitschrift vol. 4/89, Munich, F.R.G.: Oldenbourgh Verlag. Reprinted from K.I. ZWISCHEN HOFFNUNG UND REALITAET. Wiesbaden, F.R.G.: Betriebs- wirtschaftl. Verlag Dr. Th. Gabler. 1988 "A Three-Phase Approach to Building Knowledge-Based Systems." CC-AI vol. 5.2:19-30. Ghent, Belgium: Babbage Institute for Knowledge and Information Technology. 1985 A COURSE IN APPLIED EPISTEMOLOGY. Arthur D. Little, Inc., Cambridge, MA, USA: Applied A.I. Center. D. Anthology of Writings 1983 MUSIC AND MIND: AN ARTIFICIAL INTELLIGENCE PERSPECTIVE, vol. 1, 500 pp. Collected papers published 197101981. San Francisco, CA, USA: Computer Music Association. E. Translations and Writings in Other Languages 1987 "Kurze Einfuehrung in die kognitive Musikwissenschadt: Die Folgen des Computers in der Musik." (G. Batel ed.) COMPUTER- MUSIK. Laaber, F.R.G.: Laaber Verlag. "Memorandum zur Gruendung eines Instituts fuer Musikalische Informatik." COMPUTERMUSIK (G. Batel ed.). Laaber, F.R.G.: Laaber Verlag. "Verification and Sociological Interpretation in Musicology." Series Music Theories. Tokyo, Japan: Keiso. (Japanese). 1983 "Musik und Kuenstliche Intelligenz: Ein Forschungsueberblick." Feedback Papers, vol. 30:4-36. Cologne, F.R.G: Feedback Studio Cologne. 1982 "Computermusik und Musikalische Informatik." Neuland, vol. 2: 209-213 (H. Henck, ed.), Cologne, F.R.G. "L'informatica musicale." Numero e Suono, 45-48. La Biennale di Venezia (Barbara Barbini et al. eds.). Venice, Italy. 1966 UEBER DIE DIALEKTIK PLATOS UND DES FRUEHEN HEGEL. Munich, F.R.G.: Mikrokopie GmbH. F. Reviews 1978 "The Tuning of the World." Review of Murray Schaefer's TUNING. Musical Quarterly, vol. LXII, no. 3:394-397. New York, N.Y., USA. 1977 "Toward a Musicology for the Twentieth Century." Review of J.J. Nattiez's FONDEMENTS D'UNE SEMIOLOGIE MUSICALE. Perspectives of New Music, 220-225. Annondale-on-Hudson, N.Y., USA. Reviews of Author's Writings 1987 Marc Leman, "Otto Laske: Music, Memory, and Thought." Computer Music Journal, vol. 11.4:52-54. For further information please write to: Otto E. Laske c/o New England Computer Arts Association, Inc. (NEWCOMP) 926 Greendale Avenue, Needham, Massachusetts, USA Email: <Laske@bu-cs.bu.edu>. ------------------------------ End of Music-Research Digest