daemon@bartok.Eng.Sun.COM (12/23/89)
Music-Research Digest Fri, 22 Dec 89 Volume 4 : Issue 78
Today's Topics:
Writings on Systematic Musicology: A bibliography by O.E. Laske
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Date: Sat, 16 Dec 89 12:42:56 EST
From: laske@edu.bu.cs
Subject: Writings on Systematic Musicology: A bibliography by O.E. Laske
To: music-research@com.sun.eng.bartok
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* WRITINGS ON SYSTEMATIC MUSICOLOGY *
* Otto E. Laske *
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A. On Cognitive Musicology
1. Foundations
1989 "Introduction to Cognitive Musicology." In The Journal of
Musicological Research, vol. 9:1-22. New York, N.Y.: Gordon
and Breach Science Publishers. Reprinted from (C. Roads, ed.)
Computer Music Journal, vol. 12.1, 43-57. Cambridge, MA, USA:
The M.I.T. Press (1988).
"Comments on the First Workshop on A.I. and Music, St. Paul,
MN, 1988." In (J. Rahn, ed.) Perspectives of New Music, vol.
27.2, Seattle, WA, USA
1988 "Can We Formalize and Program Musical Knowledge: An Inquiry
into the Scope of Cognitive Musicology." Musikometrika, vol. 1,
Bochum, F.R.G.: Studienverlag N. Brockmeyer, 257-280.
1986 Editor's Introduction, Cognitive Musicology, Communication
and Cognition (CC-AI), vol. 3.3: 159-183. Rijksuniversiteit
Gent, Ghent, Belgium.
1977 "Musicology and Psychomusicology: Two Sciences of Music."
Journal of the Indian Musicological Society, vol. 8.2:1-24.
Baroda, India.
"Introduction to Psychomusicology." Journal of the Indian
Musicological Society, vol. 8.2:25-54. Baroda, India.
"Verification and Sociological Interpretation in Musicology."
Intern. Review of the Sociology and Aesthetics of Music,vol.
8.1:212-236. Zagreb, Yugoslavia: Academy of Music.
"Toward a Process Model of Musical Structures." Proceedings,
Intern. Workshop on the Cognitive Viewpoint, 295-304. Rijks-
universiteit Gent, Ghent, Belgium. (CC-AI)
MUSIC, MEMORY, AND THOUGHT: EXPLORATIONS IN COGNITIVE
MUSICOLOGY. 320 pp. Ann Arbor, MI, USA: UMI Research Press
[out of print, publication on demand]
1975 "Toward a Theory of Musical Cognition." Interface, vol. 4.2,
142-208. Lisse, The Netherlands: Swets & Zeitlinger.
"On Psychomusicology." Intern. Rev. Soc. & Aesthetics of Music,
vol. 6.2:269-281. Zagreb, Yugoslavia: Academy of Music.
1974 "The Information Processing Approach to Musical Cognition."
Interface, vol. 3.2:109-136. Lisse, The Netherlands: Swets
& Zeitlinger.
"In Search of a Generative Grammar for Music." Perspectives
of New Music, 351-378. Annondale-on-Hudson, USA.
"Toward A Center for Musical Intelligence Studies." Numus West,
no. 5:44-46. Mercer Island, Washington, USA.
1973 INTRODUCTION TO A GENERATIVE THEORY OF MUSIC. Utrecht, The
Netherlands: Institute of Sonology.
1972 ON PROBLEMS OF A PERFORMANCE MODEL FOR MUSIC. Utrecht, The
Netherlands: Institute of Sonology.
"On Musical Strategies With a View to a Generative Grammar for
Music." Interface, vol.1.2:111-125. Lisse, The Netherlands:
Swets & Zeitlinger.
2. Music Analysis
f
1984 "Keith: A Rule System for Making Music-Analytical Discoveries."
Proceedings, 1982 Intern. Conf. on Musical Grammars and Computer
Analysis. Modena, Italy: Leo S. Olschki.
1979 "On Problems of Verification in Music Theory." College Music
Symposium, vol.19.2:129-139. Boulder, Colorado, USA.
3. Musical Listening
1985 "Toward a Computational Theory of Musical Listening. Proceedings,
1983 Intern. Conf. on Music, Reason, and Emotion (F. Vandamme
& J.J. Broeckx, eds.) Ghent, Belgium, CC-AI, vol. 18.4.
1980 "Toward an Explicit Theory of Musical Listening." Computer
Music Journal, vol. 4.2:73-83. Cambridge, MA, USA: The M.I.T.
Press.
1974 "Musical Semantics: A Procedural Point of View. (Part Ia.)
Actes du congres de semiotique musicale. Pesaro, Italy:
Centro di iniziativa culturale.d
"Musical Acoustics (Sonology): A Questionable Science Re-
considered." Numus West, no. 6:35-40. Mercer Island, Washing-
ton, USA.
4. Musical Development
1979 "Goal Synthesis and Goal Pursuit in a Musical Transformation
Task for Children Between Seven and Twelve Years of Age."
Interface, vol. 9.2:207-235. Lisse, The Netherlands: Swets
& Zeitlinger.
1976 "On Some Developmental Problems of Auditory Imagery." Intern.
Review Soc. & Aesthetics of Music, vol. 7.1:77-82. Zagreb,
Yugoslavia: Academy of Music.
5. Music Instruction
1976 "Toward a Theory of Musical Instruction." Interface, vol. 5.3,
125-148. Lisse, The Netherlands: Swets & Zeitlinger.
6. Computer Music Interfaces
1978 "Considering Human Memory in Designing User Interfaces for
Computer Music Systems." FOUNDATIONS OF COMPUTER MUSIC (C.
Roads, ed.), 551-567. Cambridge, MA: The M.I.T. Press.
Reprinted from Computer Music Journal, vol. 2.4:39-45.
Menlo Park, CA, USA: People's Computer Company (1978)
--the above is 1985
"Understanding the Behavior of Users of Interactive Computer
Music Systems." Interface, vol. 7.2:159-168. Lisse, The
Netherlands: Swets & Zeitlinger.
1977 "Toward a Theory of User Interfaces for Computer Music
Systems." Computer Music Journal, vol. 1.4:53-60. Menlo Park,
CA, USA: People's Computer Company.
7. Knowledge Acquisition for Intelligent Systems
1989 "Articulating Musical Intuitions by Way of Rules." Proceedings,
2nd Intern. Workshop on A.I. and Music, Detroit, MI, USA,
148-173.
1974 "The Information Processing Approach to Musical Cognition."
Interface, vol. 3.2:109-136. Lisse, The Netherlands. Swets &
Zeitlinger.
1973 "Toward a Musical Intelligence System: OBSERVER." Numus West,
no. 4:11-16. Mercer Island, Washington, USA.
B. COMPOSITION THEORY
1989 "Three Prototypical Approaches in Artistic Composition." In
Proceedings, Intern. Conf. on Modeling Creativity and Design,
University of Sydney, Sydney, Australia.
"The Computer as the Artist's Alter Ego." Leonardo. New York,
N.Y.: Pergamon Journals, vol. 22.4.
"Composition Theory in Koenig's Project One and Project Two."
THE MUSIC MACHINE (C. Roads, ed.), 119-130. Cambridge, MA,
USA: The M.I.T. Press. Reprinted from Computer Music Journal,
vol. 5.4:54-65. Cambridge, MA, USA: The M.I.T. Press (1981).
"Composition Theory: An Enrichment of Music Theory." Interface,
vol. 18.1-2:45-59. Lisse, The Netherlands: Swets & Zeitlinger.
Reprint from Proceedings, The Arts and Technology II: A Sym-
posium. New London, CT: Connecticut College, 101-119.
"Composition as Hypothesis Formation: A Blackboard Model of
Compositional Creativity." In (V. Marik, ed.), Proceedings,
Applications in A.I., A.I. '89, Prague, CSSR. Reprint in
KNOWLEDGE-BASED SYSTEMS. Guildford, Surrey, U.K.: Butterworth
Scientific.
1982 "A Definition of Computer Music." Proceedings, 1981 Intern.
Comp. Music Conf., 31-56. San Francisco, CA, USA: Computer
Music Association.
"A Definition of Computer Music." Feedback Papers, vols. 27-28,
8-24. Cologne, F.R.G.: Feedback Studio Cologne.
1981 "Subscore Manipulation as a Tool for Compositional and Sonic
Design." Proceedings, 1980 ICMC, 2-21. Flushing, N.Y.: Queens
College & Computer Music Association, San Francisco, CA, USA
"Automated Composition/Composed Automation." Translation from
the French (G. Englert). Computer Music Journal, vol. 5.4:30-35.
Cambridge, MA, USA: The M.I.T. press.
1980 "On Composition Theory as a Theory of Self-Reference." ALLOS,
419-431 (K. Gaburo, ed.). La Jolla, CA, USA: Lingua Press.
C. EPISTEMOLOGY OF (MUSICAL) THOUGHT
1987 "A Decompilation Approach to Knowledge Acquisition." (T.R.
Addis, ed.) Proceedings, First European Workshop on Knowledge
Acquisition. Whiteknights, West Sussex, U.K.: University of
Reading.
1986 "On Competence and Performance Notions in Expert System
Design." Actes, Sixiemes journees internationales sur les
systemes experts & leurs applications, 257-297. (J.C. Rault,
ed.). Paris La Defense: Agence de l'informatique.
1974 "On the Understanding and Design of Aesthetic Artefacts."
MUSIK UND VERSTEHEN, 189-216. Cologne, F.R.G.: Arno Volk Verlag.
2. Applied Epistemology [above is: Theoretical Epistemology]
1989 "DECOMPILE: Automatic Knowledge Acquisition from Concurrent
Expert Reports Using Production System Architectures." CC-AI,
vol. 6.2:111-136. Ghent, Belgium: Babbage Institute for
Knowledge and Information Technology.
"Strategic Knowledge Management." Proceedings, 2nd Intern.
Conf. on Expert Systems (Th. Bernold ed.). SCAIGO (Swiss
Group for A.I. and Cognitive Science), Lugano, Switzerland.
"Ungeloeste Probleme bei der Wissensakquisition fuer Experten-
systeme." (Th. Christaller, ed.) K.I. Zeitschrift vol. 4/89,
Munich, F.R.G.: Oldenbourgh Verlag. Reprinted from K.I.
ZWISCHEN HOFFNUNG UND REALITAET. Wiesbaden, F.R.G.: Betriebs-
wirtschaftl. Verlag Dr. Th. Gabler.
1988 "A Three-Phase Approach to Building Knowledge-Based Systems."
CC-AI vol. 5.2:19-30. Ghent, Belgium: Babbage Institute for
Knowledge and Information Technology.
1985 A COURSE IN APPLIED EPISTEMOLOGY. Arthur D. Little, Inc.,
Cambridge, MA, USA: Applied A.I. Center.
D. Anthology of Writings
1983 MUSIC AND MIND: AN ARTIFICIAL INTELLIGENCE PERSPECTIVE, vol. 1,
500 pp. Collected papers published 197101981. San Francisco,
CA, USA: Computer Music Association.
E. Translations and Writings in Other Languages
1987 "Kurze Einfuehrung in die kognitive Musikwissenschadt: Die
Folgen des Computers in der Musik." (G. Batel ed.) COMPUTER-
MUSIK. Laaber, F.R.G.: Laaber Verlag.
"Memorandum zur Gruendung eines Instituts fuer Musikalische
Informatik." COMPUTERMUSIK (G. Batel ed.). Laaber, F.R.G.:
Laaber Verlag.
"Verification and Sociological Interpretation in Musicology."
Series Music Theories. Tokyo, Japan: Keiso. (Japanese).
1983 "Musik und Kuenstliche Intelligenz: Ein Forschungsueberblick."
Feedback Papers, vol. 30:4-36. Cologne, F.R.G: Feedback
Studio Cologne.
1982 "Computermusik und Musikalische Informatik." Neuland, vol. 2:
209-213 (H. Henck, ed.), Cologne, F.R.G.
"L'informatica musicale." Numero e Suono, 45-48. La Biennale
di Venezia (Barbara Barbini et al. eds.). Venice, Italy.
1966 UEBER DIE DIALEKTIK PLATOS UND DES FRUEHEN HEGEL. Munich,
F.R.G.: Mikrokopie GmbH.
F. Reviews
1978 "The Tuning of the World." Review of Murray Schaefer's TUNING.
Musical Quarterly, vol. LXII, no. 3:394-397. New York, N.Y., USA.
1977 "Toward a Musicology for the Twentieth Century." Review of
J.J. Nattiez's FONDEMENTS D'UNE SEMIOLOGIE MUSICALE. Perspectives
of New Music, 220-225. Annondale-on-Hudson, N.Y., USA.
Reviews of Author's Writings
1987 Marc Leman, "Otto Laske: Music, Memory, and Thought." Computer
Music Journal, vol. 11.4:52-54.
For further information please write to:
Otto E. Laske
c/o New England Computer Arts Association, Inc. (NEWCOMP)
926 Greendale Avenue, Needham, Massachusetts, USA
Email: <Laske@bu-cs.bu.edu>.
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