vo@philmtl.philips.ca (Vladimir Orlt) (07/28/90)
As promised, here is a copy of the IRCAM research paper summary that I
obtained at the IRCAM offices. French titles/remarks are translated in
[] brackets (by myself). Language versions of each paper are also included.
All titles are copied with original grammatical errors (to the best of my
proof-reading knowledge).
The price for each paper is 15F (about $3 US)
unless otherwise indicated; the prices do not include mailing charges.
The IRCAM address is not included, but I'm sure some of you have it.
I have other documentation, mostly pamphlets, which I picked up as well.
I'll summarize these if anyone is interested, but don't ask me to type them
in to the net; it would be best to ask for these at IRCAM by mail.
regards,
Vlad Orlt
vo@philmtl.philips.ca
---- START
RAPPORTS DE RECHERCHE ET PUBLICATIONS
[ research reports and publications ]
No 1 La recherche a l'IRCAM en 1977
[ research at IRCAM in 1977 ]
G. Bennett [ french and english ]
No 2 Unite electronique destinee a la transformation
du son en temps reel, programmable et controlable
par l'instrumentiste
[ Electronic unit used for real-time sound transformation,
programmable and controllable by the instrumentalist ]
R. Causse [ french ] 20F
No 3 Computer facilities for music at IRCAM, as October 1977
J. Gardner [ english ]
No 4 A one Card 64 Channel Digital Synthesizer
G. di Giugno [ english ]
No 5 Real-Time Synthesizer Control
M. Matthews [ and ] G. Benett [ english ]
No 6 The use of the linear Prediction of speech
in computer music application
J.A. Moorer [ english ]
No 7 Musica, Programme de codage de la Musique
[ Musica, a music-coding program ]
G. di Poli [ french ] 20F
No 8 Musical Acoustics
J.C. Risset [ english ] 20F
No 9 The development of Digital Techniques:
a turning point for electronic music?
J.C. Risset [ english ]
No 10 Paradoxes de hauteur
[ Paradoxes of pitch(?) ]
J.C. Risset [ french ]
No 11 Hauteur et Timbre des Sons
[ Pitch(?) and timbre of sounds ]
J.C. Risset [ french ]
No 12 Low Dimensional Control of Musical Timbre
D. Wessel [ english ]
No 13 Perception of Timbral Analogies
D. Ehresman/D. Wessel [ english ]
--- No 14 is not listed ---
No 15 Computer-aided model of stereophonic systems
B. Bernfeld/B. Smith [ english ]
No 16 A digitally programmable filter
M. Rozenberg [ english ]
No 17 About this reverberation business
J.A. Moorer [ english ] 20F
No 18 A composer's notes on the development and implantation
of software for a digital synthesizer
N.B. Rolnick [ english ]
No 19 La recherche a l'IRCAM en 1978
[ research at IRCAM in 1978 ]
G. Benett [ french and english ]
No 20 Constant High Q bandpass filters
M. Rozenberg [ english ]
No 21 On coupling between vocal tract and voice source
J. Sundberg [ english ]
No 22 Chest vibrations in singers
J. Sundberg [ english ]
No 23 Archivage numerique des sons
[ Numeric archiving of sounds ]
J.C. Risset [ french ]
No 24 Le systeme de traitement de signaux digitaux "junior"
[ "Junior": a digital-signal processing system ]
J.L. Delatre [ french ]
No 25 The computer as a sound porcessor
S. Haynes [ english ]
No 26 Inharmonique
Analyse de la bande magnetique de l'oeuvre de J.C. Risset
[ analysis of the tape of J.C. Risset's composition(?) ] 20F
D. Lorrain [ french ]
No 27 The sequential drum
M.V. Matthews [ english ]
No 28 Harmony and Nonharmonic Partials
M.V. Matthews and J. Pierce [ english ]
No 29 La recherche a l'IRCAM en 1979
[ research at IRCAM in 1979
[ no author mentioned ] [ french and english ]
No 30 Une panoplie de canons stochastiques
[ A panoply of stochastic canons ]
D. Lorrain [ french ] 20F
No 31 Density of Spectral Components: Preliminary Expermiments
A. Gerzso [ english ]
--- No 32 is not listed ---
No 33 Aspects dynamiques du phrase de la trompette
[ Dynamic aspects of trumpet phrasing ]
D. Morrill [ french and english ] 20F
No 34 Sons multiphoniques aux instruments a vent
[ Polyphonic(?) wind-instrument sounds ]
M. Castallengo [ french ] 20F
No 35 Chant
De la synthese a la voix chantee a la synthese en general
[ Singing
From synthesis to the singing voice to synthesis in general ]
J.B. Barriere/Y. Potard/X. Rodet [ french ] 25F
No 36 Formes
Composition et ordonnancement de processus
[ Forms
Composition and process ordering ]
P. Cointe/X. Rodet [ french ] 25F
No 37 L'image auditive: une metaphore pour la recherche
musicale et psychologique sur l'organisation auditive
[ The aural image: a metaphor for musical and psychological
research into auditory organization ]
S. McAdams [ french ] 25F
No 38 Nouvelles techniques instrumentales
Composition et formalisation
[ New instrumental techniques
compostion and formalization ]
G. Assayg/ M. Castallengo/C. Malherbe [ french ] 25F
No 39 La station de travail musical 4X
[ The 4X musical workstation ]
O. Koechlin [ french ] 25F
No 40 Fusion spectrale et la creation d'images auditives
[ Spectral fusion and auditory image creation ]
S. McAdams [ french ] 25F
No 41 La composition assistee par ordinateur
[ Computer-aided composition ]
F. Lerdahl/Y. Potard [ french ] 25F
------ END (the last item is No 41)