music-research@bartok.Eng.Sun.COM (08/18/90)
Music-Research Digest Sat, 18 Aug 90 Volume 5 : Issue 74
Today's Topics:
Degree Granting Institutions in Computer Music
ICMC proceedings...
Symposium on Small Computers in the Arts Nov 8-10 + Call for articles
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Date: Mon, 13 Aug 90 12:06:30 PDT
From: Brad Rubenstein <bradr@com.sun.eng>
Subject: Degree Granting Institutions in Computer Music
To: sdpage <sdpage%sevax.prg.oxford.ac@uk.ac.nsfnet-relay>
Message-ID: <9008131906.AA00384@bartok.Eng.Sun.COM>
----- Begin Included Message -----
>From larry@mills.Berkeley.EDU Sun Aug 12 17:00:50 1990
To: music-research@bartok.Eng.Sun.COM
Subject: Re: Music-Research Digest Vol. 5, #73
Re: Degree Granting Institutions in Computer Music
Two that were left off the list, are Mills College (where I just left)
and Dartmouth College (where I am going). Both offer Masters Degrees
in computer music and music and techology
Larry Polansky, Dartmouth College
----- End Included Message -----
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Date: 16 Aug 90 17:47:20 GMT
From: Gene De Lisa <gene%ntvax@edu.ohio-state.cis.tut>
Subject: ICMC proceedings...
To: music-research@prg
Message-ID: <1990Aug16.174720.2890@dept.csci.unt.edu>
In article <12568@hydra.gatech.EDU> daver@boa.gatech.edu (David Rosenbaum) write
s:
>Does anyone out there know how I might get hold of the proceedings
>of the International Computer Music Conference from the last few
>years? No library in my area (Atlanta) has them. I was told
>they are published by the Computer Music Association but my attempt
>to find the CMA by calling information in San Francisco didn't pan
>out. I'd be interested in any pointers...
The CMA is now in an armpit of a town callled Denton Tx. you can
write to them at cma@dept.csci.unt.edu
There is also a phone number (call ifno in area code 817)
--
"If I owned both Texas and Hell I'd rent out Texas and live in Hell"
General Sheridan
use this one: ...texsun!vortech!gene or vortech!gene@Central.Sun.COM
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Date: 13 Aug 90 03:11:28 GMT
From: Ranjit Bhatnagar <ranjit%grad2.cis.upenn.edu%netnews.upenn.edu%dsinc%unix.@uk.ac.oxford.prg>
Subject: Symposium on Small Computers in the Arts Nov 8-10 + Call for articles
To: music-research@prg
Message-ID: <27969@netnews.upenn.edu>
The University of the Arts and SCAN announce
The Tenth Annual Symposium for Small Computers in the Arts
November 8-10, 1990
at the University of the Arts, Philadelphia, Pennsylvania
This symposium explores how computers have created a radical
paradigm shift, and as a result changed the concepts and the
techniques employed by designers, artists, and arts educators.
Topics include: Guest Speakers include:
Computer Animation Tim Binkley
Computer Graphics and Music Education Peer Bode
Electronic Musical Instruments Joel Chadabe
Electronic Painting Connie Coleman
Meta-media Tim Druckery
MIDI Implementation Rob Fisher
Performance Jon Fordyce
Sculptural Applications for Computers Isaac Kerlow
Videography Don Slepian
Kenneth Snelson
Walter Wright
In addition, there will be pre-conference activities, an art show,
performances, special events, and an open trade show with
exhibits by inventors, artists, musicians, publishing companies,
and computer companies.
For more information about exhibit space or registration,
call (215) 875-2221, or write
SCAN Symposium
Office of Continuing Education
The University of the Arts
Broad and Pine Streets
Philadelphia, PA 19102
This Symposium has its origins at a computer music concert sponsored
by the Philadelphia Area Computer Society and held in 1978 as part of
the Personal Computing '78 Show in Philadelphia. The success of that
concert prompted its organizers to continue the effort at subsequent
shows. Talks about computer music and then graphics were added over
the next two years to round out the concert. In 1981, it was decided
to hold an entire meeting based on computers in the arts and the
Symposium on Small Computers in the Arts was born. The evening computer
music concerts are still a part of each year's event.
To more effectively run the Symposium and other activities, the Small
Computers in the Arts Network, Inc. (SCAN) was formed in 1985 as a
non-profit, educational corporation which recently received its tax
exempt status. As a non-profit group, SCAN is better able to serve
artists, educators and other interested persons. SCAN's activities include
producing this Symposium in cooperation with the University of the Arts,
publishing our newsletter, and keeping a database of artists
and persons working in the field. The newsletter keeps communications
flowing during the year that stretches between meetings. Please feel
welcome to contribute (see below).
----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- -----
Call for Submissions
The Newsletter of the Small Computers in the Arts Network is resuming
publication in November of 1990. The Newsletter is a resource for
people who work in or are interested in the application of technology
to the arts. We are accepting submissions such as:
* technical articles
* speculative articles about the state or the future of
technology and art
* events for the calendar- conferences, exhibits, concerts, etc.
* progress reports on research, art projects, etc.
* publications or reports available
* making contacts- looking for other people working in your field?
* new products
in areas such as computer graphics, electronic music, multimedia, design,
art education, and ethics of technology.
Submissions received by October 15th will be included in the November issue
of the Newsletter, to be distributed at the Symposium on Small Computers
in the Arts in Philadelphia, November 8-10, and to our subscribers. The
Newsletter will be published bimonthly.
Please send submissions, questions, or subscription requests to
SCAN Newsletter
Box 1954
Philadelphia, PA 19105
The Small Computers in the Arts Network is a nonprofit educational corporation.
Please address mail about the Symposium to the Office of Continuing
Education, The University of the Arts, Broad and Pine Streets, Philadelphia,
Pennsylvania 19102.
"Trespassers w" ranjit@grad1.cis.upenn.edu mailrus!eecae!netnews!grad1!...
The surface of the water where they move swiftly about in curves.
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End of Music-Research Digest