music-research@HPLPM.HPL.HP.COM (04/05/91)
Music-Research Digest Fri, 5 Apr 91 Volume 6 : Issue 16
Today's Topics:
"Justification of printed music"
1991 International Computer Music Conference
Clasical Music from India and computers
Computing in Musicology in Europe
summer workshop
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Date: 1 Apr 91 21:23:25 GMT
From: ucrmath.ucr.edu%ucrmath@edu.ucsd (yoshio nakamura)
Subject: "Justification of printed music"
To: music-research@prg
Message-ID: <13190@ucrmath.ucr.edu>
In the March 1991 issue of the Communications of the ACM ( V34, #3 ),
there is an article entitled "Justification of printed music", written
by Dorothea Blostein ( blostein@qucis.queensu.ca ), and Lippold Haken
( l-haken@uiuc.edu ). It starts on page 88, and talks about how to
do spacing when typesetting music. It also talks about Lime, a typesetting
system for music, (contact l-haken@uiuc.edu for more information on Lime),
and the article has 19 references for more information.
-yoshio
[ Reviews of this article from knowledgable readers would be appreciated! -S]
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Yoshio Nakamura Internet: yoshio@ucrmath.ucr.edu
University of Calif., Riverside uucp: {ucsd, uci, ucdavis}!ucrmath!yoshio
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Date: 22 Mar 91 21:13:33 GMT
From: rowe%media-lab@edu.mit.eddie (Robert Rowe)
Subject: 1991 International Computer Music Conference
To: music-research@prg
Message-ID: <5540@media-lab.MEDIA.MIT.EDU>
The 1991 International Computer Music Conference will be held
at McGill University in Montreal Oct. 16-20. The Submission Procedures
are as follows: Music Submissions must include a $20CDN ($15US)
submission fee which will be refunded in full to all active CMA
members on site. Abstracts from any field of computer applications
in music and audio will be considered. Authors may indicate that the
paper is intended for a Long Paper (up to 8 double-column pages, 30
minute presentation time) or a Regular Paper (up to 4 double-column
pages, 20 minute presentation time). The number of Long Papers accepted
will be limited. The Papers Selection committee reserves the right
to request that Long Papers be reduced to Regular Papers. All accepted
papers will be published before the conference in the Proceedings of
the 1991 International Computer Music Conference and must be received
in "camera ready" format by July 30, 1991. Submission details will be
sent with acceptance notices. A limited amount of space is available for
the demonstration of non-commercial systems, methodologies, new
technologies. Demonstrations will be reviewed and accepted based on the
same criteria as the Paper Abstracts. Only tables, chairs, and electrical
outlets will be provided in the demonstration area. Demonstrators must
bring all other materials.
All submissions (except music, obviously) may be made by email to
ICMC@MCO.LAN.MCGILL.CA
Please address all queries to that address as well (NOT TO ME).
The deadline was MARCH 30, 1991, but has been extended. I don't know
what the new deadline is.
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Date: 4 Apr 91 12:33:59 GMT
From: munawar%vaxb.acs.unt.edu%solo.csci.unt.edu%cs.utexas.edu%hellgate.utah.edu%dog.ee.lbl.gov@edu.Berkeley.ucbvax
Subject: Clasical Music from India and computers
To: music-research@prg
Message-ID: <1991Apr4.123959.45958@vaxb.acs.unt.edu>
Hi,
Can anybody provide me with some info on whether there is
any research going on incorporating clasical music from India
in to computer? Why am I asking? I am a muscian well versed in
Indian drums also I am in to computer science.
Any information will be really appriciated.
-Shri
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Date: Sat, 30 Mar 91 17:33:16 PST
From: Eleanor Selfridge <XB.L36%edu.Stanford.Forsythe@com.hp.hpl.hplb>
Subject: Computing in Musicology in Europe
To: marvit@com.hp.hpl.hplb
Message-ID: <9103310130.AA06545@hplpm.hpl.hp.com>
Computing in Musicology, the annual directory of international
applications in music printing, analysis, and historical research, is now
available to European readers from Grancino Editions/Point d'orgue, 98
Rue de Carouge, CH-1205 Geneve, Switzerland. Prices are set in German
marks are are as follows: 1990--DM44; 1989--40DM; 1988--DM36; 1987--DM32;
1986--DM27. Payment is possible by VISA/MC(Access), by Giro (C.C.P.
12-13225-6), and by check to S.B.C. C3-101,292.0.
Readers elsewhere should contact us directly for ordering
information. Advance payment is required on US orders.
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Date: 5 Apr 91 02:40:34 GMT
From: walker%m.cs.uiuc.edu%roundup.crhc.uiuc.edu%ux1.cso.uiuc.edu%mp.cs.niu.edu%linac%pacific.mps.ohio-state.edu%zaphod.mps.ohio-state.edu%uwm.edu%bionet%agate@edu.Berkeley.ucbvax (William Walker)
Subject: summer workshop
To: music-research@prg
Message-ID: <1991Apr5.024034.17312@m.cs.uiuc.edu>
Intensive Workshop in Sound Computation
May 22 - June 5 University of Illinois
The University of Illinois CERL Sound Group will present a two week
Intensive Workshop in Sound Computation May 22 through June 5 at the
University of Illinois Digital Computer Laboratory. Topics include
the basic concepts of digital signal processing, object-oriented
programming, sound synthesis and analysis techniques, and real-time
software sound synthesis; all concepts presented in lectures will be
supported by several hours per day of hands-on experience with the
Kyma(tm) System and the Lime(tm) music notation program.
The fee for the two week workshop is $500 which covers all course
materials, lectures, seminars, studio time, snacks, and the banquet at
the conclusion of the workshop.
To request more information and/or an application form, contact Kelly
Fitz of the CERL Sound Group at (217) 333-0766, leave a message for
him at (217) 333-CERL, or send email to walker@cs.uiuc.edu.
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CERL Sound Group * University of Illinois
252 Engineering Research Laboratory
103 S. Mathews
Urbana, IL 61801-2977
(217) 333-0766
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End of Music-Research Digest