[comp.music] QSound

bointon@kcl-cs.UUCP (Marcus "Bru" Bointon) (04/08/91)

  I have heard the Madonna CD on a pretty good hi-fi. I was pretty sceptical
about how effective it might be. It's a nice surprise! The rumbles at the 
start of "rescue me" are very effective, and the initial "What you looking
at" in Vogue goes all over the place. The general ambiance generated is
quite definitely larger than on other recordings. Much of the processing has
been applied to the quieter percussion sounds- you keep hearing sounds
coming from above you, in particular. Very odd. 
  Oh, and of course, since it relies on the phase relationships between
channels, it doesn't work through headphones!

		Marcus Bointon.

brownd@agnes.acc.stolaf.edu (David H. Brown) (04/09/91)

In article <1991Apr10.035546.18831@metro.ucc.su.OZ.AU> studer@suphys.physics.su.OZ.AU (Andrew Studer) writes:
>
>Aha: someone has mentioned that "The Soul Cages" uses QSOUND.
>
>I haven't noticed anything amazingly different about this album [...]
>
	True, indeed. It's a bit hard to tell what QSound sounds like without
a non-Q reference. It can't be switched off or anything like that. But I'm
kind of glad that we can't tell... I almost expected some sort of acoustic
tragedy ... perhaps gross-sounding phase shifting or unrealistic EQ. Perhaps
less is more. Perhaps somebody trying to promote the process will release an
A/B comparison on a tape.

>+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
>Andrew Studer                             | "Life is like a sewer: what you 
>studer@alfven.physics.su.oz.au            |  get out of it depends on what 
>Plasma Physics Dept, School of Physics    |  you put into it." 
>University of Sydney, NSW 2006 Australia  |  - Tom Lehrer
>+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++


St. Olaf may or may not have nothing    | M M | M M M | M M | M M M | M M |   
to do with the things I talk about.     | M M | M M M | M M | M M M | M M |   
                                        | M M | M M M | M M | M M M | M M |  
Dave Brown: brownd@agnes.acc.stolaf.edu | | | | | | | | | | | | | | | | | |  
"I _like_ programming the DX-7!"        |_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|  

studer@suphys.physics.su.OZ.AU (Andrew Studer) (04/10/91)

Aha: someone has mentioned that "The Soul Cages" uses QSOUND.

I haven't noticed anything amazingly different about this album, except in
one spot: on "All this time", the first single, there is a picked guitar
track playing a single note rhythmic accompaniment. When I set the speakers
up carefully, I hear this part to be very precisely "located"- much more
so than just the average L/R pan etc. 

I've also seen a photo of the new Roland processing device. In keeping with
new Roland policy, it has lots of sliders on it. The jury's still out as to
whether it works, though. 

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
Andrew Studer                             | "Life is like a sewer: what you 
studer@alfven.physics.su.oz.au            |  get out of it depends on what 
Plasma Physics Dept, School of Physics    |  you put into it." 
University of Sydney, NSW 2006 Australia  |  - Tom Lehrer
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++