[comp.ivideodisc] You feel alone Kathy

a253@mindlink.UUCP (Michel Gascon) (11/20/90)

--Kathy

(Help! I feel like I'm the only person talking on this newsgroup...)

Don't give up there is a couple more fellow reading it than writing to it.
--
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Michel Gascon                Never enough of anything
                             I take it if it's free
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larry@xanadu.Berkeley.EDU (Larry Rowe) (11/22/90)

I've been watching this newsgroup for almost 12 months and this
is the first time I've seen anything really happening.  I too
would like to find a newsgroup that a ``computer literate,''
``audio/video and hypermedia novice'' could read to exchange
information and ideas. Rather than argue about names, I'd
rather just start using this group for what we want to discuss.

In the interest of generating some traffic and interesting discussion,
I'll tell others what I'm up to and summarize what I learned about
S-video last night that clarified for me the frustratingly confusing
jargon I see on rec.video.

1. My Research

I'm a faculty member at U.C. Berkeley in the Computer Science Division.
My research interests are GUI application development systems and 
multimedia interfaces.  (Aside: at the multimedia conference in SF
a couple of weeks ago someone suggested that we'll soon be moving to
MUI applications -- multimedia user interfaces.)

I'm currently working on a shared video database and real-time conferencing
testbed.  The  testbed includes a multimedia workstation, a high-speed 
local area network, and a  high-bandwidth,  large capacity storage 
system.  The multimedia workstation includes a conventional high  
performance  Unix  workstation (Sparcstation) with  a  video-window board
(RasterOps), mouse, keyboard, microphone, and speaker I/O devices.  
The workstation  also  will have  a  symmetric video compression board so 
that real-time video can be captured and  displayed  in  the  video-window.
The  local  area  network (Ultranet - 25 MBytes/sec host interface) and 
storage system will be used to support real-time video conferencing  and  
to  store hypermedia  applications that can be simultaneously accessed
by several workstations.  The storage system is a disk array system
(RAID) being developed by another group at Berkeley.  Their next system
will use DAT's to store data (approx. 1 GByte/tape) with a robot to load
the tapes into one or more readers (possibly 4 with byte striping for high
bandwidth transfers).

The video compression board is being design and implemented by another 
student here at Berkeley.  And, we're going to use a VME chasis and single
board computer to build the network interface controller to the ultranet.

Finally, we have a hypermedia system that we implemented in an
interface toolkit, named Picasso, that we built in Common Lisp and the
Common Lisp Object System that runs on X.  We've already interfaced
a Pioneer Laserdisc to the workstation and developed some applications
that display video segments and images stored on the disc.  Since the
video we had wasn't stereo, we also built an audio help system for one
of our applications using the other channel that is similar to the help
system on the Next.

We're hoping to be able to display video read from the storage server
using the video compression board by the middle of next summer.

If you or someone else is  interested in talking to me more about this
project, please send me email or call (415-642-5117).


2. S-video

Now, I've been totally confused by all the jargon on rec.video about
different video cameras, recorders, and editing systems.  A couple of
months ago I found a delightful paperback book that explained the 
basics of TV technology.  The book is titled ``The Electric Image''
by M.A. Krupnick (available from Knowledge Industry Publications in White
Plains NY, 914-328-9157).  It explains everything from scanning theory,
NTSC color, signal switching and mixing to magnetic recording and videotape
editing.  It really clarified a lot for me.

But, I was still confused about what VHS, S-VHS, Beta, ED-Beta, 8mm, etc.
meant.  Last night I read an article in a local magazine that clarified it
for me.  Many of you probably know that NTSC is the video signal that is
broadcast to your homes through the air or on cable.  It is a single analog
signal that encodes both a black&white image (called luminance) and color
information (called chrominance).  The color info is overlayed on the B&W
image so that old TVs can still receive pictures even though they are
broadcast with color.

Putting these two signals together in the NTSC scheme causes information
to be lost and distorted.  S-video, which stands for separation video,
encodes these two signals separately.  Consequently, images recorded in
s-video and played back on standard TVs look much better than NTSC images.
In fact, it looks comparable to the images you get with a laserdisc.

Now for the jargon.  You also probably know that there are several different
formats for video recorders: BETA, VHS, and 8mm.  What I didn't know was
that each of these formats has an s-video version:  ED-BETA, S-VHS,
and HI-8, respectively.  The consumer electronics giants are producing
cameras, vcr's, and other devices that provide a complete product line
for their chosen market.

The person who wrote the article suggested that computer folks interested
in multimedia ought to be looking at s-video camcorders, vcr's and editing
decks to produce their video segments.  He suggested Sony's HI-8 camera
(V-5000?) as a good camera that costs around $2.5k.  He also mentioned the
NEC PC VCR that evidently has an rs-232 interface as a good vcr for
connecting to computers to build an editing system.

-------------------------
Enough for now.  If folks are interested, I can continue with the memory
dump of what I've learned about video and multimedia over the past 18
months including a trip report on the Multimedia Conference held in SF
recently and the Video Exposition held in SF last spring.
	larry