rohan@muon.eng.ohio-state.edu (Rohan De Livera) (06/21/89)
I N T E R N A T I O N A L C O M P U T E R M U S I C C O N F E R E N C E The 15th International Computer Music Conference (ICMC) will be held in Columbus, Ohio, on the campus of The Ohio State University, November 2-5, 1989. The ICMC is the premiere international forum for exchange on artistic, scientific, and technical applications of computer science to music and musicology. The annual conference is held alternately in the Americas and Europe, and previous conference sites have included Cologne, The University of Illinois, Champaign/Urbana, The Hague, Vancouver, Paris, The Eastman School of Music, Venice, The university of North Texas, New York, Chicago, The University of California at San Diego, and Northwestern University. The Theme of the 1989 ICMC - 'The Invisible Engine' - will emphasize the maturity of computer music as a vehicle for artistic expression, its integration into musical life, and the symbiotic relationships between art and technology. Activities at the the conference will include: KEYNOTE ADDRESS Paul Lansky FEATURED COMPOSER Morton Subotnick PAPERS on specific topics such as real-time interactive performance, computer assisted composition, psychoacoustics and music perception, special artistic projects, new hardware and software, digital signal processing, and computer-assisted instruction, as well as topics drawn from computer science, mathematics, audio engineering, musicology and ethnomusicology, and cognotive science. Papers will be reviewed by an international jury of experts chosen by the Computer Music Association (CMA) and the 1989 ICMC Planning committee. CONCERTS of works featuring various aspects of computer-generated electroacoustic music, with emphasis on combinations of live instrumental and computer music - transcribed and live - interactive. Many new works will be performed with concerts by the Pro Musica Chamber Orchestra of Columbus conducted by Gunther Schuller, the Cleveland Chamber Symphony conducted by Edwin London, The OSU Wind Ensemble conducted by Craig Kirchoff; chorus, chamber ensemble concerts, works for combined media ( computer-animation, dance, hybrid video), tape music concerts, a special solo performance by Dexter Morill, and performance installations. PANEL AND GROUP DISCUSSIONS POSTER SESSIONS on current topics suggested by the C.M.A. membership. WORKSHOPS/DEMONSTRATIONS TUTORIAL SESSIONS on a wide range of subjects will be presented during the conference. TRADE SHOW with approximately 5000 square feet of exhibit space, will feature computer music systems, audio worstations, peripherals, and MIDI - controlled hardware. COMPACT DISC documentation of selected works from the conference will be provided, in the Spring of 1990. Works will be selected for inclusion on the basis of blind review bu and international jury. Each registered coonference registrant will receive one CD free of charge. Additional CDs will be available for purchase. PROCEEDINGS The Proceedings of the 1989 International COmputer Music Conference, a compilation of refereed papers and presentations, will be provided to registrants as part of the conference fee. G E N E R A L I N F O R M A T I O N LANGUAGE The official language of the 1989 ICMC is English. REGISTRATION Please photocopy the pre-registration and room-reservation form below. The deadline for pre-registration is 15 September 1989. Mail completed forms and registration fee to: 1989 ICMC Registration The Ohio State University P.O.Box 21878 Columbus, Ohio 43221 USA Registration at the conference will begin at 1 p.m. on Wednesday, November 1, and will continue Thursday, Friday, and Saturday mornings starting at 9:00 a.m. FEE SCHEDULE Pre-registration (postmarked by 9.5.89): US$185 (CMA members US$150, students US$75) Registration after 15 September: US$205 (CMA members US$170, students US$95) Registration fees must be sent in U.S. dollars, with checks or money orders payable to The Ohio State University. SPONSERS The sponsers of this conference are: the Computer Music Association (CMA), The Ohio State University, the National Endowment for the Arts, and the Ohio Arts Council. FURTHER INQUIRIES Direct inquiries to: Mail 1989 ICMC Information The Ohio State University 1866 College Rd Columbus, Ohio 43210 USA Phone (614) 292-7837 or -2676 Electronic Mail icmc-request@osupyr.mast.ohio-state.edu (internet) or ts1540@ohstmvsa.bitnet 1989 International Computer Music Conference - Columbus 2-5 November 1989 PRE - REGISTRATION FORM _______________________________________________________________________________ First Name Last name _______________________________________________________________________________ Occupation/Title _______________________________________________________________________________ Company/Institution _______________________________________________________________________________ Street Address _______________________________________________________________________________ City State/Province Postal Code _______________________________________________________________________________ Country REGISTRATION Please check the appropriate blank: Postmark 9/15/89 or before after 9/15/89 | CMA member registration US$ 150 _________ US$ 170 _________ CMA non-member registration US$ 185 _________ US$ 205 _________ Student registration US$ 75 _________ US$ 95 _________ ACCOMODATIONS Please write in a '1','2', and '3' to indicate your first, second, and third choices for hotel accommodations _____ Class 1: 1 person/1 bed US$ 68; 2 persons/1 bed US$ 78 per night (additional persons extra) _____ Class 2: 1 person/1 bed US$ 49; 2 persons/1 bed US$ 57 per night (additional persons extra) _____ Class 3: 1 person/1 bed US$ 30; 2 persons/1 bed US$ 37; 3 persons/2 beds US$ 39 per night (additional persons extra) I would like to join (or renew my membership in) the Computer Music Association I enclose US$ 32.00 for a one-year membership and understand that this entitles me to register for the 1989 ICMC as a CMA member. US$ 32 CMA membership dues ________________ TOTAL AMOUNT ENCLOSED US$ _________________ To reserve a hotel room for the conference, please give the following credit card information: Credit Card: MasterCard VISA AMEX Number: Exp. Date: Fees are payable in US dollars by International Money Order or by check made payable to The Ohio State University. Deadline for pre-registration is 15 September 1989.
rohan@muon.eng.ohio-state.edu (Rohan De Livera) (10/03/89)
I N T E R N A T I O N A L C O M P U T E R M U S I C C O N F E R E N C E The 15th International Computer Music Conference (ICMC) will be held in Columbus, Ohio, on the campus of The Ohio State University, November 2-5, 1989. The ICMC is the premiere international forum for exchange on artistic, scientific, and technical applications of computer science to music and musicology. The annual conference is held alternately in the Americas and Europe, and previous conference sites have included Cologne, The University of Illinois, Champaign/Urbana, The Hague, Vancouver, Paris, The Eastman School of Music, Venice, The university of North Texas, New York, Chicago, The University of California at San Diego, and Northwestern University. The Theme of the 1989 ICMC - 'The Invisible Engine' - will emphasize the maturity of computer music as a vehicle for artistic expression, its integration into musical life, and the symbiotic relationships between art and technology. Activities at the the conference will include: KEYNOTE ADDRESS Paul Lansky FEATURED COMPOSER Morton Subotnick PAPERS on specific topics such as real-time interactive performance, computer assisted composition, psychoacoustics and music perception, special artistic projects, new hardware and software, digital signal processing, and computer-assisted instruction, as well as topics drawn from computer science, mathematics, audio engineering, musicology and ethnomusicology, and cognotive science. Papers will be reviewed by an international jury of experts chosen by the Computer Music Association (CMA) and the 1989 ICMC Planning committee. CONCERTS of works featuring various aspects of computer-generated electroacoustic music, with emphasis on combinations of live instrumental and computer music - transcribed and live - interactive. Many new works will be performed with concerts by the Pro Musica Chamber Orchestra of Columbus conducted by Gunther Schuller, the Cleveland Chamber Symphony conducted by Edwin London, The OSU Wind Ensemble conducted by Craig Kirchoff; chorus, chamber ensemble concerts, works for combined media ( computer-animation, dance, hybrid video), tape music concerts, a special solo performance by Dexter Morill, and performance installations. PANEL AND GROUP DISCUSSIONS POSTER SESSIONS on current topics suggested by the C.M.A. membership. WORKSHOPS/DEMONSTRATIONS TUTORIAL SESSIONS on a wide range of subjects will be presented during the conference. TRADE SHOW with approximately 5000 square feet of exhibit space, will feature computer music systems, audio worstations, peripherals, and MIDI - controlled hardware. COMPACT DISC documentation of selected works from the conference will be provided, in the Spring of 1990. Works will be selected for inclusion on the basis of blind review bu and international jury. Each registered coonference registrant will receive one CD free of charge. Additional CDs will be available for purchase. PROCEEDINGS The Proceedings of the 1989 International COmputer Music Conference, a compilation of refereed papers and presentations, will be provided to registrants as part of the conference fee. G E N E R A L I N F O R M A T I O N LANGUAGE The official language of the 1989 ICMC is English. REGISTRATION Please photocopy the pre-registration and room-reservation form below. The deadline for pre-registration is 15 September 1989. Mail completed forms and registration fee to: 1989 ICMC Registration The Ohio State University P.O.Box 21878 Columbus, Ohio 43221 USA Registration at the conference will begin at 1 p.m. on Wednesday, November 1, and will continue Thursday, Friday, and Saturday mornings starting at 9:00 a.m. FEE SCHEDULE Pre-registration (postmarked by 9.5.89): US$185 (CMA members US$150, students US$75) Registration after 15 September: US$205 (CMA members US$170, students US$95) Registration fees must be sent in U.S. dollars, with checks or money orders payable to The Ohio State University. SPONSERS The sponsers of this conference are: the Computer Music Association (CMA), The Ohio State University, the National Endowment for the Arts, and the Ohio Arts Council. FURTHER INQUIRIES Direct inquiries to: Mail 1989 ICMC Information The Ohio State University 1866 College Rd Columbus, Ohio 43210 USA Phone (614) 292-7837 or -2676 Electronic Mail icmc-request@osupyr.mast.ohio-state.edu (internet) or ts1540@ohstmvsa.bitnet 1989 International Computer Music Conference - Columbus 2-5 November 1989 PRE - REGISTRATION FORM _______________________________________________________________________________ First Name Last name _______________________________________________________________________________ Occupation/Title _______________________________________________________________________________ Company/Institution _______________________________________________________________________________ Street Address _______________________________________________________________________________ City State/Province Postal Code _______________________________________________________________________________ Country REGISTRATION Please check the appropriate blank: Postmark 9/15/89 or before after 9/15/89 | CMA member registration US$ 150 _________ US$ 170 _________ CMA non-member registration US$ 185 _________ US$ 205 _________ Student registration US$ 75 _________ US$ 95 _________ ACCOMODATIONS Please write in a '1','2', and '3' to indicate your first, second, and third choices for hotel accommodations _____ Class 1: 1 person/1 bed US$ 68; 2 persons/1 bed US$ 78 per night (additional persons extra) _____ Class 2: 1 person/1 bed US$ 49; 2 persons/1 bed US$ 57 per night (additional persons extra) _____ Class 3: 1 person/1 bed US$ 30; 2 persons/1 bed US$ 37; 3 persons/2 beds US$ 39 per night (additional persons extra) I would like to join (or renew my membership in) the Computer Music Association I enclose US$ 32.00 for a one-year membership and understand that this entitles me to register for the 1989 ICMC as a CMA member. US$ 32 CMA membership dues ________________ TOTAL AMOUNT ENCLOSED US$ _________________ To reserve a hotel room for the conference, please give the following credit card information: Credit Card: MasterCard VISA AMEX Number: Exp. Date: Fees are payable in US dollars by International Money Order or by check made payable to The Ohio State University. Deadline for pre-registration is 15 September 1989. -- Someday has arrived
rohan@muon.eng.ohio-state.edu (Rohan De Livera) (10/17/89)
This is a preliminary listing of the Papers, Panels, Demonstrations,
and Tutorials to be presented at the 1989 International Computer Music
Conference (ICMC), to be held at The Ohio State University in
Columbus, Ohio, on November 2 through 5. A listing of concert events
was posted earlier on this board. In addition, the conference will
feature a large trade show at which you can meet with representatives
of most of the major producers of computing and synthesis hardware and
software.
If you have questions about registering for the 1989 ICMC, please call
the OSU Office of Conferences and Institutes at (614) 292-1301. If
you have questions about concerts or about the trade show, please call
Thomas Wells at (614) 292-7837. If you have any questions about the
paper sessions, please call David Butler at (614) 292-2676.
1989 INTERNATIONAL COMPUTER MUSIC CONFERENCE
PRELIMINARY SCHEDULE OF PAPER AND PANEL SESSIONS
Thursday, November 2
MORNING
Special Installation all day
Wexner Choral Rehearsal Room
by Gilles Sivilotto, Jean Schmutz, Jean-Yves
Postma, Jean-Louis Garcin
PAPER SESSION ON COMPOSITION 9:00 - 11:30
Ohio Union Conference Theater
9:00 Jonathan Berger: A Theory of Musical Ambiguity
9:30 Malcolm C. Harrison, Suzanne Haig, and Gershon Horowitz: A Shortest- Path Algorithm for Musical Harmony
9:50 Peter Beyls: The Musical Universe of Cellular Automata
Break, 10:10-10:30
10:30 J.P. Lewis: Algorithms for Music Composition by Neural Nets: Improved CBR
Paradigms
10:50 Gregory J. Sandell: Perception of Concurrent Timbres and Implications for
Orchestration
11:10 Marilyn Taft Thomas, Siddhartha Chatterjee, and Mark W. Maimone:
Cantabile: A Rule-Based System for Composing Melody
AFTERNOON
PLENARY SESSION 1:00 - 2:30
Weigel Hall Auditorium
Paul Lansky, Keynote Speaker
STUDIO REPORTS I 3:00 - 5:00
Ohio Union Conference Theater
3:00 JoAnn Kuchera-Morin, Dan Timis: Recent Developments at The
Center for Computer Music Composition
3:20 Bruce Pennycook: Computer Applications in Music at McGill
University
3:40 Charles Dodge and Curtis Bahn: Studio Report for The Center
For Computer Music at Brooklyn College
4:00 Adolfo Nunez: The Computer and Electronic Music Studio in
the C.D.M. C. Madrid
4:20 Michael Century: The Banff Centre Media Arts Program--Studio
Report and Artistic Retrospective
4:40 Nicola Bernardini and Peter Otto: Studio Report: Tempo Reale
5:00 George Cisneros Computer Music at the Urban-15 Project
Demonstrations I 3:00 - 5:30
Ohio Union East Ballroom
3:00 Jean-Baptiste Barriere, Adrian Freed, Pierre-Francois Baisnee, &
Marie- Dominique Baudot: A Digital Signal Multiprocessor and its
Musical Application
3:30 Bridget Baird, Donald Blevens, and Noel Zahler: The Artificially
Intelligent Computer Performer on the Macintosh II and a Pattern
Matching Algorithm for Real-Time Interactive Performance
4:00 Daniel Oppenheim: Dmix: An Environment for Composition
4:30 Max Mathews, Bob Boie, and Andy Schloss: The Radio Drum as a
Synthesizer
Controller
5:00 David Keane and Peter Gross: The MIDI Baton
POSTER SESSION I 3:30 - 5:00
Ohio Union Terrace Lounge
3:30-4:15 John Roeder and Keith Hamel: A General-Purpose Object-Oriented
System for Musical Graphics [first presentation]
3:30-4:15 Rodney Waschka II and Alexandra Kurepa: Using Fractals in Timbre
Construction: An Exploratory Study [first presentation]
3:30-4:15 Peter Bowcott: Cellular Automation as a Means of High Level
Compositional Control of Granular Synthesis [first presentation]
3:30-4:159 Ian Bowler, Peter Manning, Alan Purvis, and Nick Bailey: A
Transputer-Based Additive Synthesis Implementation
[first presentation]
4:15-5:00 Heinrich Taube: Common Music: A Compositional Language in
Common Lisp and CLOS [first presentation]
4:15-5:00 Keiji Hirata and Tatsuya Aoyagi:Music Server[first presentation]
4:15-5:00 G. Borin, G. DePoli, and A. Sarti: A Modular Approach to
Excitator Resonator Interaction in Physical Models Synthesis
4:15-5:00 Brian Schmidt: Designing Sound Tracks for Coin-op Games or
'Computer Music for Under $65.00' [first presentation]
Special Session 3:00-4:30
Ohio Union Conference Theater
Richard Ashley: Computer-Based Learning: Models and
Lessons for Computer Music Systems
Friday, November 3
MORNING
Special Installation all day, Wexner Choral Rehearsal Room
by Gilles Sivilotto. Jean Schumtz, Jean-Yves
Postma, Jean-Louis Garcin
Mock-C Tutorial 10:00-12:00, East Ballroom Demonstration Room
by Roger Dannenberg and Gary Lee Nelson
PAPER SESSION ON SIGNAL PROCESSING 9:00 - 10:20
Ohio Union Conference Theater
9:00 David Rivas, Steve Watkins and Paul Chau: VLSI for a Physical Model
of Musical Instrument Oscillations
9:20 Edward Pearson and R. G. Wilson: A Multiresolution Signal
Representation and its Application to the Analysis of Musical
Signals
9:40 Frederic Boyer and Richard Kronland-Martinet: Granular Resynthesis
and Transformation of Sounds Through Wavelet Transform Analysis
10:00 Jean Laroche and Xavier Rodet: The Use of Prony's Method for the
Analyis of Musical Sounds. Application to Percussive Sounds
Break, 10:20-10:40
Special Demonstration 10:00 - 10:30
Sound Synthesis Studios (121 Lord Hall)
Doug Karl: Demonstration of a SCSI-->AES/EBU Conversion System
PAPER SESSION ON PERFORMANCE 10:40 - 12:00
Ohio Union Conference Theater
10:40 Arne Eigenfeldt: ConTour: A Real-time Midi System Based on Gestural
Input
11:00 H. Morita, S. Ohteru, and S. Hashimoto: Computer Music System Which
Follows a Human Conductor
11:20 Tod Machover and Joseph Chung: Hyperinstruments: Musically
Intelligent and Interactive Performance and Creativity Systems
11:40 Peter Desain, Henkjan Honing, and Klaus de Rijk: JA Connectionist
Quantizer
AFTERNOON
Special Presentation 3:00 - 4:30
Ohio Union Conference Theater
Craig Harris: Artistic Necessity; Context Orientation; Configurable Space
Demonstrations II 1:30 - 5:30
Ohio Union East Ballroom
1:30 George W. Logemann: Experiments with a Gestural Controller
2:00 W. F. McGee and Paul Merklee: Real-time Acoustic Analysis of
Polyphonic Music
2:30 Gary Lee Nelson: Algorithmic Approaches to Interactive Composition
3:00 Perry R. Cook: Singing Synthesis Using a Physically Parameterized
Vocal Tract Model
3:30 Glendon R. Diener: Nutation: Structural Organization versus Graphical
Generality In A Common Music Notation Program
4:00 Leonello Tarabella and Graziano Bertini: A Digital Signal Processing
System and a Graphic Editor for Synthesis Algorithms
4:30 Wayne Siegel: "Netvaerk," an Experiment in Live Composition
5:00 Adrian Freed: New Media for Musicological Research and Education--
The Country Blues in HyperMedia
POSTER SESSION II 1:30 - 3:00
Ohio Union Terrace Lounge
1:30-2:15 Ichiro Fujinaga, Bo Alphonce, Bruce Pennycook, and
Natalie Boisvert: Issues in the Design of an Optical Music
Recognition System [first presentation]
1:30-2:15 Ric Ashley: A Computer System for Learning Analytic
Listening [first presentation]
1:30-2:15 Haruhiro Katayose, T. Fukuoka, K. Takami and S. Inokuchi:
Music Interpreter in the Kansei Music System
[first presentation]
1:30-2:15 Rodney Waschka II and Alexandra Kurepa: Using Fractals in
Timbre Construction: An Exploratory Study
[second presentation]
2:15-3:30 John Roeder and Keith Hamel: A General-Purpose
Object-Oriented System for Musical Graphics
[second presentation]
2:15-3:30 Peter Bowcott: Cellular Automation as a Means of High Level
Compositional Control of Granular Synthesis
[second presentation]
2:15-3:30 Ian Bowler, Peter Manning, Alan Purvis, and Nick Bailey: A
Transputer-Based Additive Synthesis Implementation
[second presentation]
2:15-3:30 Heinrich Taube: Common Music: An Object Oriented
Compositional Language in Common Lisp and CLOS
[second presentation]
POSTER SESSION III 3:30 - 5:00
Ohio Union Terrace Lounge
3:30-4:15 Michel Naranjo: Musical Paste and Geometric Image Modelling
3:30-4:15 Keiji Hirata and Tatsuya Aoyagi: Music Server
[first presentation]
3:30-4:15 Uri Shimony, Noam Elroy, and Ehud Hamami: LZW Compression of
Musical Files [first presentation]
3:30-4:15 Julius O. Smith III: Unit-Generator Implementation on the NeXT DSP Chip [first presentation]
3:30-4:15 Ron Kuivila and David P. Anderson: Programming Language Constructs for Parallel Musical Computations [first presentation]
4:15-5:00 Bill Walker: KIWI: A Parallel System for Software Sound Synthesis [first
presentation]
4:15-5:00 G. Borin, G. DePoli, and A. Sarti: A Modular Approach to Excitator - Resonator Interaction in Physical Models Synthesis
4:15-5:00 Brian Schmidt: Designing Sound Tracks for Coin-op Games or 'Computer Music for Under $65.00' [second presentation]
4:15-5:00 Sever Tipei: Manifold Compositions: A (Super)Computer-Assisted Composition Experiment In Progress [first presentation]
STUDIO REPORTS II 3:00 - 5:00egrep: regular expression too long (NSTATES)
[1] Done calendar
Ohio Union Conference Theater
3:00 Russell F. Pinkston: The Accelerando Project
3:20 Markus Freericks, CAMP; Berlin
3:40 James Beauchamp: The Computer Music Studio at the
University of Illinois at Urbana-Champaign: 1989
4:00 Justin Shuttleworth and Mike Greenhough: Music Processing by Transputer Networks at the Electronic Music Studio in Cardiff
4:20 David Wessel, Richard Felciano, Adrian Freed, and John Wawrzynek: The Center for New Music and Audio Technologies
4:40 Wayne Siegel: DIEM; Studio Report
Saturday, November 4
MORNING
PAPER SESSION ON REPRESENTATION 9:00 - 10:10
Ohio Union Conference Theater
9:00 Roger B. Dannenberg and Christopher Lee Fraley: Fugue: Composition and Sound
Synthesis With Lazy Evaluation and Behavioral Abstraction
9:30 David Huron: Characterizing Musical Textures
9:50 Stephen T. Pope: Modeling Musical Structures as EventGenerators
Break, 10:10 - 10:30
PANEL SESSION: 10:30 - 12:00
Ohio Union Conference Theater
The Influence of the Computer on the Creative Process
AFTERNOON
Special Installation 1:30-3:30
Wexner Instrumental Rehearsal Room
1:30 & 2:30 Kristi A. Allik and Robert C.F. Mulder: "Pentaprism": A Real Time Interactive Audio Visual Environment
Demonstrations III 1:30 - 5:00
Ohio Union East Ballroom
1:30 Nicola Bernardini and Peter Otto: TRAILS: An Interactive System for Sound Location
2:00 Brian Evans: Enhancing Scientific Animations with Sonic Maps
2:30 Dexter Morrill and Perry Cook: Hardware, Software and Compositional Tools for a Real Time Improvised Solo Trumpet Work
3:00 Mikael Laurson and Jacques Duthen: Patchwork, a graphical language in PREFORM
3:30 Peter S. Langston: Six Techniques for Algorithmic Music Composition
4:00 Keith Lent and Peter Silsbee: A Real Time Computer Music Synthesis System Based on the Motorola 56001
4:30 Gregory Kramer, Robert Moog and Alan Peevers: The Hybrid: A Music Performance System with Extensive Touch Sensitivity and Real-Time Signal Processor Control
POSTER SESSION IV 1:30 - 3:00
Ohio Union Terrace Lounge
1:30-2:15 Ichiro Fujinaga, Bo Alphonce, Bruce Pennycook, and Natalie Boisvert: Issues in the Design of an Optical Music Recognition System [second presentation]
1:30-2:15 Richard Ashley: A Computer System for Learning Analytic Listening [second
presentation]
1:30-2:15 Haruhiro Katayose, T. Fukuoka, K. Takami and S. Inokuchi: Music Interpreter in the Kansei Music System [second presentation]
1:30-2:15 Sever Tipei: Manifold Compositions: A (Super)Computer-Assisted Composition Experiment In Progress [second presentation]
1:30-2:15 Michel Naranjo: Musical Paste and Geometric Image Modelling [second
presentation]
2:15-3:00 Uri Shimony, Noam Elroy, and Ehud Hamami: LZW Compression of Musical Files [second presentation]
2:15-3:00 Julius O. Smith III: Unit-Generator Implementation on the NeXT DSP Chip
[second presentation]
2:15-3:00 Ron Kuivila and David P. Anderson: Programming Language Constructs for Parallel Musical Computations [second presentation]
2:15-3:00 Bill Walker: KIWI: A Parallel System for Software Sound Synthesis [second presentation]
Special Session on Music Representation 2:00 - 5:00
Ohio Union Conference Theater
Session Chair: Craig Harris
2:00-3:15 Charles Goldfarb, Steven Newcomb, Donald Sloan, Garrett Bowles, and Alan Talbot: Precis of the Standard Music Description Language
3:15-3:30 Break
3:30-4:45 Guy E. Garnett, Roger Dannenberg, Lonnette Dyer, Stephen Pope, and Curtis Roads: Meta-Issues in Music Representations
4:45-5:00 Open Discussion
General Membership Meeting 5:15-6:00
of the Computer Music Association Ohio Union Conference Theater
Sunday, November 5
PAPER SESSION ON SYSTEMS ARCHITECTURE 9:00 - 10:20
Ohio Union Conference Theater
9:00 David A. Jaffe: Overview of the NeXT Music Kit
9:20 Yann Orlarey and Herve Lequay: MIDI SHARE: A Real-Time Multi-Tasks Software Module for MIDI Applications
9:40 Frode Holm: Frequency Scheduling: Realtime Scheduling in Multiprocessing Systems
10:00 Daniel Steinberg and Tim Learmont: The Multi-Media File System
Break, 10:20 - 10:40
PAPER SESSION ON SYNTHESIS METHODS 10:40 - 12:20
Ohio Union Conference Theater
10:40 Mark Rudolph: On the Use of Cepstral Representation in a Synthesis from Reduced Performance Information
11:00 Xavier Serra and Julius O. Smith: Spectral Modeling Synthesis
11:20 Mark Medovich: Demodulated Vector Quantization (DVQ), and Real Time Music
Synthesis via DVQ Codebooks
11:40 P. Dutilleux: Spinning the Sounds in Real-Time
12:00 Douglas Scott: A Processor for Locating Stationary and Moving Sound Sources in a Simulated Acoustical Environment
(Conference ends, 12:20 p.m.)
--
Good health is merely the slowest rate at which one can die.