[comp.dcom.telecom] Microwave / Optical Links for Audio

weaver@sfc.sony.com (Eric Weaver) (03/03/91)

I need to run a stereo audio signal from our studio to a cable
company's head-end about two miles away.  A four-wire non-directional
phone line is $55/mo + 760 to set up, and will certainly require some
serious EQ (loading coils are probably present).  I'm wondering if
there's a good way to get two 15KHz audio channels (or a single 53KHz
one) over commercially available microwave or optical links.  Can
anyone suggest vendors and at least make a guess at prices?  Thanks.


Eric Weaver <weaver@sfc.sony.com>
Sony Advanced Video Technology Center	 677 River Oaks Pkwy,  MS 35
Beautiful Industrial San Jose, CA 95134  (408) 944-4904

Kauto.Huopio@lut.fi (Kauto Huopio OH5LFM) (03/08/91)

> I need to run a stereo audio signal from our studio to a cable
> company's head-end about two miles away.  A four-wire non-directional
> phone line is $55/mo + 760 to set up, and will certainly require some
> serious EQ (loading coils are probably present).  I'm wondering if

Well, I think all you need is a good ol' four-wire. For two miles I
think that you can send the composite stereo trhough one single pair
without too much hassle. The only thing you'll propably need is two
300 ohm balancing transformers (?) and a good parametric EQ. During
setup phase you'll need a good noise generator and signal analyser,
but that's all! We had a scout camp radio station last summer and the
transmitter was about four miles away in a telcom tower and the phone
line there was about eight miles. We had Telelinks at each end (a
system for sending audio over phone lines including remote transmitter
control) and we put one stereo EQ to the studio end. Because our
transmitter was just a mono one, we connected the two EQ channels
together. Just before the transmitter we had Orban FM Optimod. The
sound quality ... EARTHSHAKING! We just didn't believe our ears when
we at first time put a monitor amp to the line at the transmitter
site. Remember when ordering the line from the local telco that you
want to have a DIRECT line to the cable company, pure copper and no
coils whatsoever.


Kauto Huopio (huopio@kannel.lut.fi) 
Mail: Kauto Huopio, Punkkerikatu 1 A 10, SF-53850  Lappeenranta,Finland

alans@hp-ptp.hp.com (Alan_Sanderson) (03/16/91)

Coastcom is a manufacturer of T1 networking equipment which
specializes in high fidelity audio transmission.

     Coastcom
     2312 Stanwell Drive
     P.O. Box 27068
     Concord, CA 94527

     415-825-7500


Alan Sanderson    HP AMSO Sunnyvale,CA

pozar@apple.com> (03/21/91)

In article <telecom11.186.11@eecs.nwu.edu> Kauto.Huopio@lut.fi (Kauto
Huopio OH5LFM) writes:

>> I need to run a stereo audio signal from our studio to a cable
>> company's head-end about two miles away.  A four-wire non-directional
>> phone line is $55/mo + 760 to set up, and will certainly require some
>> serious EQ (loading coils are probably present).  I'm wondering if

> Well, I think all you need is a good ol' four-wire. For two miles I
> think that you can send the composite stereo trhough one single pair
> without too much hassle. The only thing you'll propably need is two
> 300 ohm balancing transformers (?) and a good parametric EQ. 

    This will not work, unless you can get a all-pass filter to
correct for the phase distortion that the parametric EQ will introduce
into the path.  I also haven't found a parametric EQ that will pass
the 75KHz or so needed for composite stereo.

    Perhaps the orginal poster should consider an STL at 950MHz?


Tim

       pozar@lns.com  Fido: 1:125/555  PaBell: 415-788-3904
    USNail:  KKSF-FM / 77 Maiden Lane /  San Francisco CA 94108

john@zygot.ati.com (John Higdon) (03/22/91)

Tim Pozar <farcomp!pozar@apple.com> writes:

>     Perhaps the orginal poster should consider an STL at 950MHz?

Tim, shame on you. As you know, the rules are very specific about the
uses to which a 950MHz channel can be put. It is ONLY for BROADCAST
stations, and the primary purpose must be the transmission of main
channel program. The band is so overcrowded now that legitimate
broadcasters must use every trick in the book to keep one system from
trompling another.

Unless you have an AM or FM broadcast license, don't even THINK of
applying for a frequency in the 950MHz STL band.


        John Higdon         |   P. O. Box 7648   |   +1 408 723 1395
    john@zygot.ati.com      | San Jose, CA 95150 |       M o o !

pozar@kumr.lns.com (Tim Pozar) (03/25/91)

In article <telecom11.186.11@eecs.nwu.edu> Kauto.Huopio@lut.fi (Kauto
Huopio OH5LFM) writes:

>> I need to run a stereo audio signal from our studio to a cable
>> company's head-end about two miles away.  A four-wire non-directional
>> phone line is $55/mo + 760 to set up, and will certainly require some
>> serious EQ (loading coils are probably present).  I'm wondering if

> Well, I think all you need is a good ol' four-wire. For two miles I
> think that you can send the composite stereo trhough one single pair
> without too much hassle. The only thing you'll propably need is two
> 300 ohm balancing transformers (?) and a good parametric EQ. 

    This will not work, unless you can get a all-pass filter to
correct for the phase distortion that the parametric EQ will introduce
into the path.  I also haven't found a parametric EQ that will pass
the 75KHz or so needed for composite stereo.

    Perhaps the orginal poster should consider an STL at 950MHz?


Tim
       pozar@lns.com  Fido: 1:125/555  PaBell: 415-788-3904
    USNail:  KKSF-FM / 77 Maiden Lane /  San Francisco CA 94108