spf@whuts.UUCP (Steve Frysinger of Blue Feather Farm) (07/06/88)
After my defensive outburst about Auditory Data Representation,
there was some interest in the references I mentioned. Below are
references in both Auditory and Visual Data Representation, as
well as a couple of other relevent papers. I feel much better
now, really!
Steve Frysinger
Auditory Data Representation
References
Bly, S., Frysinger, S. P., Lunney, D., Mansur, D. L.,
Mezrich, J. J., Morrison, R.C. (1985). Panel:
Communicating with Sound. In L. Borman and W. Curtis
(Ed.), Human Factors in Computing Systems - Proceedings of
CHI'85 (pp. 115-119). New York, New York: Association of
Computing Machinery.
Bly, S., Frysinger, S. P., Lunney, D., Mansur, D. L.,
Mezrich, J. J., Morrison, R.C. (1987). Communication
with Sound. In R. Baecker & W. A. S. Buxton (Eds.),
Readings in Human-Computer Interaction: A
Multidisciplinary Approach (pp. 420-424). Los Altos:
Morgan Kaufmann.
Bly, S. (1982). Sound and Computer Information Presentation.
Unpublished doctoral dissertation, University of California, Davis.
Chambers, J. M., Mathews, M. V., & Moore, F. R. (1974).
Auditory Data Inspection (Technical Memorandum 74-1214-
20). Murray Hill, NJ: AT&T Bell Laboratories.
Chernoff, H. (1973). Using faces to represent points in k-
dimensional space graphically.
Journal of the American Statistical Association, 68,
361-368.
Cuddy, L. L., Cohen, A. J., & Miller, J. (1979). Melody
Recognition: The Experimental Application of Musical
Rules.
Canadian Journal of Psychology, 33, 148-157.
Deutsch, D. (1982). The Processing of Pitch Combinations.
In D. Deutsch (Ed.)
The Psychology of Music. New York, NY: Academic Press.
Everitt, B. S. (1978).
Graphical Techniques for Multivariate Data. New York:
North-Holland.
Fisher, R. A. (1936). The Use of Multiple Measurements in
Taxonomic Problems. Annals of Eugenics, 7, 179.
Funkhouser, H. G. (1936). A Note on a Tenth Century Graph.
Osiris, 1, 260-262.
Gaver, W. W. (1986). Auditory Icons: Using Sound in
Computer Interfaces.
Human-Computer Interaction, 2, 167-177.
Helmholtz, H. L. F. (1885/1954).
On the Sensations of Tone as a Physiological Basis for
the Theory of Music. New York, NY: Dover Publications.
Krumhansl, C. L. (1979). The Psychological Representation
of Musical Pitch in a Tonal Context.
Cognitive Psychology, 11, 346-374.
Mezrich, J. J., Frysinger, S. P., & Slivjanovski, R. (1984).
Dynamic Representation of Multivariate Time-series Data.
Journal of the American Statistical Association, 79, 34-
40.
Pollack, I. & Ficks, L. (1954). Information of Elementary
Multidimensional Auditory Displays.
Journal of the Acoustical Society of America, 26, 155-
158.
Speeth, S. D. (1961). Seismometer Sounds.
Journal of the Acoustical Society of America, 33, 909-
916.
Tiller, L. (1975). Early Experimental Graphs.
British Journal for the History of Science, 8, 204-205.
Trehub, S. E., Cohen, A. J., Thorpe, L. A., & Morrongiello,
B. A. (1986). Development of the Perception of Musical
Relations: Semitone and Diatonic Structure.
Journal of Experimental Psychology, 12, 295-301.
Tufte, E. R. (1983).
The Visual Display of Quantitative Information.
Cheshire: Graphics Press.
Tukey, J. W. (1970).
Exploratory Data Analysis. Reading: Addison Wesley.
Wightman, F. L. (1981). In D. J. Getty & J. H. Howard
(Eds.). Auditory and Visual Pattern Recognition. Hillsdale,NJ:
Lawrence Erlbaum Associates.
Yeung, E. S. (1980). Pattern Recognition by Audio
Representation of Multivariate Analytical Data.
Analytical Chemistry, 52, 1120-1123.