[net.movies] Festival of festivals -- final installment

oscar@utcsrgv.UUCP (Oscar M. Nierstrasz) (09/23/83)

Final installment of capsule reviews ...

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This Island Earth  (Newman, Joseph; USA; 1955; 87m) **

Good silly science fiction entertainment from the  1950s.   Tech-
nicolor is good and so are the special effects...

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Alsino y el Condor  (Littin, Miguel; Nicaragua/Cuba;  1982;  89m)
BOMB

Another Kay Armatage selection ... I *really* should  have  known
better.   This  is a "politically correct" (fictional) film about
how nasty those American are, and what  are  they  doing  in  Ni-
caragua.  I lasted 10 minutes.

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God's Angry Man  (Herzog, Werner; Germany; 1983; 46m) ***

All about Eugene  Scott  and  his  television  station  for  God.
Herzog's  documentaries always treat you to the bizarre.  Much of
the film was humourous, but unfortunately some members of the au-
dience  treated  the film as a comedy.  Herzog is not laughing at
Scott.  This is not "Mondo Herzog".  This is a very  unusual  and
disturbing slice of Americana.  See it if you can.

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66 Scenes from America  (Leth, Jorgen; Denmark; 983; 43m) ** 1/2

This is not a movie so much as a photo album.  Each  "photograph"
is  a  scene lasting an average of about 45 seconds (obviously!),
but the photographs move and  change  slightly  while  you  watch
them.   A  few  are  scenes with a fair bit going on in them, but
each of them captures a "moment", much as a photograph  does.   A
great  idea, this film partially answers those questions that you
ask when you see an interesting photograph: what  happened  next;
what  if  he took that shot a second later ...  As I said, it's a
great idea, but the "photographs" are only average "ooh, ahh" ma-
terial.

                               ---

Dernier Combat, Le  (Besson, Luc; France; 1983; 90m) ** 1/2

A low budget science fiction film --  the  24  year-old  Besson's
directorial  debut  about post-apocalyptic life.  The film is al-
most entirely without dialogue (there  are  two  whispered  "bon-
jours").  The film has a few embarrassing moments but is general-
ly fairly original and manages to sustain your  interest.   Curi-
ously, except for some desert scenes, the entire film was shot on
location in Paris.

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Rabid  (Cronenberg, David; Canada; 1977; 91m) **

Good tacky horror film with porno star Marilyn  Chambers  as  the
woman  with  a  strange growth in her armpit that lusts for blood
and gives people a peculiar strain of  rabies.   See  it  for  99
cents on the quadruple bill at the Rio.

                               ---

Zero de Conduite  (Vigo, Jean; France; 1933; 42m) ***

Classic surrealist film about unruly schoolboys.

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Age d'or, L'  (Bunuel, Luis; France; 1930; 63m) ****

From the master of surrealism himself ...  Essential viewing.

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Tomorrow  (Anthony, J.; USA; 1972; 103m) *** 1/2

*Great* low-key film starring Robert Duvall as  a  backwoods  boy
who  takes  in a deserted pregnant woman and protects her.  Based
on a short story by William Faulkner.  This is Duvall's  personal
favourite amongst his own films.

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Merry Christmas, Mr Lawrence  (Oshima, Nagisa; GB; 983; 122m) *

Facile, pretentious, obvious, vapid,  pompous,  puerile,  tedious
and  interminable.  Absolute schlock.  This is archetypal British
"stiff upper lip" with nothing to say.   David  Bowie  is  merely
adequate,  but  should  not  be blamed for this abomination.  The
whole project is a dead loss.  Jay Scott (Toronto Globe and  Mail
reviewer)  understated  that  the  flashback in "Merry Christmas"
would be less objectionable if it were merely redundant.  Utterly
embarrassing.

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Filmmaker: A Diary by George Lucas  (Lucas, George; USA; 1968-82;
33m) **

This is of value as a curiosity item.  Lucas made this film about
his  employer and buddy Francis Ford Coppola while he was working
on "The Rain People".  Unfortunately the result is mediocre.

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Ballad of Narayama, The  (Imamura, Shohei; Japan; 1983; 129m) ***
1/2

Set in Northern Japan of 100 years ago, this is about life  in  a
small  village  where those of seventy are carried into the moun-
tains to "meet Narayama".  The film is a collection  of  dramatic
and  humours  incidents  that give us a picture of what life must
have been like.  Imamura is no Kurosawa, but he has made  a  very
entertaining film.

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Don't Look Now  (Roeg, Nicholas; GB; 1973; 110m) ***

From the director of "Performance", "Bad Timing" and "Walkabout".
This gripping horror/suspense/occult film stars Donald Sutherland
whose dead daughter is apparently trying to "reach him" and  warn
him while he and his wife (Julie Christie) are in Venice.

                               ---

Planet "Tailor", The  (Domaradzki, Jerzy; Poland; 1983; 83m) **

Neat little picture about a Tailor who survives a  kidney  opera-
tion  after being declared clinically dead, and develops a fasci-
nation for astronomy.  He becomes an avid amateur  astronomer  to
the amusement of fellow villages and the dismay of his wife.

                               ---

Heart Like a Wheel  (Kaplan, Jonathan; USA; 1983; 115m) ***

This film was reviewed earlier  in  net.movies.   "Heart  Like  a
Wheel"  is an excellent "bio-pic" about racing-car champion Shir-
ley Muldowney.  It has thrills,  chills,  laughs  and  tears  an'
everything.  Good acting and good scripting too.  Opening soon at
a theatre near you!