moriarty@uw-june (Jeff Meyer) (06/01/84)
First, a few notes... Sergio Leoni's final version of "Once Upon a Time In America" ran about 6 hours. He cut it down to 3 3/4 hours to satisfy the studio... it preimered in Boston and was not well received. The studios made him (or did it themselves) trim it down to 2 1/3 hours... though the version shown at Cannes, and in foreign theatres, will be the 3 3/4 hour version. However, tonight, through the courtesy of the Seattle Film Festival, I saw the 2 2/3 hour version y'all gonna see, unless you read this in England. First I'm going to list all the bad points about the movie, then I'm gonna jump.... --------------------------------------------------------------- 1) This movie's portrayl of women makes Prof. Jone's companion look like the idol of feminists everywhere (although it should be realized that it portrays women who have grown up in poverty in the slums and have had to claw their way up, as have the men). It would seem (except for one exception) that all that women are used for in this picture is sex... it seems to be the only thing Leone sees young men wanting from women in this society. 2) The movie also has a VERY slow beginning... one wonders what the original 6 hour show did to make them use some of the stuff they do at the beginning. Some of the early shots are ponderous in their length, and just overstay their welcome with the audience. 3) The movie, for the first two hours, is very predictable... the gangster genre, done in such a way that it raises them to a kind of mythic level (Hey! Just like "The Natural"! Myths must be in this year....). Some of the scenes you can say, aha, bet this happens; and it does. 4) The kid actors at the beginning are really poor. I am convinced that most kids of ANY era haven't acted like that, no matter what the cultural differences. ---------------------------------------------------------------- Ah, but did I like the movie? Yup, very much so. If you can get past the first 45 minutes, this is a good movie; if you get past the first two hours, it may be a great one. Why? Glad you asked.... I love to itemize... 1) The ending is excellent, just had me going and it really surprised me (part of it... a plot twist within a plot twist). Last scene made up for about every other flaw in the movie. 2) Robert DeNiro and James Woods may just be able to sell Goodyear Tires and make it sound like Academy Award Material (though Woods has a tendancy to degenerate to the crazy character in "Against All Odds", among others). Very fine performances all around there, and they carry, and more importantly, CAN carry the movie through rough spots. Plus a lot of little roles by capable actors (Burt Young as a gross mobster). 3) The humor may be bawdy and base, but there are some very funny scenes here, particularly the maternity ward scene. Kind of a net.jokes non-Rotated throughout. 4) I love those old James Cagney, George Raft, Humphrey Bogart gangster movies. Well, this is the same thing, except they added sex and graphic violence, added color and did things in epic style. Brother, some of the shots in this movie are unbelievable! The street scenes, the beach scenes... like how you remember those old Warner classics, but with color. Worth it for that alone. This is a gangster pic. If you like ganster pics, you will probably really like this movie. Leone wanted to do the gangster film in the old style of gangster films... no reality (or not much) just the glamour and the violence. I think he has suceeded. I read the other day that some think this movie is going to be this year's "Heaven's Gate". I was thinking that through the first half hour, but after that, Leone & company get their act together and take it on the road. If you liked Bonny & Clyde, I have a hard time seeing you not like this. P.S. I thought the idea of showing the trailer of the new Clint Eastwood flick before the show a real flair on the part of Warner Bros.... "A power so great that it can only be used for Good or Evil!" Moriarty, aka Jeff Meyer UUCP: {ihnp4,cornell,decvax,tektronix}!uw-beaver!uw-june!moriarty ARPANET: moriarty@washington