[net.movies] tape tracks 12/26

chuqui@nsc.UUCP (Chuqui Q. Koala) (12/26/84)

It is truly amazing how many movies you can go through (cheaply!) with a
machine and a few days off... So, without further ado, more movies from the
bowels of the VCR-- things that should have been seen in a theater, but
probably weren't. Now, fortunately, you have that choice without worrying
about commercials or the whims of the cable people... 



Zelig -- ***
    An interesting but difficult film. Woody has put together a
    'documentary' of a person from the early part of this century, someone
    who really didn't exist. Zelig is a social chameleon, someone who not
    only tries to fit in by pretending to be what he isn't, but actually
    becomes it. Around fat men he gets fat, around chinese he becomes
    chinese, around psychiatrists he becomes a psychiatrist. An interesting
    concept, this film is very well fleshed out. The cinimatography is
    astounding-- it is impossible to really tell what is real newsreel
    footage and what isn't. The only real problem with the film, and the
    reason why it probably didn't do as well at the box as it should have,
    is that it is so realistic and true to the newsreel documentary that it
    isn't an easy work to involve yourself in. The characters never become
    real-- they are always being talked about, never shown, which makes it
    a difficult piece to relate to. Well worth the effort, though.

Interiors -- ****+
    Woody allen without the jokes. This work, an homage to Bergman, is one
    of the better pieces of foreign film that never crossed the atlantic.
    Not very well received by many critics, and unfoundedly so. This film
    shows Woody for what he is-- not just a comic, not just a funny
    filmmaker, but also very much a good filmmaker. This is serious
    cinematography, on a par with the best you can find on any continent.
    People who can't accept woody for being more than a clown will not like
    this film. People who like film that pushes itself to the limits,
    that force you to think and work with the filmmaker in understanding 
    his reality. Most film is entertainment. This film is art. It is also
    entertaining art, which puts it in the rarest category of all. 

Gumball Rally - ** 
    If you liked Cannonball Run, you'll love Gumball Rally. If you saw
    Cannonball run, you've seen most of Gumball Rally, because Cannonball
    is one of the most blatant ripoffs of another film work that ever made
    it past a studio legal department. Worse, it didn't even do it right.
    This film is a well paced, well cast, non-stop chase scene. No heavy
    plot, no heavy meanings, just trying to get from New York to Long Beach
    as quickly as possible. Consider it Cannonball Run done right, it is
    also cannonball run done first. They should have been real smart and
    simply re-released this instead. Chase this film down for a good time,
    if you can catch up to it.

Monty Python Live at the Hollywood Bowl - ** (required for MP fans)
    If you are a python fan, this is a required tape. If you aren't, you
    are better off watching the TV or tracking down a film such as 'And now
    for something completely different' or 'holy grail'. Uneven pacing, a
    few sketches that simply don't work very well, and a an implied
    knowledge that most viewers will already know most of the skits by
    heart make this a hard film for a novice to understand-- if only
    because most of the really big laughs are caused by changes to the
    gospel according to Monty, not the gospel itself. There are some really
    good laughs here, especially for fans. There are times when the
    realities of life performing (wigs flying off, sound equiptment
    screwing up) make it hard for them to keep their own faces straight,
    much less yours. If you like the python, you'll like the film.


Valley Girl -- ***+
    With 'horny teenager' movies being the rage, when such well-thought out
    dramas as 'Porkys' and 'Spring Break' running naked through the aisles,
    finding a movie that can show the problems of being a teenager
    intelligently, realistically, and humorously is about as rare as snow
    in Fort Lauderdale. Valley Girl is such a movie, the story of your
    standard socialite junior who falls for one of 'them', a punker from
    Hollywierd. Set in LA, where people like these really DO exist, this
    movie is suprisingly NOT a Moon Unit Zappa clone, but a very well done
    study of being a teenager growing up. The trappings (and the language,
    although not unintelligabely so) are Valley, but the problems are
    anytown USA. This is a story about outsiders, peer pressure, and the
    need to belong. Suprisingly for this genre, the women of this movie
    have their clothes on almost continuously-- even more suprising, they
    can act, and you don't mind. This movie, along with 'Fast times for
    ridgemont high' are the only two that stick out in my mind from this
    genre-- the rest seem to insist on portraying men as out-of-control
    hormone generators and women as hormone repositories. Both of the good
    movies, possibly coincidentally, were written by women, who might have
    a better perspective on the situation, or perhaps simply more scruples
    about doing good film. This is well worth seeing-- take it from a
    person who promised to gag if he heard the word 'grotty' one more time.


-- 
From the ministry of silly talks:		Chuq Von Rospach
{allegra,cbosgd,decwrl,hplabs,ihnp4,seismo}!nsc!chuqui  nsc!chuqui@decwrl.ARPA

Deadbone erotica is the prickly panic of forgotten milleniums, it is the moldy 
billion year madness that creeps deep along the spinal behind of my mind.