[net.sf-lovers] Review of "Job"

@RUTGERS.ARPA:FIRTH@TL-20B.ARPA (03/12/85)

From: FIRTH@TL-20B.ARPA


	Job: A Comedy of Justice
	Robert A Heinlein

*** Warning: spoiler and literary criticism ***

According to his title, RAH has selected two tough acts to follow.
James Branch Cabell's "Jurgen" is not - and does not aim to be -
a great book, but it is a true philosophical novel, and by a master
stylist.

Heinlein uses the picaresque style of his model, and in my view to
better effect.  A traditional SF reader will be irritated by the
throwaway descriptions of the many "parallel worlds" in the book;
but they serve their purpose, which is to develop the hero, and
there is at the end a reasonable justification for largely having
ignored them.  The trials of his Job are more real, and more
relevant, than the adventures of Jurgen.  They address the same
question - what is the ultimate source of value in humen experience
- what do we live FOR?  Jurgen sought the clue in a fictitious past;
Heinlein's Alec seeks it in a parallel present.

The book does not have the mannerisms that I have disliked in
other works, such as Time Enough for Love or The Number of The
Beast.  It has very little preaching disguised as dinner-table
conversation.  It moves.  Moreover, its protagonist is not a
"competent man".  He is, by many standards, a wimp.  However,
he has an unshakable moral integrity. I was reminded at times
of Farnham's Freehold, which showed a man of great competence,
but no integrity: here is the antithesis.

The novel contains Heaven and Hell, Gods and Devils, but it is
not religious.  On the contrary: it adheres throughout to the
Stoic position that moral value is created only by the free choice
of free agents.  There are abrupt transitions between parallel
worlds, described in traditional SF idiom.  And abrupt transitions
between heavens and hells, in traditional religious idiom.  The shock
of the latter led me to reflect on the complacency with which I had
accepted the former.  My conclusion was that RAH had rehabilitated the
character - the "volitional" protagonist - as the centre of attention.

Yes, a good book.

Robert Firth
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