Love-Hounds-request@EDDIE.MIT.EDU.UUCP (03/24/87)
Really-From: hogge@p.cs.uiuc.edu (John Hogge) Why don't we discuss: Female Artists on Independent Labels One thing I've noticed after a year or so of much listening to "indi" music is this: outside of dance mersch which I avoid and thus can't comment on, if an album has female vocals or mostly female bandmembers, chances are it's a very good album. The only exception I've run into is this funny 12" by Fuzzbox, an all girl group that sounds (according to local friend) like the Bangles on both speed *and* LSD. (Even then, the 12" is fun.) I welcome any discussion of why this might be true or opposing opinions (hopefully in the form of a list of indi girls who make bad music). The only reason I can think of for why this claim might be true would be something like an undeliberate sexist filter in the music scene on girl musicians which weeds out the mediocre 90% of female musicians, leaving only the best for recordings. But this is mere speculation, what the hell do I know? Anyway, this is the list of female artists I listen to. The starred (*) ones are highly recommended. All-Female: *Frightwig (alternately trashy/dirgy post punk, screamin' vocals, strong lyrics) Wilma (like Frightwig but calmer, more towards weird pop, except for the excellent slow hardcore-style cover of Georgy Girl.) The Slits (raw, damaged punk) *Holy Sisters of the Da Da Ga Ga (creative, weird psychedelic/folk/whoknows pop. Interesting "cover" of Monkees and others.) Fuzzbox (comic relief) Female Vocal Only Groups: *Throwing Muses (similar to Holy Sisters but with serious tone. 4AD, so you know it's probably great, and it is.) *Cocteau Twins (Unique vocal work backed by rich, omminous guitar work. "Garlands" is essential listening.) Lydia Lunch (Morbid post punk; distinctively forlorn lyrics, bratty vocals) Diamanda Galas (undisputed queen of post-operatic terrorism. Disturbing lyrics, amazing vocal techniques.) *Diana Rogerson (interesting solo work from ex Nurse With Wound member; carries on with NWW's unique style of listenable found-sound collages) *Mad Violets (happy, fun psychedelic rock) *SS20 (intense psychedelic rock by Chrissie Hynde soundalike who is better) Danielle Dax (very eclectic; pretty singing.) *Gutbank (hard rocking post punk with female lead guitarists. How many of those do you know of (outside of all-girl groups)? 3 girls 1 guy.) Susy & Banshees (do lots of dance apparently, but also the post psych stuff on "A Kiss in the Dreamhouse") *KUKL (actually has male vocals too. Innovative, weird post punk with lots of dissonance organized into a carnival-like atmosphere.) This list isn't complete--add to it. --John
Love-Hounds-request@EDDIE.MIT.EDU.UUCP (03/25/87)
Really-From: rutgers!uw-beaver!tektronix!reed!soren (Soren Petersen) In article <8703240932.AA08481@p.cs.uiuc.edu> you write: >Why don't we discuss: > Female Artists on Independent Labels >*Frightwig (alternately trashy/dirgy post punk, screamin' vocals, strong > lyrics) Yeah! Their *Cat Farm Faboo* album is great. Has anyone heard the new album (reviewed in the L.A. Weekly although not yet seen here in Portland). Another mostly female group I've been listening to is the Band Of Susans (four women (three called Susan), two men) who have an E.P. called *Blessing and Curse* -- good thrash/psychedelia, well worth checking out even though the record jacket kinda makes them look like yet another boring nu-wave post REM folk-rock group. -- soren f petersen tektronix!reed!soren "Reality is a Capitalist concept"
Love-Hounds-request@EDDIE.MIT.EDU.UUCP (03/25/87)
Really-From: Patrick J. Waara <Waara.wbst@Xerox.COM> >One thing I've noticed after a year or so of much listening to "indi" music is >this: if an >album has female vocals or mostly female bandmembers, chances are it's a very >good album. >The only >reason I can think of for why this claim might be true would be something like >an undeliberate sexist filter in the music scene on girl musicians which >weeds out the mediocre 90% of female musicians, leaving only the best for >recordings. Or it could be an undeliberate sexist beacon in your head that makes you like female vocals over male vocals. It's a hellofalot more senuous listening to a throaty Chrissie Hynde singing "Lust turns to anger. A push to shove. Somethin' was sticky on the shag rug. Look at the time.", than Lee Ving singing, "Piss on your warm embrace. I just wanna cum in your face." (Or even something nicer for that matter.) I know my girlfriend likes the male oriented bands better than the female ones. In fact she said she really doesn't like female singers at all. As to additions to the list, though they may no longer be on indies, you simply have to include Xeanne Cervenka (Sp?) of X. Still one of my all time favorites, eventhough, they've been strugglin' lately. May as well mention the Mourning Glories while I'm at it. ~Pat