Love-Hounds-request@EDDIE.MIT.EDU.UUCP (02/07/87)
Really-From: cbmvax!eric@gilligan.ARPA (Eric Cotton) Does anyone know what the aboriginie says at the end of "The Dreaming" (the song). I would guess that it's not english. Thanks. Eric Cotton "I don't find this stuff amusing anymore." /*========================================================================*/ /*==== UUCP: {ihnp4|allegra|seismo|pyramid!amiga}!cbmvax!eric ====*/ /*==== US mail: Commodore Technology / 1200 Wilson Drive ====*/ /*==== West Chester, PA 19380 ====*/ /*==== phone: (215) 431-9180 ====*/ /*========================================================================*/
Love-Hounds-request@EDDIE.MIT.EDU.UUCP (02/07/87)
Really-From: nessus (Doug Alan) > Does anyone know what the Aborigine says at the end of "The Dreaming" > (the song). It is some lyrics from an Aboriginal song entitled "Airplane, Airplane". I don't know what the lyrics are however. Notice that this then makes the perfect aesthetic segue between the themes of "The Dreaming" and "Night of the Swallow", once again providing more evidence for IED's claims about mult-layered meaning, sophistication, refinement, and all that crap. |>oug P.S. Oh, yeah, also notice that the digeridoo, which connects "The Dreaming" and "Night of the Swallow" sounds a lot like an airplane engine (or something similar -- in fact, that's what I thought it was for years, until someone told me it was a digerdoo), again showing how FUCKING brilliant Kate is.
Love-Hounds-request@EDDIE.MIT.EDU (04/16/87)
Really-From: drukman%UMASS.BITNET@wiscvm.wisc.edu (Jonathan S. Drukman) I have been following the debate concerning The Dreaming's "rough edges" and the relative "smoothness" (if that is the word) of "Houdini"'s string passage. To throw in my miserable gutter spawned opinion, let me say that for some reason, "Get Out Of My House" has more impact on me than "Houdini". When I hear "Houdini", I feel myself in the medium's parlor, and I can see the pain and loss apparent in all concerned, etc... but "Get Out Of My House" paralyzes my soul with terror! Maybe it's my strange love of Kate's "trick" of singing backing vocals with her voice slightly filtered. In this case, the screams of "Get out of my house!" just blow me away. Houdini seems a bit calculated in comparison, although there's obviously genuine feeling in it too. Still, "Get Out Of My House" was placed at the very end of the album for a reason - to shock the listener, to scare him/her and to make him/her ruminate on the past ten songs... think about the themes brought up, the locales visited, etc. We've just taken a trip through Kate's mind (house) and now she wants us OUT!! Think about _that_ next time you plunk the CD in your player. --Jon