hofmann@AMSAA.ARPA (08/02/85)
From: Jim Hofmann <hofmann@AMSAA.ARPA> Moshe Eliovson writes that Robert Silberberg is the author of Guardians of the Flame while my edition says it is Joel Rosenberg. Unless I wrong, Silberberg does not write under any pseudonym. This book isn't exactly a transcription of a D&D game rather the story of 6 games players who find themselves transported to a parallel universe in which the rules of D&D are present but they have since given up gaming since death is all too real. Rosenberg holds no sacred characters and kills one off early in the book. I got this one accidently from SFBC when I failed to send in the reply form and was about to send it back when I read the blurb. Having no previous experience with the Fantasty genre (Well, LOtR, Pern, Brust and 1st volume of TC series) I looked through it to see what it was all about. Soon, I found myself reading it. At first I wasn't impressed by Rosenberg's writings (very Heinlein influenced) because the characters seemed carboard and shallow. It wasn't evident until the second story in the series that this shallowness was intended by Rosenberg and after many adventures the characters matured and deepened. Now I am on the third book, the Silver Crown, and am enjoying myself. It is not your standard fantasy novel where good journeys through the evil lands to eracidate the darkness. Rather the good guys try to wipe-out a system similiar to America before the Civil War. Enough said. As long as I'm writing, let me put my two cents into the SF-Music discussion. I read The Stand by King about 5 years ago and still remember how he wove the words from rock songs into the story. For instance, the Led Zep tune "Going to California" has a line about "There's a lady out there/plays guitar with flowers in her hair" This corresponded to the old lady who gathered the forces of good together via their dreams by playing guitar on her porch. There was also a line about someone blowing their nose in this song that corresponded to the symptons of the plaugue that destroys 95% of the population. Other songs used for imagery were: Jungleland - Springsteen ("they reach for a moment and try to make a STAND/ but they wind up wounded not even dead") Evil Woman and Peaceful Easy Feeling - Eagles (describes the bride to be of the Devilman and their mating in the desert) A couple tunes by America - (can't remember these - anybody else know?) I can see for miles - Who (describes the Devilman's ability to project his eye out and spy on the good guys) There were lots more - "Stairway to Heaven" was one although I forget the context. The use of these songs reminded of the lyrics in Lord of the Rings which were sung by the good guys as they marched into the Heart of Darkness. A lot of these songs were thinly disguised propecy and King seemed to be saying a lot of the Rock songs could be taken as propecy also. Jim Hofmann