[net.sf-lovers] Canopus in Argos - Doris Lessing

trb@cbscc.UUCP (Tom Balent) (10/09/85)

	I am looking for an opinion (or review) of the
	five book series by Doris Lessing "Canopus in
	Argos: Archieves".

	Has anyone out there read any or all of these books?
	Are they worth the time (and money)? 

	I have never read any of Ms Lessing's works, but 
	a number of reviewers seem to like her new, non-science
	fiction work. However, in the reviews that I've read
	they all make some comment to the effect that it is
	good to have her back from outer space.

	So if there is anyone who has an opinion on the series,
	please share it with me.

			t.r. balent
			ostg
			at&t-ns columbus

ehn0@bunny.UUCP (Eric Nyberg) (10/10/85)

> 
> 	I am looking for an opinion (or review) of the
> 	five book series by Doris Lessing "Canopus in
> 	Argos: Archieves".



I have started reading the series. The first book, "Shikasta," is in
my opinion an excellent book. It is difficult to characterize; although
there are many elements of fantasy and SF in the story, the main focus
is on "the decline of man" and the futility of modern politics, new/old
generations and their relationships, etc. I was definitely blown away
by the book, but I can't say whether anyone else would be for sure.

I've started the second book (I think it's called "Marriage between Zones
4 and 5"), and it is completely different from "Shikasta." It is almost
a fairy tale about a marriage between the female leader of a very peaceful,
advanced culture and the crude warrior-king of a warring race, ostensibly to
create a balance in the cosmos. That's about all I can tell you - so far I
like this one, too.

I'm not sure that Lessing's SF is the best place to start. I have also read
"Briefing for a Descent into Hell," which is one hell of a book (arrgh, bad
pun). If you like psychological/dream-like fiction, this book is for you. In
fact, there are notable similarities between the style of this book and some
of Gene Wolfe's stories. There is also the "Children of Violence" series, 
which I have started, but I'm not sure if I'll ever finish it. Set in South
Africa, the story seems to be drawn from Lessing's own experiences as a young
woman, but the protagonist seems shallow, uncertain, and downright
exasperating at times. There are five books in this series too, ending with
"The 4-Gated City," which my wife has read and claims is excellent; it takes
place in post-holocaust London. I'm not sure I can stand the next 3 books
in the series in order to get there, though.

As you can tell from my long-winded reply, I am definitely a Doris Lessing
fan (of sorts). I would be glad to discuss any of her books with you if you
decide to read them.

Regards,
Eric Nyberg

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mangoe@umcp-cs.UUCP (Charley Wingate) (10/12/85)

In article <6060@cbscc.UUCP> trb@cbscc.UUCP (Tom Balent) writes:

>	I am looking for an opinion (or review) of the
>	five book series by Doris Lessing "Canopus in
>	Argos: Archives".

>	Has anyone out there read any or all of these books?
>	Are they worth the time (and money)? 

I've read the first three (possibly the fourth, too; don't remember too
well).  Of the first three, the second is VERY different from the other two,
and of the three, is the one that most bears reading.  The first is a very
strange book.  Anyone who is the least bit familiar with the mythopoeic
fiction knows what is going to happen in the end.  Everything runs downhill
until it is all fixed in the last chapter.  What you get in the meantime is
an extended dissertation on the sins of man, culminating with a long-winded
and rather contrived (even within the character's point of view)
confrontation.  This resolves nothing; in fact, nothing resolves anything.
I can't recommend this book, I'm afraid, although it's somewhat hard to pin
a reason down as to why.  The third book is similar, talking about the same
time frame in a different region from a different point of view.  Both of
these books present a dualistic sort of competition for the earth which
reads strikingly like a way to reinvent the Judaic view of man, but without
the deity.  

  The second book, as I said earlier, is quite different.  It's sort of a
Beren-and-Luthien Men-and-Fairies sort of sort, except that there are
neither men nor fairies.  The oppressive sense of "I am telling an Important
Story" is much muted, and the cosmic forces all go away (after they set the
ball in motion.  This book is perhaps worth checking out of the library.

There are two things that the whole of this has going against it:

  Doris Lessing is basically a mainstream novelist.  Her "science fiction"
  is more mythopoeic fantasy; there's a strong kinship in that regard to the
  book _Out of the Silent Planet_.  If you didn't like that book, you will
  not like any of these books (well, *maybe* the second).

  The books are simply too self-important.  I continually through the first
  and third books had this feeling of the author having this vision of how
  she was going to change the world throught these books, the dreaded "I am
  telling an Important Story" sense.  The fact is that both the themes and
  the form of their presentation aren't new.  The first book is in
  particular marred by this sense of mission, leading to a lot of contrived
  settings and conflicts.

Charley Wingate

lat@druil.UUCP (TepperL) (10/15/85)

I tried reading the first book of the series (Shikasta?) and put
it down after the 3rd or 4th chapter.  I especially disliked
her idea of identifying characters and places with numbers, not
names: Planet number 7, agent 23.

With numbers, it's harder to remember who's who and what's where.
We Earth-people have names for everything, even our numbers: pi,
planck's constant, avogadro's number.

I agree with Charley Wingate regarding the feeling of self-importance
about it all.
-- 
Larry Tepper	    {ihnp4 | allegra}!druil!lat		+1-303-538-1759

royt@gatech.CSNET (Roy M Turner) (11/03/85)

Hullo...

I have read all (I think) of these books.  They are (despite the review I
just read in reply to your posting) quite good;  I was not put off by the 
"I am telling an important story" attitude, since 1) I didn't really feel
that it was present, and 2) she IS telling an important story.  That is 
isn't a new slant escaped me, too...I really hadn't read anything similar
to the first one, and *certainly* nothing similar to the rest, with the 
exception of _The Sentimental Agents_, which was reminiscent of Swift.

I would recommend reading them, but of course everyone has different tastes!
Try 'em, you might like them! :-)

Roy