rlr@pyuxd.UUCP (Rich Rosen) (02/26/86)
Has anyone else seen the new DX-xx series of machines? The DX-21 has been followed up by a DX-27 (which I am told is essentially the same machine without split or layer capability) and a DX-100 (which is the same as the DX-27 but with a miniature size keyboard)? With the DX-21 at $845 list, the DX-27 at $645 list, and the DX-100 at $445 list (apparently going for less than $400 and soon to be going even lower as supplies increase), it sounds like quite a deal, especially if your buying that DX-100 as a slave to be driven by some other keyboard (apparently this whole line---21, 27 and 100---have no native velocity sensitivity, but can receive velocity information [but not aftertouch] via MIDI!). Is my information correct? Anyone with further info or clarification please post to the net, as it would seem to be generally useful. (P.S. These are all FOUR operator machines as opposed to the six operator configuration of the DX-7, and are eight voice as opposed to sixteen, but apparently there are 128 internal voices in ROM, with a 32 patch performance memory for ready access. I know, a lot of "apparently"s, but I just heard about the machine on Sunday and am looking for clarification.) -- Life is complex. It has real and imaginary parts. Rich Rosen ihnp4!pyuxd!rlr
tjt@twitch.UUCP ( T.J.Thompson) (02/28/86)
> Has anyone else seen the new DX-xx series of machines? ... > ..... Anyone with further info or clarification > please post to the net, as it would seem to be generally useful. > I picked up a DX-100 for $399 about a week ago; I'll be happy to provide a few details. It does FM synthesis using 4 'operators' (in 8 algorithms), as opposed to the 7 in the DX-7. It has 192 (!) presets in ROM, 24 user-programmable entries, and a 'bank' of 96 entries which are essentially pointers to the other presets (i.e. you can use this bank to arrange the 192 presets (or your own sounds) in whatever order you like, typically for performance-oriented applications). It has MIDI in/out/thru, and responds to velocity information, although the mini-keyboard is not velocity sensitive. I tried the DX-100 with a KX-88 and it responded to the velocity. The velocity sensitivy can be assigned separately to each of the 4 operators; I'm not sure whether other DX-series keyboards have more flexibility in assigning the velocity input. A foot switch can control either sustain or portamento, and a breath controller can be used. There is no ROM/RAM cartridge, only a cassette interface. Apparently sound data for the DX-21 can be read into the DX-100. In Monophonic mode, the portamento can be set so that it only engages when you keep a key pressed down while pressing the next one. This makes for some pretty natural-sounding riffs (e.g. bass, or harmonica). As far as I can tell, the only differences between the DX-100 / DX-27 and the DX-21 is that the DX-21 has split/layering capability, and also (I think) has a built-in chorus (at least I recall seeing that in the Keyboard review). The sounds are good, ie. typical DX-type sounds. There is a feedback guitar that is outrageous. Some of the pianos are suprisingly good (for synthesized pianos). There are the typically useless but impressive sound effects, thankfully kept to a minimum. The large number (192) of presets is a VERY NICE feature, and there seems to be a high percentage of usable sounds in them. Unfortunately, only a few (2 or 3) of them are velocity sensitive, so that you may end up using the 24 user-programmable entries to make copies of the good presets, in order to modify them to be velocity sensitive. Overall, it's a good buy. Great as a MIDI slave (or 2) in a sequencer setup. ...Tim Thompson...AT&T Bell Labs/Holmdel/NJ...ihnp4!twitch!tjt...