parker@psuvax.UUCP (Bruce Parker) (05/01/84)
Yes, there more "note-perfect" concerts these days. This should not be too surprising. I don't think it has much to do with comparisons of recordings, although the reviewers in most audio journals seem to be concerned almost solely with the sound rather than the music. It seems to have more to do with some the following: (1) Greater financial security of the performers; this gives you better performers, but (2) Conductors do not wield the dictatorial control they once did. This is fine by most musicians, though it's a bit late to offer any solice to those emotionally crushed or physically abused by conductors (e.g. the fellow from the Pittsburgh under Reiner who committed suicide or the string player who had his eye accidently gauged out by Toscanini.) As a result conductors must inspire rather than cajole their orchestras. (3) The orchestra schedules have been enlarged -- more performances, fewer rehearsals. Even with conductors with sufficient inspiration, how many days a week can one go on emoting in top form before dropping like a race horse? Let's get serious, people: Musicians are people -- they are allowed to get bored and tired. Personally, there have been very few performances, either live or recorded, that I would say are unforgettable. That is life. Most conductors are not very good. Most singers are not very good. Most orchestras are not very good. Only under rare circumstances does anything wonderful take place.