[net.music.classical] absolute pitch & musicianship

baer@randvax.UUCP (05/21/84)

I am intrigued by the interest in perfect or absolute pitch.  I've always
thought that a musician's perfect pitch is comparable to a programmer's
ability to recall from memory the first 32 powers of 2: a useful ability if
you happen to have it, but given the available tools (pitch pipes &
calulators, for example), not worth the trouble of trying to develop.

	Larry Baer
	decvax!randvax!baer
	baer@rand-unix.ARPA

chenr@tilt.UUCP (Raymond Chen) (05/24/84)

>I am intrigued by the interest in perfect or absolute pitch.  I've always
>thought that a musician's perfect pitch is comparable to a programmer's
>ability to recall from memory the first 32 powers of 2: a useful ability if
>you happen to have it, but given the available tools (pitch pipes &
>calulators, for example), not worth the trouble of trying to develop.

>	Larry Baer
>	decvax!randvax!baer
>	baer@rand-unix.ARPA

Take it from me, good relative pitch can be a real pain.  Having
studied classical piano since age 5 and playing violin for 6 years,
for a long while, I had concert-A memorized, and could tell you whether
an A was off by as little as 2 hertz.  (other notes, also, to a lesser
degree)  Do you know what a *pain* it can be, having to perform on a
piano where you *know* that most of the notes you have to play are
slightly out of tune?  It's hard to concentrate on performing a piece 
when you're busy gritting your teeth trying not to scream.

Today, although I can't give you an A on demand, I can tell you if
you're not on key.  This can cause real pains when a horn player
tunes the entire band a few hertz flat.  The band was in tune,
all right, with itself.  It was a good performance for a college
band, but I almost died listening to it.  Talk about *PAIN*.

Arggghhhh.  Bad memories.  Time to go to bed and dream about
perfect fourths....
-- 

The preceding message was brought to you by --

		Ray Chen
		princeton!tilt!chenr

ron@brl-vgr.UUCP (05/29/84)

Try listening to a pop radio station that insists on running their
turntables 5% fast.  We even had one engineer at WLPL in Baltimore
who was contemplating changing the crystals in the quartz locked
SP10's to accomplish this.

Seventy minutes of music every hour!

-Ron