[net.music.classical] Question for jazz history buffs

jeffw@tekecs.UUCP (Jeff Winslow) (06/04/84)

Just how far back does jazz go? Blues? 

Ravel and Debussy were writing music with "blue" chords in them as
early as 1905-1908. Is it possible that they picked this up from
jazz precursors? Is it possible that jazz or blues musicians 
attended the Exposition Universelle in Paris in the 1880's, in which
music from all around the world was performed?

					Cheers,
					  Jeff Winslow

tac@teldata.UUCP () (06/06/84)

, (sop to the blank line eaters--consider it a religious sacrifice)

It seems much more likely that they visited the corner barbershop where
chords of all types were examined frequently.  Not having an excessive
knowledge of jazz I am not familiar with the "blue " chord, but there
are many chords sung in barbershop harmony which have a "sad" feeling
to them.

	    From the (four part) Soapbox of
	    Tom Condon     {...!uw-beaver!teltone!teldata!tac}

	    A Radical A Day Keeps The Government At Bay.
            And a song a day keeps the blues away!

rlr@pyuxn.UUCP (Rich Rosen) (06/06/84)

The Impressionists were influenced by as much as possible in the spectrum of
world musics.  Debussy was certainly exposed to jazz, but he was also
influenced by Javanese music as well.  Satie's eclecticism and avant-garde
ideas (later leading to dada) were a strong influence on Debussy also.

This whole idea of acquiring influences from a wide variety of musics was an
attempt (by Debussy especially) to counter the Wagnerian school, and (at
least in my opinion) to prove that just because Wagnerian chromatic harmonic
ideas were reaching the point of no return (where some would say there was
no more tonal music to be written), there were other tonal possibilities
outside of the Western school of music.  This, of course, was shocking and
unthinkable to musical bigots (like Saint-Saens, who called Debussy's work
"the end of music as we know it", and like those who look with disdain on
any filtering of "popular" or "folk" musics into the ivory tower in which they
feel REAL music must be written).  Something to think about...
-- 
"So, it was all a dream!" --Mr. Pither
"No, dear, this is the dream; you're still in the cell." --his mother
				Rich Rosen    pyuxn!rlr