anderson@uwvax.UUCP (David P. Anderson) (04/05/85)
My candidates for most gut-wrenching, or whatever: 1) 2nd mvt. from the Concierto de Aranjuez by Juaquin Rodrigo. Starts off with a duet of guitar and english horn. Has been adapted to other forms, including a jazz version by Miles Davis (Sketches of Spain) and, if I recall correctly, an electronic rendition by Tomita. 2) Adagio from the Concerto in D minor for 2 violins by Bach. The Master shows here that he can wrench guts with the best of them (yuck). These pieces were "our song" for two long-ago romances, and that lends a certain impact to them for me.
crandell@ut-sally.UUCP (Jim Crandell) (04/10/85)
> 1) 2nd mvt. from the Concierto de Aranjuez by Juaquin Rodrigo.
Not bad, but it can't hold a candle to ``La Maja y el Ruisen~or'' from
Granados's ``Goyescas''.
--
Jim Crandell, C. S. Dept., The University of Texas at Austin
{ihnp4,seismo,ctvax}!ut-sally!crandellpete@hao.UUCP (Pete Reppert) (04/11/85)
What about Brahms German Requiem? -- Pete Reppert HAO/NCAR PO BOX 3000 Boulder, Colorado 80307