[net.music.classical] This is a Great Record

mfs@mhuxr.UUCP (SIMON) (05/27/85)

The saying has it that a jazz musician has to die before becoming well known.
Well, albums of Thelonious Monk music have become a sort of cottage industry,
with just about every one doing one. The results are mostly good, some sublime
(Sphere), some embarrassing (Chick Cores). Now out of left field comes
the Kronos Quartet, with an album called MONK SUITE, on Orrin Keepnews'
new label, Landmark Records (distributed by Fantasy, 2600 Tenth St
Berkeley, CA 94710).

Kronos, according to the liner notes, is a "young, adventurous, San Francisco
based ensemble." They are David Harrington (1st violin), John Sherba
(2nd violin), Hank Dutt (viola) and Joan Jeanrenaud (cello.) On side
one they are augmented by Ron Carter. On two tunes on side 2, they use
a bassist and drummer.

This is great music. There is little or no improvisation, or rather
they duplicate exactly the solos on the particular version of the tune
they are interpreting. For interpretation is the key here. It is quite
obvious that these folks have thoroughly absorbed Monk's music, including
(especially) his sly sense of humor. The great joy in Monk's music,
and one of the main reasons that is played well only by those who were
closely associated with his bands, and best by the man himself, is
in the composer winking at us behind some odd, but affecting interval.
Kronos, to their great credit, took this attitude to heart. Their
readings of "Rhythm-a-ning", and "Brilliant Corners" are virtually
perfect, with viola and cello smoothly diving into the abrupt changes
at the bridge. "Misterioso" reprises the classic first recording of
1947, with its insistent minor ninth under Milt Jackson's solo.
However, they have deleted Jackson's part, concentrating on Monk's
playing. Kudos here to Harrington, who shows a beautiful tone
on the "solo." Their "Off Minor", which is linked by a lovely Ron Carter
solo with "Epistrophy" is bright and bouncy, with the two violins
entertwining like Monk and Sonny Rollins in 1955.

This is a very novel way to hear Monk, one I like more with each
listening. Yet I know nothing of these people. Who are they?
Do they have any other records? Do they tour? Have they done other
readings of jazz music? Any information is appreciated.

Marcel Simon