[net.abortion] The Silent Scream Revisted

rjw@ptsfc.UUCP (Rod Williams) (04/09/85)

The following article is reprinted from The New Republic (4/8/85):

    The abortion debate has been heavily influenced by the pro-life
    movie "The Silent Scream". Now it turns out that the film's
    evidence is flawed. "CBS Morning News" showed the sonogram last
    week to five qualified obstetricians. They all denied that a
    12-week-old fetus could feel pain, react to the intrusion of 
    the suction tube, or open its mouth to "scream." Their most
    significant point was that, when the film claims the fetus is
    starting to struggle, it is actually only showing the speeding
    up of the film. One of the doctors said: "Any of us could show
    you the same image in a fetus who is not being aborted." If the
    anti-abortion case was as clear-cut as its publicists say, they
    wouldn't have to distort the evidence to make their point.
-- 

 rod williams | pacific bell | san francisco
 -----------------------------------------------------------------------
 {ihnp4,ucbvax,cbosgd,decwrl,amd70,fortune,zehntel}!dual!ptsfa!ptsfc!rjw

pmd@cbscc.UUCP (Paul Dubuc) (04/20/85)

From Rod Williams:

>The following article is reprinted from The New Republic (4/8/85):
>
>    The abortion debate has been heavily influenced by the pro-life
>    movie "The Silent Scream". Now it turns out that the film's
>    evidence is flawed. "CBS Morning News" showed the sonogram last
>    week to five qualified obstetricians. They all denied that a
>    12-week-old fetus could feel pain, react to the intrusion of 
>    the suction tube, or open its mouth to "scream." Their most
>    significant point was that, when the film claims the fetus is
>    starting to struggle, it is actually only showing the speeding
>    up of the film. One of the doctors said: "Any of us could show
>    you the same image in a fetus who is not being aborted." If the
>    anti-abortion case was as clear-cut as its publicists say, they
>    wouldn't have to distort the evidence to make their point.
>-- 

Apparently there was a great deal of "distortion of evidence" going
on on the part of "CBS Morning News" with regard to its discussion
of "The Silent Scream".  Oh my, who *are* we to believe?

Dr. Bernard Nathanson, producer of the film, recently sent a letter
to CBS detailing his objections to their presentation of a discussion
on the film.  The letter was reprinted in the Apr. 11 NRL News.

CBS Morning News set up a debate between *two* panels to discuss the
merits of the film.  The one panel of five experts (spoken of above)
were designated as "uninvolved in the abortion controversy".  Of the
other panel, it was emphasized (at least 3 times) that they consisted
of "three experts whose names were provided to us by the anti-abortion
National Right to Life Committee"  (CBS *asked* the NRLC for the names).
The remarks of the panel of five "neutral" experts (all unrelenting critics
of the film) were aired on the prime time morning segment of the news.
Airing of the comments of the other panel was delayed until a later segment
during a time that most people were at work or on their way there.

Nathanson found a few problems with the designation of the other panel
as being neutral:

	CBS conceded that its "neutral" panel of experts
	was proposed--at least in part--by the American
	College of Obstetricians and Gynecologists.

Is the ACOG "uninvolved in the abortion controversy"?  Nathanson goes
on to point out that,

	... the ACOG has an umblemished record of abortion
	advocacy.

	It supplied pro-abortion *amicus curiae* briefs to
	the U.S. Supreme Court as far back as the *Row v.
	Wade* case in 1973, and most recently in the *Akron*
	case of 1983.  It is on record as opposing restrictions
	on fetal research.  Its president, Dr. George Ryan,
	testified against the Human Life Bill in 1981 and
	in the same year testified against the proposed
	Hatch amendment...

	I am not conversant with the details of the background
	and politics of all five members of the soi-disant
	"neutral" panel that CBS recruited for that segment.
	However, one member--Dr. Richard Berkowitz--is an
	old acquaintance, indeed a former employee.  Dr.
	Berkowitz worked under my direction at CRASH (Center
	for Reproductive and Sexual Health, at the time the
	largest abortion clinic in the world) for a number
	of months, moonlighting at that facility while
	participating in a residency program in obstetrics
	and gynecology at a major teaching hospital in New
	York City.

Not involved in the abortion controversy?  The remainder of the
letter reveals more of Nathanson's insights as to the lengths that
some will go to discredit the film.

	I note with some amusement that the national Planned
	Parenthood organization has assembled six more
	presumably equally "neutral" experts to make a rebuttal
	film countering "The Silent Scream".  Prominent on
	the list are the names of two more Nathanson alumni:
	one Dr. William Rashbaum who was already diligently at
	work in the abortion mines of CRASH when I took over
	as director, and one Dr. Ming-Ning Yeh whom I myself
	recruited and who labored for me conscientiously for
	more than a year.

	Might I suggest that in the future that CBS and other
	conscription agencies ask their "neutral" experts to
	sign a disclosure statement to the effect that they are
	not now nor have they ever been Nathanson alumni?  Too
	embarrassing, really.

	In the segment in question there was a dismaying amount
	of purposless athetoid niggling about the size of the
	unborn on the television screen, the speed of the tape
	and a few other equally monumental pendantries.  Any
	school child can tell you that if an image is captured
	on a four inch screen (the size of the realtime ultra-
	sound imaging device we used), then transferred to a 
	twenty-one inch television box, the image will appear
	five times larger than it actually is--no deceit intended.
	...

	As for the apparent speeding up of the tape following the
	thirty second clip in slow motion (slowed only to allow a
	more careful study of the child's readtions at that point
	in the procedure) was I required to continue the remainder of
	the tape in slow motion merely to stave off the fatuous
	accusation that I was somehow rigging the play?

	CBS correctly informed its viewers that I was out of the
	country when this show was aired (had they waited until
	I returned, I could have responded to these carpings face-
	to-face).  But in a deeply disappoing exhibition of
	journalistic irresponsibility CBS read only a carefully
	selected portion of the written statement I had prepared
	before I left.

	In a curious way I can understand (but not forgive) this
	brazen act of censorship.  To have read my full statement
	would have cowed their "neutral" experts into submissive
	silence and the show would have perished of its own weight.
	The deleted portion of the statement contained an affidavit
	provided by Dr. Ian Donald, former Regius Professor of 
	Obstetrics at the University of Glasgow, inventor of
	ultrasound, and, indisputibly the world's leading authority
	on its use and interpretation.  In a sworn statement dated
	February 23, 1985 Dr. Donald declared:

		I the undersigned Ian Donald ... having had
		experience in the development and exploitation
		of diagnostic ultrasound from 1955 onwards until
		1981, the last four years of which were much taken 
		up with filming fetal activity at various stages
		of pregnancy ... have now studied Dr. Nathanson's
		videotape film not less than four times and affirm
		that I am of the opinion that the fetal activities
		depicted by the ultrasound realtime scanning in
		this film are not faked, nor the result of artifact,
		intentional or otherwise.

	After discarding the political banalities, after the ideologic
	baggage, after picking one's way thorugh all the scientific 
	dithering and waffing ... there are only four short questions
	of quintessential interest here:

	Is this a realtime ultrasound film?

	Is this a human unborn child on the screen?

	Is this a realtime ultrasound record of an abortion of a human
	unborn child?

	At the conclusion of the film, as the life of the child been
	obliterated, the body having been torn from the head and the
	head crushed and removed in pieces?

	Even our "neutral" experts will agree--albeit grudgingly--that
	the collective answer to these questions is "yes".  One final
	question is in order:  Is the brutal act depicted in this film--
	the deliberate unappealable destruction of a tiny defensless
	human being--compatible with the declared moral certitudes of
	a civilized society?
	...

In an editorial in the March 14 issue of NRL News, Dave Andrusko detailed
the NRLC's objections to the CBS presentation.  An excerpt:

	Not only were the critics given nearly twice as much air time as
	supporters (eleven vs. six minutes), CBS also insisted that the
	defenders all had to be in CBS' New York studios bright and early
	Monday morning [Mar. 4, the day of the newscast]; i.e. they could
	not go to their local CBS affiliates.  [The previous paragraph pointed
	out that the remarks of the film's opponents were taped beforhand.
	-pmd] This meant that they had to fly to New York Sunday night.
	As it happens, in exchange for the hassle, NRLC was promised that
	proponents would receive at least twice as much air time as the
	critics.  In fact, as noted, they barely got half.  In addition,
	the film clip featuring opponents of "The Silent Scream" aired between
	8 and 8:30 am EST; the (live) comments of the supporters between
	8:30 and 9 am. ... As any involved in morning television can tell you,
	the 8 - 8:30 morning news slot is the best watched.  After 8:30
	(which is 7:30 Central Standard Time), many viewers are on their
	way to work and the numbers watching drop sharply. ...

	There was more than enough time to run the panels back-to-back in
	the first half hour, especially when one sees how little time
	was devoted to those who found "The Silent Scream" accurate.
	Why weren't they run sequentially?  Moreover, why did [Bill] Kurtis
	[the program host] read a news story at the 8:30 newsbreak,
	summarizing the critics remarks as follows:  "The accuracy of the
	controversial anti-abortion film, *The Silent Scream*, is being
	challenged.  A panel of experts on fetal development say that the
	ultrasound used in the film does not show a fetus in pain duing an
	abortion as the film makers claim.  The panel, assembled by CBS
	Morning News, also says the film was magnified and speeded up in
	a misleading way."  If they were going to do an 8:30 news item,
	all the more reason to have had *both* panels make their case in
	the first half hour and summarize *both* their remarks.  In fact,
	NRLC had been assured that the panels *would* run next to each
	other.  But, so what?  We were also told proponents would be given
	not just equal time but double time to rebut the butters.  (For
	that matter, CBS *never* explicitly said that the opinions of
	the second panel would challenge those of the first panel!)

Maybe we could get someone from CBS out here to clear up this
misunderstanding (before Jesse Helms does :-) )?
-- 

Paul Dubuc 	cbscc!pmd

mag@whuxlm.UUCP (Gray Michael A) (04/21/85)

Why does Nathanson spend all his time on trying to prove that the
panel attacking his film is biased and that CBS denied him promised
minutes on the air?  His comments in the lengthy article posted by
Paul Dubuc do not meaningfully address the assertions of the
original criticism - what would he have done with the extra time?
When I read about his objections to the criticism and see that he spends
125+ lines bitching about TV time and a few lines weakly trying to
rebut SOME of the assertions, I begin to suspect that his ideas
lack substance. For example:
> 
> Nathanson found a few problems with the designation of the other panel
> as being neutral:
> 
> 	CBS conceded that its "neutral" panel of experts
> 	was proposed--at least in part--by the American
> 	College of Obstetricians and Gynecologists.
> 
> Is the ACOG "uninvolved in the abortion controversy"?  Nathanson goes
> on to point out that,
> 
> 	... the ACOG has an umblemished record of abortion
> 	advocacy.
> 
Come on!! NOBODY in this controversy is neutral.  I believe that Nathanson
himself (whose film it was) is known for pro-life activities! ( :-) ).
Anyway, claiming that the news media is biased is irrelevant.  Why not
just rebut the criticism of the panel?
> 
> 	In the segment in question there was a dismaying amount
> 	of purposless athetoid niggling about the size of the
> 	unborn on the television screen, the speed of the tape
> 	and a few other equally monumental pendantries.
>
That's right - don't rebut the criticism - just show contempt
for the criticizers!  A few people will think that this amounts to
persuasive argument.
>
>	Any
> 	school child can tell you that if an image is captured
> 	on a four inch screen (the size of the realtime ultra-
> 	sound imaging device we used), then transferred to a 
> 	twenty-one inch television box, the image will appear
> 	five times larger than it actually is--no deceit intended.
> 	...
More pointless efforts to discredit the criticism with contempt.
The phase "Any school child can tell you. . ." is highly suspect.
Maybe SOME school children could, but they'd be really bright if
they realized that the fetus in question was a couple of inches long
if they had no reference.  Generally, researchers indicate the
true size of an observed object by inserting a ruler in the frame
or some such device.  Since so many people though it was larger,
will Nathanson now insert a line in the narrative like "Now, we
see the fetus, no larger than a walnut. . ." ?
> >    [a] significant point was that, when the film claims the fetus is
> >    starting to struggle, it is actually only showing the speeding
> >    up of the film. One of the doctors said: "Any of us could show
> >    you the same image in a fetus who is not being aborted."
> 
> 	As for the apparent speeding up of the tape following the
> 	thirty second clip in slow motion (slowed only to allow a
> 	more careful study of the child's readtions at that point
> 	in the procedure) was I required to continue the remainder of
> 	the tape in slow motion merely to stave off the fatuous
> 	accusation that I was somehow rigging the play?
> 
The weasel-wording in the above paragraph is truly breath-taking!
Nathanson uses the phrase "apparent speeding up" and suggests thereby
that it was NOT speeded up.  Later on in the same sentence, he admits
that he went from slow motion to normal speed.  That's what speeding
up MEANS! Review:  Opponents accuse the film of being sped up.
Nathanson replies by saying, yes, it was sped up, and acts as if this
statement is a rebuttal!  As regards the doctor's claim that any one
of them could show the same image in a fetus that was not being
aborted,  Nathanson is silent.  Why doesn't he rebut that?  It's
a very significant point.
>
> 	To have read my full statement
> 	would have cowed their "neutral" experts into submissive
> 	silence and the show would have perished of its own weight.
> 	The deleted portion of the statement contained an affidavit
> 	provided by Dr. Ian Donald, former Regius Professor of 
> 	Obstetrics at the University of Glasgow, inventor of
> 	ultrasound, and, indisputibly the world's leading authority
> 	on its use and interpretation.  In a sworn statement dated
> 	February 23, 1985 Dr. Donald declared:
> 
> 		I the undersigned Ian Donald ... having had
> 		experience in the development and exploitation
> 		of diagnostic ultrasound from 1955 onwards until
> 		1981, the last four years of which were much taken 
> 		up with filming fetal activity at various stages
> 		of pregnancy ... have now studied Dr. Nathanson's
> 		videotape film not less than four times and affirm
> 		that I am of the opinion that the fetal activities
> 		depicted by the ultrasound realtime scanning in
> 		this film are not faked, nor the result of artifact,
> 		intentional or otherwise.
> 
I don't think anyone is denying that the film depicts an abortion and
that the fetal activities are real.  This is just another straw man.

> 	After discarding the political banalities, after the ideologic
> 	baggage, after picking one's way thorugh all the scientific 
> 	dithering and waffing ... there are only four short questions
> 	of quintessential interest here:
> 
> 	Is this a realtime ultrasound film?
> 
No, not quite, since he already admitted to slow motion, but close enough,
probably.

> 	Is this a human unborn child on the screen?
> 
Sure.
> 	Is this a realtime ultrasound record of an abortion of a human
> 	unborn child?
> 
Let's assume it is, just so we can keep going.

> 	At the conclusion of the film, as the life of the child been
> 	obliterated, the body having been torn from the head and the
> 	head crushed and removed in pieces?
> 
This isn't a question.  Come to think of it, it's not even a grammatical
sentence.  But it seems to say that the abortion was unpleasant to watch.
OK - probably was.  So are lots of medical procedures.

> 	Even our "neutral" experts will agree--albeit grudgingly--that
> 	the collective answer to these questions is "yes".  

Of course they will - nobody was arguing about that!  And it's not
a "grudging" admission either!

>	One final
> 	question is in order:  Is the brutal act depicted in this film--
> 	the deliberate unappealable destruction of a tiny defensless
> 	human being--compatible with the declared moral certitudes of
> 	a civilized society?
> 	...
WHAT "declared moral certitudes?"  I've lived in society a few years and
heard that there is disagreement on what the "moral certitudes" are!
To mimic the style of Nathanson in my response: YES, my moral certitudes
allow women control over their own bodies.  YES, it is compatible.
Are the BRUTAL laws being proposed by Nathanson, denying a TINY,
DEFENSELESS, woman control over her body and threatening her with JAIL
compatible with the moral certitudes of a civilized society?

Mike Gray

pmd@cbscc.UUCP (Paul Dubuc) (04/22/85)

From Mike Gray

}Why does Nathanson spend all his time on trying to prove that the
}panel attacking his film is biased and that CBS denied him promised
}minutes on the air?  His comments in the lengthy article posted by
}Paul Dubuc do not meaningfully address the assertions of the
}original criticism - what would he have done with the extra time?

I think Nathanson's comments are meaningful.  Don't you think it's
fair to complain about outright dishonesty and deception (not just
bias) done by the media?  If you have read the whole article I think
you would have to agree that if Nathanson's and Andrusko's charges
are true, then CBS is guilty of this.  Would you think you had no
cause to complain if CBS had treated the pro-choice side of the argument
that way?

}> Nathanson found a few problems with the designation of the other panel
}> as being neutral:
}> 
}> 	CBS conceded that its "neutral" panel of experts
}> 	was proposed--at least in part--by the American
}> 	College of Obstetricians and Gynecologists.
}> 
}> Is the ACOG "uninvolved in the abortion controversy"?  Nathanson goes
}> on to point out that,
}> 
}> 	... the ACOG has an umblemished record of abortion
}> 	advocacy.
}> 
}Come on!! NOBODY in this controversy is neutral.  I believe that Nathanson
}himself (whose film it was) is known for pro-life activities! ( :-) ).
}Anyway, claiming that the news media is biased is irrelevant.  Why not
}just rebut the criticism of the panel?

Come on and read the article again.  The point is that CBS deceptively
presented the panal as neutral, "uninvolved in the abortion controversy".
I doubt Nathanson would have had a complaint if the biases of the panel
were revealed.

}> 	In the segment in question there was a dismaying amount
}> 	of purposless athetoid niggling about the size of the
}> 	unborn on the television screen, the speed of the tape
}> 	and a few other equally monumental pendantries.
}>
}That's right - don't rebut the criticism - just show contempt
}for the criticizers!  A few people will think that this amounts to
}persuasive argument.

Nathanson has rebutted the criticism.  I posted some of that a
month ago.  I also think you miss the point in your critique of
his rebuttles here:

}>	Any
}> 	school child can tell you that if an image is captured
}> 	on a four inch screen (the size of the realtime ultra-
}> 	sound imaging device we used), then transferred to a 
}> 	twenty-one inch television box, the image will appear
}> 	five times larger than it actually is--no deceit intended.
}> 	...
}More pointless efforts to discredit the criticism with contempt.
}The phase "Any school child can tell you. . ." is highly suspect.
}Maybe SOME school children could, but they'd be really bright if
}they realized that the fetus in question was a couple of inches long
}if they had no reference.  Generally, researchers indicate the
}true size of an observed object by inserting a ruler in the frame
}or some such device.  Since so many people though it was larger,
}will Nathanson now insert a line in the narrative like "Now, we
}see the fetus, no larger than a walnut. . ." ?

Maybe he should insert the phrase.  But so what if it is acually no
larger than a walnut?  What difference does that make with regard
to the morality of the act?  The point of the film is to study the
fetus in detail during an abortion.  Magnification  is necessary
to achieve this.  The fact that the fetus is actually smaller than
it show on the screen has little bearing on what is actually going
on.

}> >    [a] significant point was that, when the film claims the fetus is
}> >    starting to struggle, it is actually only showing the speeding
}> >    up of the film. One of the doctors said: "Any of us could show
}> >    you the same image in a fetus who is not being aborted."
}> 
}> 	As for the apparent speeding up of the tape following the
}> 	thirty second clip in slow motion (slowed only to allow a
}> 	more careful study of the child's reactions at that point
}> 	in the procedure) was I required to continue the remainder of
}> 	the tape in slow motion merely to stave off the fatuous
}> 	accusation that I was somehow rigging the play?
}> 
}The weasel-wording in the above paragraph is truly breath-taking!
}Nathanson uses the phrase "apparent speeding up" and suggests thereby
}that it was NOT speeded up.  Later on in the same sentence, he admits
}that he went from slow motion to normal speed.  That's what speeding
}up MEANS! Review:  Opponents accuse the film of being sped up.
}Nathanson replies by saying, yes, it was sped up, and acts as if this
}statement is a rebuttal!  As regards the doctor's claim that any one
}of them could show the same image in a fetus that was not being
}aborted,  Nathanson is silent.  Why doesn't he rebut that?  It's
}a very significant point.

Here you're missing the point, which is that the film was never run
at faster than normal speed.  The film's critics suggested that it
was.

}> 	To have read my full statement
}> 	would have cowed their "neutral" experts into submissive
}> 	silence and the show would have perished of its own weight.
}> 	The deleted portion of the statement contained an affidavit
}> 	provided by Dr. Ian Donald, former Regius Professor of 
}> 	Obstetrics at the University of Glasgow, inventor of
}> 	ultrasound, and, indisputibly the world's leading authority
}> 	on its use and interpretation.  In a sworn statement dated
}> 	February 23, 1985 Dr. Donald declared:
}> 
}> 		I the undersigned Ian Donald ... having had
}> 		experience in the development and exploitation
}> 		of diagnostic ultrasound from 1955 onwards until
}> 		1981, the last four years of which were much taken 
}> 		up with filming fetal activity at various stages
}> 		of pregnancy ... have now studied Dr. Nathanson's
}> 		videotape film not less than four times and affirm
}> 		that I am of the opinion that the fetal activities
}> 		depicted by the ultrasound realtime scanning in
}> 		this film are not faked, nor the result of artifact,
}> 		intentional or otherwise.
}> 
}I don't think anyone is denying that the film depicts an abortion and
}that the fetal activities are real.  This is just another straw man.

They were charging the film as being deceptive and rigged.  That is
the point being refuted here.

}> 	At the conclusion of the film, as the life of the child been
}> 	obliterated, the body having been torn from the head and the
}> 	head crushed and removed in pieces?
}> 
}This isn't a question.  Come to think of it, it's not even a grammatical
}sentence.

Sorry.  The gramatical mistake was mine--the result of a typo.  The "as"
in the first sentence should be "has".

}But it seems to say that the abortion was unpleasant to watch.
}OK - probably was.  So are lots of medical procedures.

Medical procedures that "obliterate" a human life?

}>	One final
}> 	question is in order:  Is the brutal act depicted in this film--
}> 	the deliberate unappealable destruction of a tiny defensless
}> 	human being--compatible with the declared moral certitudes of
}> 	a civilized society?
}> 	...
}WHAT "declared moral certitudes?"  I've lived in society a few years and
}heard that there is disagreement on what the "moral certitudes" are!

How about the moral certitudes in our Declaration of Independance and
the Constitution?

}To mimic the style of Nathanson in my response: YES, my moral certitudes
}allow women control over their own bodies.  YES, it is compatible.
}Are the BRUTAL laws being proposed by Nathanson, denying a TINY,
}DEFENSELESS, woman control over her body and threatening her with JAIL
}compatible with the moral certitudes of a civilized society?

A person's control over his/her own body is generally limited so as not
to conflict with another's rights.  You aren't arguing for unlimited
control are you?
-- 

Paul Dubuc 	cbscc!pmd