[fa.laser-lovers] public domain stroke fonts

laser-lovers@uw-beaver (04/08/85)

From: Bob Brown <rlb@RIACS.ARPA>

This may not be topical for this group, but a laser printer is involved
and here is where font knowledge is concentrated on the net.

I'm looking for information on public domain stroke font files, that
is, characters defined solely by the use of line segments, circular
arcs, and, perhaps, splines, all using a constant pen width.

There are several plot packages around Ames (plot10, displa, etc) that
all have about the same character set (serif, sans serif, gothic)
leading me to believe they all come from the same source.

Does anyone know what this source is, how I can get in touch with it,
or if the font definitions in any of these common plot packages lies in
the public domain?

Thanks, I don't read this list any more, so make sure replies come
directly to me.

Bob Brown
RIACS/NASA Ames
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laser-lovers@uw-beaver (04/08/85)

From: Brian Reid <reid@Glacier>

Without seeing your fonts I couldn't say for sure, but almost all of
the current public domain fonts, both stroke and raster, come from the
Hershey Occidental Character Set, created by Allen V. Hershey. His
system and his fonts are written up in the journal @i[Computer Graphics
and Image Processing], Volume 1, 1972, pages 373-385.

There are also some fonts that are more or less in the public domain (I
am not sure of their legal status) that are often called the Berkeley
VFonts. These fonts came originally from the XGP printers at CMU,
Stanford, and MIT, and the fonts for them were in general created by
optical scanning of font catalogs at the low resolution of the XGP's.
Perhaps the best source of information about these fonts is the
Stanford AI Lab Operating Note 74, @i[Find a Font] by Les Earnest,
dated May, 1976. You will find almost all of the fonts from the
Berkeley distribution listed in this publication. I have no idea if it
is still available, but all of the fonts are still online at SAIL and
probably somewhere at CMU.

laser-lovers@uw-beaver (04/09/85)

From: John W. Peterson <JW-Peterson@UTAH-20.ARPA>

I think the collection you're thinking of is the "Hershy Fonts".  Unfortunatly,
I don't know the source, but they are in the public domain.  (An office mate
"thinks they came from CMU...")

Another source for that kind of font information is the MetaFont package,
done by the TeX people at Stanford.
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laser-lovers@uw-beaver (04/09/85)

From: KRAMER <billk%udel-cc-vax2.delaware@UDEL-LOUIE.ARPA>

The stroke fonts used by most software packages, DISSPLA, DI-3000, TEMPLATE
and others (I am not sure about Plot-10 but I think they are the same) are
generally called Hershey fonts, after A.V. Hershey.  He digitized a number
of character sets, in Simplex (one line), Duplex (2 lines) and Triplex
(3 lines, naturally).  Included are Roman, Greek, Script, Futura, Mathematical,
Musical, Gothic (English, Italian and German) and special fonts.  In addition,
Japanese Hiragana, Katakana and Kanji were digitized.  The digitzation was
done on a grid of up to 1024 by 1024.  Hershey wrote a report entitled
"Calligraphy for Computers" while at the US Naval Weapons Laboratory - No.
2101  and dated 1 Aug 1967.  In it he gives a discussion of character
creation and presentation, which is mostly concerned with CRTs of the day, and
some plotters.  He also includes the hardcopy of the fonts, and explanation
of their codes.
 
The fonts are generally stored as X,Y pairs of endpoints of relative vectors.
Negative displacments are expressed as 9's complement.  Special code values
indicate pen up and move commands, repeat this displacement or end of the
character.  The origin of the character is in the center of the character
space.  The fonts are not adjusted for size.
 
Most of the commerical systems started with the Hershey fonts, and adapted the
when needed.  For example, they us the Duplex to define the boundry for 
area filled fonts.  They may also store the relative vectors in a different
manner.  There have also been other fonts added to the set over the years
and I believe there are not 64 Hershey fonts.  The report and a tape with 
the data was available from the National Technical Information Center, but I
do not seem to have the order number or address handy.