[net.comics] I'm Just FILLIN' IN THE GAPS

yoshida@hpfcla.UUCP (12/30/85)

     "And what is good, Phaedrus,
      And what is not good --
      Need we ask anyone to tell us these things?"

                                  -- Robert M. Pirsig

***************************************************************************
*A = A Classic.  Definitely not to be missed.                             *
*B = Noteworthy.  Lots of good parts, but it just misses hitting the mark.*
*C = Good effort, but on the whole average.  Take it or leave it.         *
*D = Below Average.  Not worth buying, but at least it's in four colors.  *
*F = Trash.  Use this one to line your bird cage bottom.                  *
***************************************************************************

  As they say, "Bring in the  Clones."  Following  in the  tradition  of
  Moriarty and  Jayembee,  here's  another  article  chock full of comic
  reviews.  My  intention  is to "Fill in the  Gaps," so to speak.  I've
  attempted to review  titles which have not been talked about much just
  due to the fact that  there are such a vast  number of mags  which are
  published nowadays.  And so with that little  introduction,  let's get
  on with FILLIN' IN THE GAPS:

  Reviewed in this article:
  
  ECHO OF FUTUREPAST #6         SIX FROM SIRIUS 2 #1,2
  BATMAN #393,394               SHATTER #2
  SUNRUNNERS #6


  ECHO OF FUTUREPAST #6  [ B ]  Various writers and artists (Continuity)

  The series which makes this whole book  worthwhile is "Bucky  O'Hare."
  This  creation  of Larry  Hama and  Micheal  Golden is a real gem.  It
  reminds me a lot of the classic Bugs Bunny shows.  Excellent art and a
  truly enjoyable story.  Touching and funny, never scraping for laughs.
  I hope Continuity  brings this series back, as this was the end of the
  series' run in "Echo."

  The other  stories in this  anthology  are  adequate.  "AE-35" is your
  typical "high-tech" futuristic story with shades of alien invasion and
  international  intrigue.  "Torpedo" is also a modest  success, as Alex
  Toth does a surprisingly  good job at giving life to a gangster story.
  "Virus"  I could do  without,  and  "Tippy-Toe  Jones"  is  down-right
  offensive.  "TTJ"  is too  Avant-garde  for me,  folks.  Maybe  I just
  don't  know how to  appreciate  it for what it is,  whatever  that may
  be...


  BATMAN #393,394  [ C++ ]  Story:  Doug Moench, Art:  Paul Gulacy (DC)

  Having largely  ignored this title for quite sometime, I was attracted
  to buy it on the basis of having  Moench  and Gulacy  teamed up again.
  The main  villian in the story, the Dark  Rider,  could have come from
  almost any of Robert Ludlum's  spy/thriller  books, or maybe even that
  psychotic killer from "Sharkey's  Machine."  In any case, Gulacy's art
  is good.  Although  I'm still  partial to The Batman  which Neal Adams
  drew,  the  Darknight  Detective  is given a  mysterious  look  that's
  refreshing.

  Moench's  story is solid, if not  predictable.  He intermixes a lot of
  current   events:   The   Summit   talks,   nuclear   blackmail,   and
  international terrorists.  The relationship between The Batman and the
  Soviet KGB agent,  Katia, is somewhat  contrived.  You KNOW that she's
  going to end up  respecting  him in the end.  Ahh, well,  'twas a nice
  story nonetheless.


  SUNRUNNERS #6  [ D+ ]  Story: Roger McKenzie, Art: Glenn  Johnson  and
						     Jim Sinclair
                         (Eclipse)

  This one's a bad space opera, and the art (which used to be its saving
  grace when Pat  Broderick  had the chores) is even worse.  In previous
  issues, it used to seem that the story was going somewhere.  Recently,
  though,  things  have  stalled.  This  could  be due to the fact  that
  Broderick,  one  of  the  co-creators,  left  the  title  for  greener
  pastures.  The  transistion  may not have been as  smooth as was hoped
  for, as this issue was delayed several months.

  McKenzie  needs to add new  elements to the story, or resolve the ones
  already  in  progress.  So  far  he's  just  baiting  us by  rehashing
  situations that the characters have been in for the past 3 issues.  If
  this  doesn't  improve,  I'm  jumping  boat  as  soon  as the  present
  storyline ends.


  SIX FROM SIRIUS 2 #1,2  [ B- ]  Story:  Doug Moench, Art:  Paul Gulacy
                                  (Epic)

  Marvel  knows  a  good thing when  they see  it.  The  success  of the
  original  "Six" story prompted this worthy  sequel.  The art is great!
  Gulacy uses pastel pencils,  pen-and-ink,  and  who-knows-whatelse  to
  give panels that could be paintings  that you could hang on your wall.
  Maybe that's a bit of exaggeration, but I like it.

  And here's a space soap opera that's worth  something.  Roger McKenzie
  should  take note.  I get the feeling of the early Star Trek TV series
  as I read this book.  Not bad, and it's got me anxiously  awaiting for
  the next two issues.  Nothing  earthshaking  here, but definitely good
  stuff.


  SHATTER #2  [ C- ]  Art and Story:  Mike Saenz (First)

  Someday...

  Someday    "computer-generated"   comics    will    be    commonplace.
  Someday...However,  this  effort by Mike Saenz is a taste of what's to
  come.  Enjoyable,   but  a   bit   crude.  The   book   really   needs
  high-resolution  graphics.  The Laserwriter from Apple has helped, but
  there's still LOTS of room for improvement.

  The  story   also   seems  to  suffer   from  the   emphasis   on  the
  "computer-generated"  aspect.  If  Saenz  could  bring  in more of the
  tension and emotions from "Bladerunner," which it obviously takes some
  of its inspiration  from, it would do much better.  However, I'm going
  to give this book a chance because I see improvement from the "Shatter
  Special  #1,"  through  its run as a back-up  in "Jon  Sable,"  to the
  present  book-length  feature.  There's a lot of potential  for making
  this a landmark series.  One can only hope.

  Until next time, I'll see you on the Net!

  Stuart Yoshida

  "Many miles away there's a shadow on the door
   Of a cottage on the shore of a dark Scottish Lake."

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