bals@nutmeg.DEC (Once, accident. Twice, coincidence. Three times is enemy action.) (02/11/86)
*************************************************** THUMB IN THE DIKE REVIEWS GRADINGS: A B C D F Mean, generally what you'd expect them to mean. *************************************************** "Everybody thinks that just because you can *read,* you can be a professional writer." -- Denton, from `MAZING MAN. Reviewed this time around: DAKOTA NORTH #1 NEW TEEN TITANS #20 MIRACLEMAN #5 DAREDEVIL #231 DAKOTA NORTH #1 (MARVEL) D- : My continuing quest to find the perfect detective comic led me to pick up DAKOTA NORTH #1 during the latest run to the "Back Issue." I'm still looking. There's just so many synomyns for the word bad -- such as inept, ineffectual, boring, and so on. All fit DAKOTA NORTH. The book basically deals with a female detective-type (Dakota North, of course), leather-clad, bike-riding, and extremely tough. We know she's extremely tough because she target practices while talking on the telephone. We know she's extremely tough `cause she crashes her motorcycle through a store-front window while in hot pursuit. We know she's extremely tough `cause she judo flips her snotty little brother. Scripter Martha Thomases pulls out every hard-boiled female detective cliche ever done and somehow fits them into DAKOTA NORTH, whether they're appropriate or not. And speaking of cliches, I found particuarly annoying the near-homophobic attitude Thomases' display when characterizing a male New York dress designer. Of course, any man that designs dresses *has* to be effeminate, right? Bad. bad. I felt like washing my hands after reading this. NEW (ORIGINAL) TEEN TITANS #20 (DC) B+ I turn to more pleasant things. I'm not a big follower of TEEN TITANS, and basically picked this up since the "new" Flash appears in it. Interesting things happening here, though. Most of the "old" TT's are in a state of post-CRISIS funk -- Kid Flash/Flash determined to honor his predecessor, even at the cost of giving up his own identity, Aqualad mourning Tula, Hawk near-insane because of the loss of his brother. Speedy has his own problems too, but mentioning them would give away too much. Good characterizations of Wonder Girl as she tries to pull together yet another Titans team, and wonders whether it's all worthwhile, and especially of Jason Todd/Robin. A good read, and I'll be picking up more. Extraneous thought that occurred to me while reading this; why doesn't DC make Wonder Girl the "new" Wonder Woman instead of going through all this nonsense of creating still another Wonder Woman? I find the Wonder Girl character *much* more interesting than any of the past WW's. And isn't about time we stopped calling her, "girl"? MIRACLEMAN #5 (ECLIPSE) B+ Well, it finally had to happen, an issue of MIRACLEMAN I didn't think was absolutely great. Mostly a plot expander here, folks, as we learn the history of Dr. Emil Gargunza, and more about the "Vistor" and the *real* origins of Miracleman. So, much explication, but little real action. Moore seemed to feel that he had to give Gargunza the same depth of character he gave to Miracleman, which was O.K., by me, but the parts about the Visitor and the Miracleman origins seemed fairly redundant. On the other hand, Liz didn't know any of that, so Moore had to find someway to feed her the information. The "Miracleman family" episode *is* very good (an "A" to that alone), and seems to explain the burning question; how *does* MM repair his costume, anyway? #6 should be especially interesting, as it winds up the WARRIOR reprints, and will begin to delve into new, uncharted territory. BTW, MIRACLEMAN's price has increased to 95 cents. DAREDEVIL #231 (MARVEL) A+ Well, why not A+? I have now reread this issue five times, and find more to it each time. This is as close to the gritty, hard-boiled, style that I want from my detective comics as I'm likely to find. Simply beautiful. Writing completely integrated with art. In fact, I've decided to buy another copy of this and hang the full-page spread on my wall. Characters completely differentiated. Completely real. Everything you could want a comic book to be. I gush. Fred Bals (DEC - Merrimack, NH)