[net.music] Cassette Culture II: Surveying the Field

gtaylor@lasspvax.UUCP (Greg Taylor) (03/08/85)

Welcome to the second half of our guided  tour  of  cassette
culture. This time out, I'd like to talk a little about _w_h_a_t
_s_o_r_t _o_f _s_t_u_f_f is out there. There's a good reason for decid-
ing to do that: it's much more likely you can find something
on cassette that interests you but  seems  "only  marginally
commercial".  There  is a much greater wealth of spoken word
material, storytelling,  audio  collage/text  work,  and  so
forth  in  cassette because it is easier for the producer to
make it available that way.

Alvin Toffler coined a handy term to describe people who are
seriously   into   alternative   distribution   networking--
prosumers. The prosumer is, in many cases, actively involved
in either making the same sort of work that they consume--or
involved in making it known. In the passive  everyday  world
of  consumer  culture,  that  is precisely the sort of sales
people  we  appreciate.  It  is  also  the  sort  of  shared
enthusiasm  that makes the experience of art such a delight.
So, prosumers out there, here is a general outline  of  what
cassette culture offers:

_T_h_e  _C_o_l_l_e_c_t_i_o_n:  Typically,  a  group  of  people  will  go
together  in  a co-operative of some sort and produce a col-
lection of individual works that the individuals  themselves
can't  (or  produce  a  cassette that allows you to sample a
wide variety of work in the threat-free environment  of  the
c-90  shopping  spree). The motives for this vary widely. In
some cases, a publication  will  organize  a  representative
sampling  of work. The British Nusic Mag New Musical Express
does this about twice or three times per year, and offers  a
pack  of  old R&B or Jazz standards along with a tape of the
xt  big  thing"  for  about  3  bucks.   In   America,   The
Skateboarder/Hardcore  magazine  Thrasher  has  just  such a
hardcore extravaganza out that will give you windburn  in  a
stationary  position.   Often,  a group of recording artists
will simply go together and put out a sampler:  Trance  Port
tapes out of Lost Angeles has produced several "live perfor-
mance" and compilation tapes of work centered  around  their
peculiar  form  of  Postmodern Ambient stuff. 

_T_h_e _P_e_r_i_o_d_i_c_a_l; Journalism comes to the cassette world. SOme
of  this  stuff  is  the rough equivalent of those novels on
cassettes that grownups listen  to  on  their  tape  players
while  driving to work. On the whole, their approach is usu-
ally either the standard  magazine/interview/review  format,
or  something  a  bit  artier.  The novice might want to try
Tellus, a snazzy audio magazine covering a  whole  range  of
things  from performance work to new music composers. Garage
band freaks will probably love Bang Zoom, a sort  of  "Musi-
cian"  magazine approach to the garage culture. Those of you
whose tastes run to the  more  Industrial/throbbing  Gristle
school  of "Industrial Electronics" might be advised to look
for copies of On-Slaught, a  magazine/cassette  that  issues
from the heart of darkest Leftcoast.
I'd like to add a personal push  for  the  next  two  little
numbers.  Both  of  them  encapsulate  what is most pleasant
about the periodical form--that balance between surprise and
the well crafted object.

TRA comes out of Japan about twice or three  times  a  year.
Unless  your  grasp  of Kanji is great, you'll have a little
trouble reading the adds, but the music and  packaging  more
than  makes  up  for that limitation. Each issue is a little
different in style and content,  and  packaged  differently,
too. TRA 2 comes as a collection of comics, and a tape which
is really a tiger in a little box which is a cage which also
has the comics.... well, you get the idea.The third issue is
an art catalog, and the fifth  one  is  a  special  "German"
issue.  You  haven't  heard  anything  until  you've heard a
Japanese band doing Joy Division clone music, sung  in  Ger-
man.  It's  brilliant,  odd  stuff.  Cultivate  a  couple of
Japanese speakers, and you can even figure out the magazine!

Touch is a slightly more restrained, British version of TRA,
without the magazine. Each issue is different, and organized
around an idea that's usually seen through is great  detail.
They did an issue on Bali, which is a wonderful tour through
the culture. It's an hour plus of Songs  and  stories,  wild
dogs barking at the edge of the village, Music and Mopeds at
war in the marketplace, and a sense of the place.Their  last
release  is a long ambient study of water, with a gentle bit
of process music mixed in. There  is  a  photograph  of  the
water  that  was  recorded tucked inside the cassette. Their
earlier recordings come from all over the world. It's  obvi-
ous  that  Touch  is  a  real labour of love...getting a new
issue is like a package from an old friend.

_T_h_e _R_u_g_g_e_d _I_n_d_i_v_i_d_u_a_l_i_s_t_s: There are literally a million  of
them  out  there. Some of them are people like the guitarist
Robbie  Basho,  who  during  a  lucrative  recording  career
decided  to  collect and produce his _o_w_n collections for his
friends. The New York  cassette-only  recording  label  ROIR
will give you stuff by Television, Feminist Reggae stars The
Raincoats, Richard Hell, and the  MC5  that  never  saw  the
light  of  day.  REM fans  will  almost  certainly  want  to
check  out  the  cassette work of Stumble. Some labels, like
Palace of Lights in Seattle, have their own cassette release
program which runs alongside their indie vinyl.

The best way to find out what's out there is  to  check  out
the publications I mentioned last time.    You'll get a feel
in no time for the kind  of  music  they  talk  about  (it's
usually  described as an extension of something you probably
_h_a_v_e heard of), and be able to pick  and  choose.   It  also
doesn't  hurt to ask around a little bit. I was surprised to
discover in the week since part one came out _h_o_w _m_a_n_y people
knew  about  this  stuff  already,  and  how many had little
recommendations of their own. A couple of those people actu-
ally work in local book and record stores, and know where to
find the stuff. Find them, and cultivate their friendship.
And most importantly, Keep listening. Whatever things are of
good report....

If any of you would like the addresses for this stuff, pop
me a line, and I'll post them along.