[net.women] Madonna and the trivialisation of sex

dsi@unccvax.UUCP (Dataspan Inc) (08/04/85)

/* Doug Alan */
>  (1) That's not what the song is about.

>  (2) And so what if it were?  I said that perpetuating the idea that
>  sex is taboo or wrong is bad.  If Kate Bush were saying . . .

     (those interested in the origins of this discussion, use your
'd' key)

/* end excerpt */
     One who is exceptionally cynical can probably make an effective
argument that 'listening to Madonna trains one in the skills required
to engage in sexual manipulation, game playing, whatever.' However,
I shall not use this approach.

     First, there seems to be a fallacy of four terms here. Even Doug
would agree that when he is discussing 'sexuality' with respect to
Kate Bush and with respect to Madonna (or anyone else) the essence
of meaning is quite different.  Please forgive me for bringing up
such tripe, but the Bernesque notion of 'intimacy' and '~intimacy'
is much better terminology for what is being discussed here.

     A few points:

      Either a human is sexually aware, or it is not. Nowhere
have humans been taught to manage their sexual private
events EXCEPT by guilt, repression (pre radio/TV); or
the additional 'problem' of using one's sexual awareness
as a reinforcer in the performance of essentially 
nonintimate/nonsexual acts.

     What Doug (and this writer) really finds irritating about
Madonna (or more properly, the equivalence class of artists
exemplified by Madonna) is NOT the perpetuation of 'bad sex' or
'taboo sex' (I think) but rather, the latter point in (1) above.
Specifically, that class of 'artists' reinforce the trivialisation
of SEXUALITY IN HUMAN INTIMACY.  What I see as the real problem
is no longer the perpetuation of 'taboo' attitudes but literally
indifference.  The developing human is encouraged at every turn
not to deal with their kind in an intimate way, but in a nonintimately
sexual way.  Programme length commercials for 'the trappings of
the good life' (not limited to broadcast media, either) also teach
the same doctrine of nonintimate sexual, almost Pavlovian S-R
behaviour as a means to an end.

     The consequence of all this nonintimate sexual stimulation
are indifferent humans.  Doug probably finds (as I do) that dealing
with people who prefer 'popular song-reflecting behaviour' rather
than intimacy is a real drag. This is not to say that these persons
have no absolute intimate capacity.  It is simply to say that 
people who are exposed to continuous attitudes suggesting that
'game playing' or 'trivialisation of sex' is where it's at tend
to reflect that behaviour. (See 'Pornography, ________, and the
Trivialisation of Rape', in the __Journal_of_Communication__ . .
I think it was Winter, '82 ... for an excellent discussion of 
this effect).

     What I find particularly fascinating about Kate Bush is her
capacity for communicating (as well as one could ever communicate
their private events) the immediacy and fullness of her __________
(no word can adequately describe it) which is obstensibly intimate
and sometimes sexually intimate.  What she has done is attach her
'essence' (in the Eastern religion sense) to both lexical and musical
communication.  Whether or not you agree with her lexical or musical
expositions, it is still richly rewarding to get even the most
brief look at the ___________<2> or perhaps, the slime under one's
garden rocks, etc.

     The dividing line of what is being discussed here really isn't
at the 'good sex/bad sex' ( && -ual attitudes ) thing but what is
a casual and trivial treatment of sex, and what might sometimes
be sexual but is always a reflection or communication of intimacy.

     When Doug Alan says that 'Madonna helps perpetuate unhealty
sexual attitudes,' I must concur.  However, unhealthy implies that
someone is suffering.  It is not that Madonna in and of herself
is bad, but that the entire equivalence class of this dreck (and
those who are, let's face it, reinforced to behave in primarily
nonintimate sexual ways) is severely limiting to the growth 
of humanity.  I AM NOT SAYING THAT IT IS THE FACTOR, but rather,
constant exposure of nonintimate sexual reinforcers does contribute
to stagnation and boredom.

     Therefore, Doug probably (and I, definitely) have to reach 
for the USAir barf bag because society won't explore all the
possibilites (and seems to be in a covert conspiracy to discourage
every kind of intimate encounter in that which is 'entertainment').
WE'RE STILL STUCK (like a badly scratched record) ON THIS BUSINESS
OF 'GOLLY GEE, IS SEX REALLY BAD???' or 'How Sex Can Be Improved
in a Nonintimate Way'.....

         CAN'T WE MOVE ON ??? ??? ??? ??? ??? ?? ?.

     To wrap up, this: For some individuals, music is a form of
communication which is completely disjoint (indeed, it might even
have its own separate consciousness) from the cognito-lexical part
which we are all familiar. There may be some forms of intimate 
two (or multi) way contact which exist among those with exceptional
musical gifts.  Most of those to whom music means a great deal 
(such as Doug) probably have to be content with observing these
musical expressions of private events.  But wouldn't it be great
if there was a wide variety of emotional viewpoints being expressed
on many subjects in top-40, so that perhaps our successors could
find something that transcends (or even augments) common sexual
and intimacy notions?

     Or, wouldn't it be great if the vast majority could experience
something other than the trivialization of sex in their ordinary
musical experience.  It just might be that the development of
musical understanding could open up entirely new possibilities
for humans.  It'll never happen, though, as long as people have
a continuous stream of the 'Madonna equivalence class' from which
to select.