[net.tv] Censorship again

ags@pucc-i (Seaman) (05/15/84)

I watched "Last Tango in Paris" on the Bravo cable network the other night.
The film was introduced by Alexander Scourby, who assured us that we would
be seeing the uncut original theatrical release.

It just wasn't so, folks.  It had been a long time, but I KNOW some scenes
were cut.  The legendary "butter" scene was there (sort of), but a large
"ornament" was strategically placed over the center part of the picture.
Other scenes didn't make much sense at all, because of references to deleted
scenes.

What confuses me about this is that I have seen other scenes on Bravo that
were just as explicit as the ones that were cut from "Last Tango."  I believe
this film was rated X when it came out in 1972, but the original release would
very likely get an R today.

Who dunnit?  If Bravo did it, I doubt that they would have come right out and
lied about it.  They probably just didn't know what they had.  Besides, I
doubt that they would have the necessary equipment to doctor a scene, rather
than cutting it out entirely.

Questions:

  Has anyone seen a similarly altered "Last Tango" in a theatre?

  Has anyone seen the uncut version within the last five years or so?
-- 

Dave Seaman
..!pur-ee!pucc-i:ags

"Against people who give vent to their loquacity 
by extraneous bombastic circumlocution."

abc@brl-tgr.ARPA (Brint Cooper ) (05/19/84)

We rented "Tango" from our local VCR Tape emporium a few weeks
ago.  It was the worst piece of S___ I ever saw, and I enjoy
a little erotica.  The thing was just offensive; Brando was
offensive; the girl was pathetic.  I hope someone warns me
the next time "Tango" comes my way so I can be somewhere else!

cpma@vice.UUCP (05/20/84)

Check out the LaserDisc version.  I've never seen the original,
but LaserDiscs *rarely* use cut versions.

grw@fortune.UUCP (Glenn Wichman) (05/24/84)

[]

	No, laser disks are often edited.  There is a scence
    cut from Electric Horseman (makes the movie hard to understand),
    and one song cut from Blues Bros.  (the same one was cut when it
    was on TV.

							-Glenn

fish@ihu1g.UUCP (Bob Fishell) (05/24/84)

(oo)
I saw the original "Last Tango in Paris" in its unexpurgated form
when it was in the theaters.  It was *still* a piece of trash.

Nobody seems to know how to make an erotic movie acceptable to the
critics without either filming it in that annoying, choppy, European
fashion or making the plot depressing and the characters utterly
depraved, as in "Last Tango."  Myself, I prefer my erotica honest,
that is, utterly without redeeming social value.  Who can enjoy
a good b___job when you know the hero's going to get his brains
blown out as well?
-- 

                               Bob Fishell
                               ihnp4!ihu1g!fish

jay@umcp-cs.UUCP (05/25/84)

"Last Tango" seems to be getting the short end around here because of it
steamy/not steamy sex and its depressing tone.  I've seen the film a couple
of times and find it fascinating.  Sex is an outlet for both Paul (Brando) and
Jeanne to act out their fantasies.  Paul has just lost a wife to suicide.  It's
clear from the film that he was utterly dependant upon her while she was alive
and he, thus, attempts to maintain a distance with Jeanne.  "No names",he says.
He is brutal and she submissive; I'm sure this offends many and I wouldn't be
surprised if this is the intention.  But the fact the Jeanne outgrows the 
relationship, although Paul comes to depend upon it, shows ultimately who is
the stronger, more adaptable of the two.  There's a lot going on in this film,
as there is in any good film.  If you decided to watch it just for the sex,
you've missed an awful lot.  Bertolucci is a respected filmmaker.  He says
some interesting things to say and says them in interesting ways.  Next time
the film comes around note the camera movement, the position of the       
characters in the frame, the lighting.  Watch and listen to Brando.  I can't
think of another film where he gives a better sustained performance.  A film
that raises questions, one that makes you feel uneasy as you leave the 
theater, is a film that touches in ways that are not familiar to the typical
American moviegoer used to addle-pated entertainment.  Both serve a purpose  
and you have every right to prefer either over the other.
-- 
Jay Elvove       ..!seismo!umcp-cs!jay