[net.audio] id AA21028; Sat, 31 Mar 84 07:52:23 est

jeff@tesla.UUCP (Jeff Frey) (03/31/84)

Date: Sat, 31 Mar 84 07:52:23 est
From: jeff (Jeff Frey)
Message-Id: <8403311252.AA21028@tesla.UUCP>
To: audio@net
Subject: Strauss at 32Hz


Two of the most famous recordings of
the mono era are RCA's LM 1806 and 1807,
R. Strauss' "Also Sprach Zarathustra"
and "Ein Heldenleben. (Chicago Symphony,
Fritz Reiner). These were recorded on
March 6 and 8, 1954, and the original
bi-fold record jackets give various
details of the recording, e.g.,
"A single [too bad just before stereo!]
condenser microphone was suspended 16
feet above the conductors's podium...
recorded on RCA Victor RT-11 recorders
at...30 ips...etc.  The jacket
claims a frequency response on the disc
of 30-18kHz, and the opening organ note
on ASZ is 32 kHz.  Just re-listening
to the record I can hear (feel) the
32Hz, but there is a higher-frequency
component on top of it (possibly
harmonics in my parallel Advents).
Comparing with the London recording
(CS6978, from 1975) I hear the same
low-frequency component but a higher
harmonic frequency.

The Reiner recordings were subsequenttly
reissued on various cheap labels and are
well worth having as great performances.
I don't know whether the sound quality
was retained on the reissues.

Other famous recordings by RCA from that
period include Toscanini's versions of
Pictures at an Exhibition, and the
New World Symphony.  These all had LM
numbers in the range around 1800, and
were issued when "high-fidelity"
began to get popular - around 1955.
Jeff Frey