sjc@angband.UUCP (Steve Correll) (12/01/84)
I don't own one and can't claim expertise, but I am skeptical of tangential tonearms. (I'm boycotting the term "linear" now that vendors like Dual are confusing the issue by touting "straight line" tonearms, which turn out to be conventional pivoted arms with the cartridge mounted at an angle, obviating the traditional curve in the arm). An author in Audio within the past year or so (sorry I haven't the date at hand) published the deviation from tangency required to trigger the servomechanisms on several tangential arms. He claimed that the figures weren't much less than the deviation from tangency for a well-designed pivoted arm, and they were all down in the noise compared with the sort of error you get from an imperfectly mounted cartridge. He suggested that the benefits attributed to tangential arms are due not to the elimination of tracking error, but to the reduction in arm mass, since most tangential arms are considerably shorter than pivoted ones. I wish audio manufacturers would: a) Adopt a standard cartridge mounting scheme (perhaps the P-mount?) which would guarantee correct alignment, without relying on the dealer or consumer to be conscientious with screwdrivers, protractors, overhang gauges, and shims. b) Adopt damping mechanisms like Shure's brush or various vendors' arm-damping, so that no matter what the arm mass and cartridge compliance are, the low-frequency resonance is negligible. c) Standardize the vertical tracking angle. I realize the ill effects differ, but it seems ridiculous that we go to great effort to eliminate variations from tangency on the order of a degree, while blithely ignoring the fact that vertical tracking angles vary by up to ten degrees or so among cutters and cartridges. -- --Steve Correll sjc@s1-c.ARPA, ...!decvax!decwrl!mordor!sjc, or ...!ucbvax!dual!mordor!sjc
herbie@watdcsu.UUCP (Herb Chong, Computing Services) (12/02/84)
For what its worth, The Absolute Sound uses a Yamaha PX-2 tangential tracker as its reference turntable for evaluating cartridges and turntable accessories. They feel it is almost in the league of Linn Sondek and Oracle (not to mention Ariston) with all the advantages of a direct-drive fully- automatic turntable. -- Herb Chong... I'm user-friendly -- I don't byte, I nybble.... UUCP: {decvax|utzoo|ihnp4|allegra|clyde}!watmath!watdcsu!herbie CSNET: herbie%watdcsu@waterloo.csnet ARPA: herbie%watdcsu%waterloo.csnet@csnet-relay.arpa NETNORTH, BITNET: herbie@watdcs, herbie@watdcsu POST: Department of Computing Services University of Waterloo Waterloo, ON N2L 3G1 (519)885-1211 x3524
greg@olivej.UUCP (Greg Paley) (12/04/84)
This is a footnote to Herb Chong's message about Absolute Sound using the Yamaha PX-2 as a reference. I think it needs to be mentioned that, at least according to the last reference in Absolute Sound on this table, their "reference" version was quite heavily modified, even to the extent of replacing the actual arm tube. The first review they supplied of the table was downright unfavorable, but the later comments describing their use of it as a reference were by no means specific enough as to the modifications that resulted in their upgrading their opinion of the table so as to allow someone buying the table new to match the performance they got from it. In a later turntable rating, the Yamaha wasn't even mentioned (perhaps because it has apparently been dropped from production) whereas the Linn-Sondeck, Oracle, Sota and (top-rated) Goldmund were. - Greg Paley