brad@kontron.UUCP (Brad Yearwood) (02/26/86)
Any comments on the relative merits of various opamps and opamp spec. figures for audio preamp and filter applications would be welcome. Which figures are relevant for, say, phono preamps, but not so much for tone control (no ultra-purist flames, please) filters and vice versa? Has anyone experimented with something expensive like, say, the OP-27, and found audible improvements over the 1458, 4558, 5532 or 5534? How about the encapsulated discrete modules that you sometimes see advertised in recording engineering trade magazines - hype or quality? Are all of these poor choices when compared to an optimized discrete design? Brad Yearwood Kontron Electronics {voder, pyramid, loral}!kontron!brad Mountain View, CA