anand@utastro.UUCP (Anand Sivaramakrishnan) (08/15/85)
................................................................... I am not quite sure of the message in J. Eric Roskos posting, but surely all photographs are 'technical'. Even if it is a snapshot of a kid's birthday party, it is technical. There are various levels that one can approach photography, one extreme is 'Hey, that's a great shot! I bet you took it with a Leica! What edge sharpness!' .... on the other hand, one can appreciate the technical aspect of the picture but treat it as purely secondary to the message of the photographer. I think 'realism' is a very badly defined word, at least in the context of art in general. What is real about projecting three dimensions down to two, and transforming swarms of photons into grains of silver or dye? In defense of technique (or technical knowledge) .... the more you know about your medium the better... you can visualize the final desired image and even approximate it closely. I see little difference between using the technical knowledge that 'pointing the camera at a child from low bets you a better picture' and 'pre-exposing the negative to a uniformly illuminated textureless subject placed on zone III will cause a useful raising of density in the toe of the exposure-density curve'. The difference is only a matter of degree. The images produced in photography are all equally real, and photographs are 'technical' by nature, but photography is not meant primarily to exhibit the technical ability of the photographer. I feel very strongly about this topic, as I have seen people who are potentially good photographers get trapped: one by a technical-perfection-mania (he changes his equipment every few months, and shoots the same pictures, comparing this lens to that, exchanging them, generally walking around saying that he has the best lenses around (likewise for papers, developers, everything else), he hasn't taken an original picture for five years! His earlier work, done on a more limited budget (both time and money) was really good. In contrast, the other, in reaction against technical knowledge, handicaps himself to prove that one can take good pictures using a child's toy camera (I think it is a reaction, not a requirement dictated by the initial visualization). So y'all out there, stay between the Scylla of technical mania and the Charibdis of reaction agin it!